Nancy Drew and the Hidden Staircase

Wills like this one are usually only found in mystery novels. Two spinster sisters were left property by their father on the condition that at least one of them remain there every night for twenty years at which time they can sell out. Otherwise it reverts to the city. That certainly must have cramped their social life, no wonder they remained spinsters.

But when the family chauffeur is murdered and other strange things happen our teenage heroine goes to work. As usual Bonita is helped by Frankie who it seems she can talk into just about anything in these films including having all American football player Thomas lose his clothes and have to get into drag which was an offense back in the day.

In three of the four films law enforcement is represented by Frank Orth as the local police captain. Seeing Orth in what was his career role as the bumbling Captain Tweedy, no wonder they need Granville's help whenever a serious crime occurs.

There would be no more Nancy Drew films after this as Granville left Warner Brothers. It was a nice series and I'm sure the kids in the Saturday matinée crowd enjoyed it. Dashiell Hammett and Raymond Chandler were not threatened by Carolyn Keene though.

Warner Bros. filmed several of these Nancy Drew stories in the late 1930s with Bonita Granville, Frankie Thomas and John Litel top-billed and this one is probably the best--and the only one actually based on one of the early Carolyn Keene novels.

But the script is a hapless, far-fetched one and really stretches credibility and patience when viewed today. Only a certain nostalgia for these kind of B-films that played the lower half of a double bill can have any appeal for modern viewers.

The actors aren't to blame. Bonita Granville as Nancy does an excellent job, as does Frankie Thomas as her All-American boyfriend Ted, and John Litel as her lawyer father. All of it, however, is weakened by a poor script and a weak storyline. Only the last twenty minutes or so maintains any real suspense.

Most of it is pretty uninvolving but appeals more as a curiosity piece than anything else.

From 1938 to 1939, Warner Bros. produced four entries in its "Nancy Drew" series. Each is a perfect delight; why didn't the studio continue making more of them? Perky, blonde, vivacious Bonita Granville is perfection as the feisty teenaged sleuth. John Litel is equally solid and dependable as her tolerant dad. Rene Riano is a joy as the Drews' long-suffering but devoted housekeeper. And the underrated Frankie Thomas outshines them all with his droll, engaging, All-American-Boy niceness as Nancy's would-be boyfriend Ted, whom Nancy drags reluctantly into each of her outlandish crime-solving schemes. This final entry packs more fun, suspense, and twisty plot turns into a mere 60 minutes than most of today's bloated bombs manage to squeeze into two hours. The Drew's home, nestled on a cozy small-town American street, complete with picket fences and old-fashioned street lights, could be a block away from the Hardy family's domain. Although done on a B-budget, the production values of the entire Nancy Drew series are first-rate (craftily utilizing the sets of Warners' big-budget films of the era). Watch "Nancy Drew and the Hidden Staircase" (and spend the night in a "haunted" house, shivering along with Nancy and Ted) and I guarantee you'll be hooked--and searching TCM's listings for showings of the other three entries in the series. Mystery, wry comedy, spine-chilling suspense, first-rate writing, crisp direction, and endearing performances by actors with charisma to spare--movies of any generation don't get any better than this! The Drew series quartet is a fascinating forerunner of the teenagers-in-jeopardy genre revived in 1978 by "Halloween" (and a thousand imitators) for a more blood-thirsty generation. There's not one single drop of blood to be seen in the entire Nancy Drew series, but the suspense and chills are no less palpable. Catch these unsung classics as soon as possible. After 60-some years, they are still fresh as if newly minted, and thoroughly irresistible.

I think Warner Bros. captured the spirit of the Nancy Drew novels, and presented them in great style. The give and take between Nancy and her father is actually better than the books, and Ted Nickerson, as played by Frankie Thomas, makes the character stand out far more than in the books, where he was just a straight man for Nancy. And Bonita Granville as Nancy gives a phenomenal film portrayal of the heroine of millions, without going over the top, and she is especially likable and memorable. We have to remember this is a film portrayal of a book, it is not the book, nor was it meant to be, and it captures exactly the feeling of Nancy Drew mysteries. I wish the Hardy Boys had been done like this! I gave it a 10 not because it was the best movie ever made, but because it was a great interpretation of the book that lost nothing in the translation to screen, and gained in the character given by superb actors.

It always was a great joy to read Nancy Drew books and being able to see "The Hidden Staircase" was a wonderful thing Hollywood was able to give to the public in the 1940's. Bonita Granville, Frankie Thomas and John Litel gave excellent performances and made the Drew characters come to life. Films in those days had a limited budget and it was an innocent age without all the blood and gore in todays films. No criticism is necessary for these Classic Films with Classic actors which are still being shown in the year 2000 and forever.