Maisie

MAISIE was the first in a series of ten MGM features starring the delightful Ann Sothern as a sharp-tongued Brooklyn chorus girl with a heart of gold. One way or the other, Maisie found herself in the middle of other people's problems, and, more often than not, found a reasonable solution.

The MAISIE series was made on a noticeably low-budget, but Ms. Sothern's bright and vivacious personality elevated these "B" movies to A picture status, making every entry in the series always worth watching. MAISIE is also of great historical importance because it's the first time a female was the central character of a film series.(BLONDIE doesn't count because most of the 28 films in that series revolved around Dagwood).

Though I have seen all of the films in the MAISIE series and love them all dearly, my top favorites are: MAISIE(1939), CONGO MAISIE(1940), GOLD RUSH MAISIE(1940), MAISIE WAS A LADY(1941), MAISIE GETS HER MAN(1942), and MAISIE GOES TO RENO(1944).

The irrepressible Ann Sothern embarks on one of her signature roles, her defining one until she switched over to TV and Private Secretary, and she a bright and breezy delight. Originally intended as an A picture for the reigning blonde queen of the studio Jean Harlow until her untimely death kicked it around the studio before landing in the lower budget B unit. Still an MGM B picture was a higher quality production than some of the lower rung studios top grade films having as they did the cream of the Hollywood talent pool at their disposal.

So appealing is Ann it's no wonder this was the start of a highly successful series chronicling her exploits in ever more exotic locations. No matter the pickle she finds herself in her pluck and ingenuity carry her though. Robert Young, a man born to wear dinner jackets, is rather preposterously cast as a ranch hand, in the best pressed dude clothes you've ever seen, but his facile charm carries him over any rough spots. Ian Hunter is all warm dignity in his part but the biggest surprise casting is finding Ruth Hussey, usually the wry, wise upstanding lady, playing a rapacious unfaithful gold-digger. This was one of half a dozen films she made the year before her big splash in The Philadelphia Story and Metro hadn't found her niche just yet.

A delightful comedy with a dark turn here and there Ann effortlessly drives the film with her star presence. How she never made it to the top rung of stardom is a mystery.

Our heroine, Ann Sothern as Maisie Ravier, is left stranded in a small Wyoming town with the rather unfortunate name of Big Horn. With only 15 cents to her name, she takes a carnival job and through a chance comment, meets Robert Young ('Slim' Martin). For some unexplained reason Maisie stows away on Martins truck and ensconces herself at the farm run by Martin for rich Ian Hunter (Cliff Ames), who turns up with his cheap wife played by Ruth Hussey. A series of misadventures follows with romance for Maisie and tragedy for the Ames. In the end Maisie comes shining through.

The first in a series, Sothern plays Maisie as a brassy, worldwise, blonde with a heart of gold. Her role is reminiscent of Jean Harlow in 'Red Dust': I have heard that Harlow was in line for the role but have no confirmation of that.

The movie itself is quite amusing, if dated, but not helped by poor production values and obvious in studio scenes. There is one shot where Robert Young is driving a truck and a calf pokes it's head into the front part of the truck. Although meant to be real, it is so obviously fake it is laughable. Young walks around in ramrod fashion and Hunter is strangely wooden. Overall, enjoyable nonsense. Not to be taken too seriously.

Ann Sothern could enliven any production and any script, gracing both with her talent, beauty and unusual voice. "Maisie," the first in a series of films about one Miss Maisie Ravier, is no exception. Despite being made on a shoestring, watching Ann Sothern is a delight. She plays a showgirl who is left stranded when the show folds before she arrives. Desperate for work, she takes a job in a carnival, where she meets Slim (Robert Young), a woman-hating cowboy. She stows away in his truck and then assigns herself as a maid to the wife (Ruth Hussey) of Slim's boss (Ian Hunter) when they arrive. Mr. and Mrs. Ames are there to repair their marriage, which was nearly ruined by Mrs. Ames' infidelity. It doesn't take long for anyone to realize that she's a tramp and still at it. This leads to tragedy, and it's up to Maisie to save the day.

Sothern makes the film entertaining - Maisie has a smart mouth and is very enterprising. I can't agree with one poster that this was the first series to have a woman as the main character because the Torchy Blane series started two years before Maisie. Ian Hunter gives a very gentle performance as Mr. Ames, Ruth Hussey is appropriately conniving, and Robert Young is miscast. It's not the first time.

Although I haven't seen the rest of the series yet, apparently they're done as separate entities, because from looking at the cast lists, it doesn't appear that the Young character is in the other films, unless the reason is subsequently explained. I originally thought this might be the last film instead of the first. Well, they promise to be interesting. Anything with Ann Sothern usually is.

Plot-- A jobless brassy blonde worms her way into a spot on a Wyoming cattle ranch thanks to an infatuation with the foreman. There she gets mixed up with the cultured ranch owner and his philandering wife.

Ann Sothern brings off the wise-cracking Maisie in winning fashion. At times she's a little much, but the role's harder than it may look. She's got to be feisty, on one hand, without becoming dislikable, on the other. And that's a challenge since most every line is caustic even if humorous. I really liked the first part where Maisie sort of knocks around eking out a living. But once she settles in on Slim's (Young) ranch and gets involved with the Ames's (Hunter and Hussey), plot takes over and personality recedes. Looks to me like the screenwriter didn't know where to take the storyline, and reached for something melodramatic. Whatever the reason, the two parts don't blend that well despite Sothern's lively bridging performance.

On a different note, catch how Maisie's rather dubious background is finessed. It may not be exactly respectable, but no hint of anything immoral. There were quite a few movie series at the time (1939), mostly amateur sleuths, Charlie Chan, The Falcon, et al. The Maisie series, I believe, was one of the few to feature a female lead. Still, Sothern's so good in the tradition of sassy 30's dames, I'm not surprised a number of sequels followed.

On the whole, the movie's a Sothern showcase with a solid line-up of supporting players-- nice guy Young, a classy Hunter, and a vixenish Hussey. So catch the first part, especially.