Mr. Wong in Chinatown

When the Princess "Lin Hwa" (Lotus Long) is killed by a poisoned dart in the home of our eponymous San Francisco detective (Boris Karloff) she leaves him one, singly enigmatic, clue which he must utilise to thwart a gang involved with the Japanese occupation of China. Local plod "Capt. Street" (Grant Withers) bucks the trend of many similar style adventure films, and demonstrates some competence as the pair soon discover the foggy docks of their city harbour much more than just ships. There is never any doubt who will come a cropper in the end, but William Nigh gets a lot from his star, a limited script and an even more limited budget and presents us with a basic, but acceptable murder mystery with shades of political intrigue.

For Boris Karloff fans Mr Wong in Chinatown makes for good curiosity value and has good things that makes it a little more than that. Mr Wong in Chinatown is far from bad and Karloff has certainly done worse(look at the Mexican films he did) but he has also done better and deserved better. If asked whether Mr Wong in Chinatown is recommended, I'd say yes but only partially. There are some good things, Karloff is still commanding and gives a very good performance(as said many times by me one of those actors that gave his all regardless of the material). Marjorie Reynolds is the other, and in a way only other, standout in the cast, she brings a great deal of sass to Logan and really spices things up but deserved better material to do so more. Some of the sparring-constant- between her and Grant Withers is entertaining. The closing gag is great. The music has its jauntiness and eeriness. The sets are appropriate and nicely done. And Lotus Long while killed off quickly, perhaps too quickly, she makes for a sensual presence and makes things promising to begin with. However, while the sparring between Reynolds and Withers is fun their chemistry could have been better, aside from their dialogue the chemistry doesn't gel. And Withers to me is the problem, his performance more scenery-chewing rather than subtle and often of the worst kind, the shouting and frozen facial expressions did get annoying after a while. The photography is serviceable but could have been more fluid, the low-budget does show. Outside of the verbal sparring and the closing gag, the dialogue does come across as stilted and could have developed things more. The story shows good potential but peters out after the beginning but picks up at the final solution, which is a nice surprise, the mystery did feel weak because of the dull pacing(the film did feel longer than it was), lack of suspense and tension, the lacking dialogue and that really only two performances stood out. It also got very routine and didn't contain that many surprises. In conclusion, a watchable film with interest points but not great, one of the weaker entries of the series. 5.5/10 Bethany Cox

James Lee Wong (Boris Karloff), the great Chinese detective, returns for another mystery in San Francisco. This time, his case is in Chinatown. Wong is asked, once again, to protect another person (this time a beautiful, Chinese Princess, named Lin Hwa, who is portrayed by Lotus Long, who was actually in the last Mr. Wong film, as a different character). As usual, before Wong can even meet with her in his own house, she is killed. The murderer's method of killing is with poison blow darts. Wong's buddy at the San Francisco Police Dept., Inspector Street (Grant Withers), is back too. In the first two films, Withers was referred to as, Police Captain Sam Street, but that has morphed into Captain Bill Street, for this film. There also is a strong female character, with Bobbie Logan (Marjorie Reynolds), the local news reporter, who gives Street all kinds of headaches. Reynolds was the best character in the film. Mr. Wong eventually enlists the aid, from the leaders of Chinatown, which sets up Mr. Wong in Chinatown (1939).

As you know, Boris Karloff was a British actor, who was made universally famous doing classic horror films. He made the Frankenstein monster and the Mummy household names. He was, somewhat, following in the footsteps of Lon Chaney SR., who was part of the first generation of classic movie monster actors before Karloff. Plus, the original Chaney was famously known as "The Man of a Thousand Faces". Chaney also played Asian characters, a few times, in a couple of films. It was normal practice during the golden-age of film, for actors to play different ethnic characters. For both Lon Chaney and Karloff, that is what acting was, which was being someone completely different than you. They were only judged on their acting ability. Karloff ended-up being a legend, so pretending to be an Asian man, was handled as well as, any of his other great characters. Another interesting thing I noticed, was this time, Wong barely wears his glasses in this film. My guess is, producers might have felt, that moviegoing audiences, not totally familiar with the characters, were getting Mr. Wong confused with Peter Lorre's Mr. Moto series over at Fox Film Productions. To add to the confusion, the Charlie Chan movies were popular too, so you can understand the need for clarification. Asian detectives, solving crimes, was very popular during those early decades of cinema.

Mr. Wong in Chinatown (1939), compared to the last two films, is less on detail and more on action. This film is slightly thin on the plot, but stronger on the action. Some audience participants might like the detailed stuff and less flash, while I enjoyed the balance of the two, with the extra energy. The production values do look like they've gone up a little bit. The producers must have been feeling good about the popularity of the character and added some extra cash for this film. They even blow up a car in this one. There even was some fisticuffs too. There are more outdoor scenes, multiple set-pieces and better filming locations. In the first two films, the stories stayed mostly inside a house or at Street's office. We even take a trip down to the San Francisco boat docks and shipyard, albeit, in part, shot on a soundstage. The filmmakers definitely tried to turn up the action and energy, for this third installment. Mr. Wong in Chinatown (1939), is no better or worse than the first two Mr. Wong films.

PMTM Grade: 6.9 (C) = 7 IMDB.

The extended scene of Wong and a banker talking about paperwork gives you an idea of the pace of this one. Marjorie Reynolds brightens up the proceedings as she is known to do, but that's about all there is to say about this lesser entry. And dog lovers beware: 2 dogs are shot offscreen and their bodies are shown later in the film.

Karloff as a chinese person would always be tough to believe but he does it so well, and his performance is so straight, classy and self-effacing that I ended up forgetting that aspect and I just took it as is.

Good decision, too, in that it allowed me to really enjoy this whodunnit. William Nigh's direction is sound, the screenplay cleverly hands out red herrings, photography is smooth - a lot of it inside gorgeous cars - and acting is quite good, especially from Karloff, Reynolds and Gordon, as the chief villain.

Well worth watching B pic.