Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.
- Directors
- Writers
- Stars
- Awards
- 1 win total
Marguerita Padula
- Madame Kya
- (as Margaret Padula)
Leon Belasco
- Assistant to Manager
- (uncredited)
Abner Biberman
- Wardrobe Buyer
- (uncredited)
Gino Corrado
- Waiter
- (uncredited)
Vernon Downing
- Ship Passenger
- (uncredited)
Willie Fung
- Ling
- (uncredited)
Charles Halton
- Manager of Rubber Company
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I thought Robert Taylor was very good in Waterloo Bridge. Here, however, he just doesn't produce the chemistry the part should have. He isn't really bad, just in this case rather average.
On the other hand, the rapturously beautiful Hedy Lamarr is so perfectly cast in this role. She handles the language accents so well. This film provides an example that those who say yes she was beautiful but couldn't act, that that just doesn't hold water. Her acting here is really quite perfect for the part. The inner conflict of somehow knowing her fate yet dreaming that things could be different comes out in her subtle facial expressions. And of course she looks perfect in the nice dresses and hats. I could see why Bill was trying everything to stay with her and take her away from there. Oh how it is when an American man falls in love with a foreign beauty. See "Act of Love" starring Kirk Douglas if you can.
The other actors did a fine job in this movie as well. And of course the cinematography won a well-deserved award. How I prefer the black and white movies.
This is really an underrated movie with an underrated actress in the lead. I enjoyed it at least as much as her more famous movies. Sure wish Hedy, parts turned down aside, would have played in more top movies.
If there is one downer about this movie, it is rather sad. But the wonderful Hedy Lamarr singlehandedly makes up for it.
On the other hand, the rapturously beautiful Hedy Lamarr is so perfectly cast in this role. She handles the language accents so well. This film provides an example that those who say yes she was beautiful but couldn't act, that that just doesn't hold water. Her acting here is really quite perfect for the part. The inner conflict of somehow knowing her fate yet dreaming that things could be different comes out in her subtle facial expressions. And of course she looks perfect in the nice dresses and hats. I could see why Bill was trying everything to stay with her and take her away from there. Oh how it is when an American man falls in love with a foreign beauty. See "Act of Love" starring Kirk Douglas if you can.
The other actors did a fine job in this movie as well. And of course the cinematography won a well-deserved award. How I prefer the black and white movies.
This is really an underrated movie with an underrated actress in the lead. I enjoyed it at least as much as her more famous movies. Sure wish Hedy, parts turned down aside, would have played in more top movies.
If there is one downer about this movie, it is rather sad. But the wonderful Hedy Lamarr singlehandedly makes up for it.
You can't go wrong watching a film with two of the most beautiful Hollywood actors of the late 30s – Robert Taylor and Hedy Lamarr in "Lady of the Tropics". Not only do we have these physically gorgeous people the photography in this film is exceptional, an d director Jack Conway was always successful when handling as film whose central character was a woman (e.g., Libeled Lady, Red-Headed Woman, The Girl from Missouri).
Some may find the film a bit slow, though the script by Ben Hecht is certainly adequate. But Hecht and Conway were far better in different genres, so the current film never really rises above the line.
Some may find the film a bit slow, though the script by Ben Hecht is certainly adequate. But Hecht and Conway were far better in different genres, so the current film never really rises above the line.
Was Ben Hecht a damnable racist, or does it merely seem so? The fact that this frankly racist film doesn't shock our sensibilities maybe due to its not being that much outside of the norm. Hollywood has been called leftist, but no miscegenation is allowed, not even after the war. And all participants in this charade pretend to have creative freedom, or to desire it. This film could well have been called "No Miscegenation!" at a time when someone else in Europe was crying "No Miscegenation!" Congratulations Hollywood!
I remember when I was living in Vietnam, I was told that Eurasian women were the most beautiful in the World. The French-Vietnamese women that I saw were indeed exquisite. Hedy Lamarr was perfectly caste as one of these women, and her performance in this film was so romantic that one would want to see it over and over.
This fine film featured Oscar-nominated cinematography, a script by the great Ben Hecht (Wuthering Heights, Notorious, The Scoundrel, Underworld), and Robert Taylor as the leading man.
The story is as old as time and you cannot fail to be moved by the tragedy.
This fine film featured Oscar-nominated cinematography, a script by the great Ben Hecht (Wuthering Heights, Notorious, The Scoundrel, Underworld), and Robert Taylor as the leading man.
The story is as old as time and you cannot fail to be moved by the tragedy.
10whpratt1
Hedy Lamarr, (Manon DeVargnes Carey) was so beautiful in this film and her acting was outstanding along with Robert Taylor, (William Carey). Bill Carey played the role as a playboy with plenty of money and sails to Saigon and meets Manon in a bar and the two of them fall in love with each other once they look into each other eyes. Bill does not know very much about Manon or the fact that she has a lover named Pierre Delaroch, (Joseph Schildkraut) who lives a very shady life and is up to all kinds of tricks. Pierre becomes jealous once he finds out about Manon falling in love with Bill Carey and makes contact with his friends in the government of Saigon in order not to grant her any visas to the United States or Paris, France. Manon is a lady who tells many lies and is really a very sly and tricky lady when it comes to men or anyone. There is plenty of romance in this film and extremely dramatic situations which face these two lovers. If Hedy Lamarr did not star in this film, I am sure Betty Davis would have done a great job, but never as beautiful. Enjoy.
Did you know
- TriviaThe American Film Institute Catalog of Feature Films 1931-1940 states that this was Hedy Lamarr's last film under her MGM contract; it was her first. AFI also adds that Mary Taylor was signed to a long-term MGM contract as a result of her work in this picture; in fact, she would be seen in only four feature films in her entire career, and only one more of them, Blossoms in the Dust (1941) would be made at MGM.
- Quotes
Bill Carey: Father... Father, help us.
Father Antoine: My son, she goes where there is no east or west. And she will be judged by one who alone knows how great or how little were her sins.
- ConnectionsFeatured in From the Ends of the Earth (1939)
- SoundtracksEach Time You Say Goodbye (I Die A Little)
(1939)
Music by Phil Ohman
Lyrics Foster Carling
Sung by Gloria Franklin (uncredited) (dubbed by Harriet Cruise (uncredited))
- How long is Lady of the Tropics?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Flor del trópico
- Filming locations
- Cambodia(cambodia)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $913,000 (estimated)
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.37 : 1
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