These Glamour Girls

This film is a good example of MGM's early attempts to establish a screen persona for Lana Turner. Her role here as a dance hall hostess is similar to the rags-to-riches roles that Joan Crawford had successfully played early in her own career a decade earlier. However, Lana Turner just wasn't made to wear rags, and it wasn't until MGM put her into satins and jewels that audiences really responded.

This film is an entertaining mix of romantic comedy and social class commentary. The university town ("Kingsford") is obviously patterned after Princeton, NJ. (The eating clubs that host the prom in the film are still very much thriving institutions at Princeton.) There's a strong supporting cast and the condescending attitudes of some of the upper crust girls toward Turner is refreshingly realistic. (Amusingly, Turner apparently has red hair in this black-and-white film. Other characters refer to her as "Red").

In MGM standard, this is not a big budget film - lots of unknown contract actors, standard sets where most of the scene were shot in the studio. But this is a good film if you want to get a glimpse of how Lara Turner went from the sweater girl to the deadly housewife in "Postman Always Rings Twice". Personally, I like Lara Turner at this stage, she's alluring enough that you can't take your eyes off her; yet still looked fresh and innocent enough that you would settle for just dancing with her in your arms.

This ensemble cast includes quite a few familiar faces: Lew Ayres, Katherine Hepburn's show-stealing brother from "Holiday", plays the male lead Phil Griswold. Jane Bryan plays Carol, Phil's fiancée. This is also one of the few films where Anita Louise plays a fulling developed character. This platinum beauty wasn't much of an actress, limited both by her talent and her looks; but was famous for her parties in her times.

What a hidden little gem. Drunken rich college boy (Lew Ayres) invites working class girl (Lana Turner) to a big college dance. Once she arrives there, however, he has sobered up and forgotten all about her. Despite this and despite being treated badly by the snobby girls, Lana stays and shows them all up.

A delightful movie with a great cast full of beautiful young starlets. Lana Turner is gorgeous and her curvy figure is certainly different than most of the other girls. Her personality shines in this movie as well. She's really likable. Lovely Jane Bryan plays one of the nicer rich girls. Jane has a crush on a working class boy herself. Anita Louise is the viper of the bunch; the head mean girl. Ann Rutherford, adorable as ever, is the slow but cute one. Marsha Hunt plays a girl who is a little older than the others and is trying too hard to fit in. She's quite good to watch. Lew Ayres is charming, even when he's being a jerk. Richard Carlson plays the object of Jane Bryan's affections. Mostly lightweight but some darker parts as well. On the whole, lots of fun.

A little background on the origins of this film--- The film is entertaining and well acted if over the top in spots. Frank Nugent, veteran film critic at The New York Times, called it "the best social comedy of the year."(8/31/1939). Nugent also admires the actors "because they all admirably served the very high and rare cinematic purposes of social satire, deliberately rigged from the underprivileged viewpoint, and – even in its affected callowness-- more brutally acidulous than Claire Luce ever dreamed of being." The person most responsible for the story and dialogue was Jane Hall who wrote a 150 page film treatment for "These Glamour Girls," with Marion Parsonnet in the late summer of 1938. They also wrote the screenplay. Cosmopolitan (Yes! It used to be a literary magazine) then commissioned Hall to turn her treatment into a book-length novel for its December 1938 issue.

Hall's stories about the romantic predicaments of the smart young set appealed to harassed young housewives and working women; several were published in national magazines between 1936 and 1942. Her snappy dialogue caught the notice of MGM and in October 1937 she was offered a contract as a scenarist; she remained in Hollywood for much of the next three years. (For a time Scott Fitzgerald wrote in the office next to her.)

Hall and her beloved fox terrier Kate (rescued during the 1938 floods in Los Angeles) were the October 1939 Cosmopolitan cover girls. Illustrator Bradshaw Crandell whose iconic cover girls were usually anonymous put "Jane Hall MGM" on the dog tag.

This film (and her stories) reflect the values in Hall's background. Her candid and refreshing take on society life in New York City and on eastern campuses stems from her childhood in a tiny desert town in Arizona (Salome) and in Manhattan Beach, CA. At 15, following the death of her widowed mother, she came to live with her aunt and uncle in Manhattan. Over the next five years, despite their huge losses during the Depression, her guardians saw to it that she met glamour girls and boys very much like the young college men and women in the film. Kingsford College is a take-off on Princeton University where she attended house parties. A keen observer, Hall drew on her experiences as a New York debutante in her writing. Could that be why the young heroine in the film is called Jane?

This little-known film is a lot of fun. The dialogue is quite pointed and witty and the pacing is very good. Lana Turner is especially appealing, and the college boys' catty girlfriends are astounding when they get going with their bitchy badinage.