A French playboy and an American former nightclub singer fall in love aboard a ship.A French playboy and an American former nightclub singer fall in love aboard a ship.A French playboy and an American former nightclub singer fall in love aboard a ship.
- Nominated for 6 Oscars
- 3 wins & 6 nominations total
Maurice Moscovitch
- Maurice Cobert
- (as Maurice Moscovich)
Mary Bayless
- Theate Patron
- (uncredited)
Scotty Beckett
- Boy on Ship
- (uncredited)
Ferike Boros
- Terry's Landlady
- (uncredited)
Mary Bovard
- Autograph Seeker
- (uncredited)
Tom Dugan
- Drunk with Christmas Tree
- (uncredited)
Bess Flowers
- Ship Passenger
- (uncredited)
George Ford
- Ship Passenger
- (uncredited)
J.C. Fowler
- Doctor
- (uncredited)
Joe Gilbert
- Theatre Patron
- (uncredited)
Dell Henderson
- Cafe Manager
- (uncredited)
Leyland Hodgson
- Doctor
- (uncredited)
Carol Hughes
- Nightclub Patron
- (uncredited)
Featured reviews
This is a film of two genuine moods. The first half or so is a romantic story in the fine 1930s comedic tradition. The dialogue is witty, the characters charming, and the developing romance a joy to watch. The second half is a drama which is deep and engaging. The dignity with which the characters act through trying circumstances is wonderful, and a marked contrast and relief to the hysterical characters found in contemporary movies. To have two such different moods both handled with such extreme skill in the same movie makes this a rare gem.
The acting is superb; both Dunne and Boyer play with believable subtlety and emotional power. They drew me in so I cared enormously. Maria Ouspenskaya is, as always, superb. Compare her performance here with her blistering performance in her similar-but-opposite role in Dodsworth. The direction is very straightforward in its service to the story, with only the occasional standout moments: look for the superb shots of the couple's first kiss, of the reflected empire state building, and of the double headline. With a story and acting as strong as this, that's exactly as it should be.
The acting is superb; both Dunne and Boyer play with believable subtlety and emotional power. They drew me in so I cared enormously. Maria Ouspenskaya is, as always, superb. Compare her performance here with her blistering performance in her similar-but-opposite role in Dodsworth. The direction is very straightforward in its service to the story, with only the occasional standout moments: look for the superb shots of the couple's first kiss, of the reflected empire state building, and of the double headline. With a story and acting as strong as this, that's exactly as it should be.
Directed by Leo McCarey, this 1939 romantic classic is the first and best version of the old warhorse of a fateful shipboard romance between an aimless playboy and a nightclub singer, both engaged but appearing to be destined to reunite on the top floor of the Empire State Building. The elaborate, shot-for-shot 1957 remake again directed by McCarey with Cary Grant and Deborah Kerr is much better known, and Warren Beatty even saw fit to remake it yet again with his wife Annette Bening for a 1994 update featuring an 87-year old Katharine Hepburn in her last film role.
But it all started with this more modest film starring a smart, luminous Irene Dunne as Terry McKay and Charles Boyer all continental charm as Michel Marnet. The story is as contrived as ever, but the script co-written by McCarey, Mildred Cram, Delmer Daves and Donald Ogden Stewart is full of clever dialogue to go with the soap opera elements. It's too bad the print condition is so bad given that it has fallen into the public domain, but you can still get a strong sense of the craftsmanship behind the film, especially Rudolph Maté's soft-focus cinematography.
Even though Maria Ouspenskaya gives her most sympathetic performance as Grandmother Janou (she was wonderfully malevolent in "The Wolf Man"), it's really the chemistry between the two stars which keeps this afloat, especially Dunne who was so dexterous in comedy and drama in her prime that she is far superior to either Kerr or Bening. She even gets to sing two songs most winningly, one a Harold Arlen gem called "Sing My Heart". Even though you are likely to know every scene by heart from the 1957 remake, it's still quite worthwhile to enjoy the antiquated charms of the original.
But it all started with this more modest film starring a smart, luminous Irene Dunne as Terry McKay and Charles Boyer all continental charm as Michel Marnet. The story is as contrived as ever, but the script co-written by McCarey, Mildred Cram, Delmer Daves and Donald Ogden Stewart is full of clever dialogue to go with the soap opera elements. It's too bad the print condition is so bad given that it has fallen into the public domain, but you can still get a strong sense of the craftsmanship behind the film, especially Rudolph Maté's soft-focus cinematography.
Even though Maria Ouspenskaya gives her most sympathetic performance as Grandmother Janou (she was wonderfully malevolent in "The Wolf Man"), it's really the chemistry between the two stars which keeps this afloat, especially Dunne who was so dexterous in comedy and drama in her prime that she is far superior to either Kerr or Bening. She even gets to sing two songs most winningly, one a Harold Arlen gem called "Sing My Heart". Even though you are likely to know every scene by heart from the 1957 remake, it's still quite worthwhile to enjoy the antiquated charms of the original.
I'd always been curious about this original version of the romantic 1957 hit, "An Affair to Remember" which was a bona fide box-office success, made so memorable by the classy pairing of Cary Grant and Deborah Kerr. That CinemaScope remake in Color by DeLuxe, of this black-and-white original, was also co-written and directed by Leo McCarey, a man who wasn't afraid to regularly mix genuine sentiment with some fairly gloppy sentimentality in the same (admittedly tasty) cinematic dish.
I join those who prefer the original, thanks mostly to the restrained and very professional performances of a quite young-looking Charles Boyer and Miss Irene Dunne, who looks quite ravishing throughout (modelling some gowns that are as chic today as the first time this film was shown). And what a set of pearly whites she had... the better to charm the stuffing out of us with that glowing smile!
Anyway, Turner Classic Movies showed it the other evening and I couldn't believe the terrible condition of the print. Scratches, skips, muddiness, sound problems, every possible defect seemed to be in appalling evidence! Apparently the DVD now in circulation is every bit as bad. Hey! Come on guys! This film is considered one of the better ones during a year (1939) when Hollywood studios unleashed a cornucopia of goodies. How about giving us a version worth watching, for heaven's sake!
I join those who prefer the original, thanks mostly to the restrained and very professional performances of a quite young-looking Charles Boyer and Miss Irene Dunne, who looks quite ravishing throughout (modelling some gowns that are as chic today as the first time this film was shown). And what a set of pearly whites she had... the better to charm the stuffing out of us with that glowing smile!
Anyway, Turner Classic Movies showed it the other evening and I couldn't believe the terrible condition of the print. Scratches, skips, muddiness, sound problems, every possible defect seemed to be in appalling evidence! Apparently the DVD now in circulation is every bit as bad. Hey! Come on guys! This film is considered one of the better ones during a year (1939) when Hollywood studios unleashed a cornucopia of goodies. How about giving us a version worth watching, for heaven's sake!
What a year that was... 1939! So many great movies produced in a 12 month period! And this ranks up there with any of them. especially if you are looking for a romance.
Irene Dunne is wonderful in her role, her expressive face conveyed her emotions and reactions so well it is like reading her mind. She ws beautiful and charming and perfect in her part. Charles Boyer as the quintessential French gadabout, seemingly unfeeling toward women but true love melts his heart.
Yes this indeed was the original "Meet me at the top of the Empire Stae Building" film and it sets a standard hard to beat.
Recommended highly, would make a great triple feature with "An Affair To Remember" and "Sleepless In Seattle". (in that order)
Irene Dunne is wonderful in her role, her expressive face conveyed her emotions and reactions so well it is like reading her mind. She ws beautiful and charming and perfect in her part. Charles Boyer as the quintessential French gadabout, seemingly unfeeling toward women but true love melts his heart.
Yes this indeed was the original "Meet me at the top of the Empire Stae Building" film and it sets a standard hard to beat.
Recommended highly, would make a great triple feature with "An Affair To Remember" and "Sleepless In Seattle". (in that order)
Love Affair is one of my favorite movies. Irene Dunne is a lovely lady, who sings beautifully. Charles Boyer is a subtle, elegant actor who wins my heart every time. Maria Ouspenskaya is lovely as Boyer's grandmother. I understand from Boyer's biography, that he suggested the scene with her as a method of making his character more sympathetic. What an addition to the film! I prefer this version of the story to the later one. Watch the scene near the end when Boyer realizes that his painting was given to Dunne and understands what happened the night he waited at the Empire State Building. What acting!
Did you know
- TriviaAfter this movie was released, restaurants were suddenly bombarded with requests for pink champagne.
- GoofsWhen Terry and Michel are on the ship during the day and they are next to the railing talking and reading their letters, the ocean is moving behind them. Just after the closeup on Terry, she turns and faces the ocean, and the shadow of her head can be seen on the screen that displays the ocean.
- Quotes
Terry McKay: My father used to say, "It's a funny thing, but the things we like best are either illegal, immoral or fattening."
- Crazy creditsOpening credits are on pages of a book, through which a female hand is paging.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "LOVE AFFAIR - UN GRANDE AMORE (1939) + SE FOSSI LIBERO (1933)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsEdited into The Our Gang Story (1994)
- SoundtracksSing My Heart
(1939)
Music by Harold Arlen
Lyrics by Ted Koehler
Performed by Irene Dunne (uncredited) at a nightclub
- How long is Love Affair?Powered by Alexa
Details
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 1.37 : 1
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