Mexican Spitfire

Carmelita Lindsay (Lupe Velez) is the Mexican Spitfire. She has various misadventures with her husband Dennis Lindsay (Donald Woods). A client mistakenly assumes Carmelita to be Dennis' secretary. It's a sitcom misunderstanding and let the ensuring wacky hijinks begin.

This is basically a network sitcom. Lupe Velez is Lucille Ball with Desi Arnaz accent. She is the alpha and the omega of this show. Donald Woods is the straight man. The rest of the cast is a lot of wacky chaos and loveable obstacles. I like Lupe despite the stereotypical Latina portrayal. I like the dinner party, but the movie keeps going on and on. It loses steam in the second half.

Lupe Velez in the first of the "Mexican Spitfire" series of movies. There would be about eight of them. She plays Carmelita Lindsay, new wife of Ad man Dennis Lindsay. They are fresh back from their honeymoon in this picture when Dennis' old flame Elizabeth (also the name of Carmelita's Chihuahua by the way...) decides she sees something new in Dennis and wants to get back together with him despite his marriage to Carmelita. Lupe is wonderful in this role as a frenetic, wise-cracking bundle of energy. She makes funny faces, is very expressive, has a wonderful smile and has her hands full dealing with Elizabeth ( Not the chihuahua, the OTHER dog...). Add into the mix, Lord Epping a much-bucks client of her husband Dennis, cases of mistaken identity and you have a great movie at a little over an hour... Lupe is absolutely cute! She curses to herself under her breath in Spanish, a little comic technique later "borrowed" by Senor Desi Arnaz who was probably still in Cuba when these films came out, waiting for his big break. This movie isnt on video and is not played that often, so catch it when and where you can, hokay? Hokay!

Lupe Velez. Remember that name. Lupe Velez, the Mexican Spitfire. In a series of extremely funny comedies for RKO she played the title character, Carmelita Lindsay. Wife of Dennis Lindsay, a Caucasian, the films were practically a reverse "I Love Lucy" over a decade ahead of time. Lupe Velez was a vivacious, energetic, beautiful AND funny comedienne. I'd even go so far as to say that her of portrayal of Carmelita Lindsay was a blueprint for Lucielle Ball's Lucy Ricardo. Lupe even had her own humorous way of crying, much as Lucy did. She was also forever getting herself into silly situation after situation and hair brained scheme after hair brained scheme. While she was always married to the same man, (played by different actors) the other constant of the series was character actor Leon Errol as Uncle Matt. Together, Lupe Velez and Leon Errol made a great comedy team! A BIG THANKS to TCM for airing every one of these films back to back. Every time I think that the Hollywood well has run dry of anything I haven't seen that I'd like to, TCM finds something else worthy of attention. I hope TCM runs them again soon so I can see the ones I missed. Solid, funny, well done movies all! The only sad thing connected with them is the fact that Lupe Velez died a suicide in her mid-thirties. If only she had known how much laughter and enjoyment she would have certainly brought to future audiences, perhaps she would had she lived through her depression. If you really love funny films from the 1930s and 40s, these are your kinds of films! Certifiable reasons why it was known as The Golden Age of Hollywood.

Leon Errol handles his double role of Uncle Matt Lindsay and Lord Basil Epping superbly, but I have trouble liking the "Mexican Spitfire" Series because they all are contrived to produce mistaken identities, and these are telegraphed way in advance. Errol is funny as the stuffy Lord Epping, but I would have preferred a lot more wit and much less repetition.

By the time this B-budget comedy was made by producer Lee Marcus for the ailing studio RKO, the big-wigs there had lured radio's wunderkind Orson Welles to Hollywood with an offer of total artistic control on any film he wanted to make. Why? Why not! To understand the desperate and forlorn shape the Gower Street studio was back then, just watch this film, a typical B&W programmer of the time. Leon Errol does his bi-lingual shtick with sexy and over-the-top Lupe Valdez. Neither actor, sad to say, turned out to be any guarantee of box-office success. Those who wish to analyze Latina stereotypes in American films will find the origin of Carmen Miranda's malapropistic character in these impoverished pre-war Lupe Velez comedies... Ironically enough, many of the regular RKO studio staff who worked valiantly on this Leslie Goodwins flick back in 1940 went on a year later to collaborate with Welles on his masterpiece CITIZEN KANE.