Comrade X

I came in on "Comrade X" during the climatic tank chase scene. I don't know about the film as a whole, but the tank scene was wonderfully done. If it were done today it wouldn't be all that impressive. You'd be like "Hmmm, nice computer work!" But in 1940 it had to be done with actual existing props. So what you have is a swarm of "real" tanks chasing Gable's tank. On command they all stop, spin about and race in the opposite direction. Excellent cartoon like direction and fantastic execution of that direction. If you're a fan of cartoon like sequences done as live action then this film, or at least the final sequences thereof, are for you. Someone just tell me how they did this back in '40! One of the finest examples I can think of a great bit of work stuck somewhere in an almost forgotten film.

I did go back and research the special effects for this film. They were done by none other than A. Arnold Gillespie who won four Academy Awards out of thirteen nominations. Besides "Comrade X", he worked on such little films like "The Wizard of Oz" and "Ben-Hur". As for "Comrade X" a true case of an industry giant being handed what had to be a small assignment considering his considerable talents. The studio system works!

I thought the chemistry between Hedy and Clark were great. She really came off as a very good commedienne. I thought the lines were real clever and that ending...wow...all those tanks. I enjoyed this movie more than the Ninotchka.

With the success MGM had with Ninotchka another lampooning of the Soviet Union seemed a natural. So the following year while the Hitler-Stalin pact was still active, MGM came up with Comrade X.

Comrade X is a pseudonym for some journalist who is sending uncensored stories out about the real Soviet Union. It happens to be Clark Gable and the whole Soviet secret police apparatus is after him.

But a valet at a hotel where the foreign correspondents stay played by Felix Bressart comes upon his secret. He offers a deal to Gable, he won't turn him in if Gable convinces Bressart's daughter Hedy Lamarr to leave the Soviet Union with him and come to America.

Easier said than done because Lamarr is as committed a Communist as Greta Garbo was in Ninotchka. So like Melvyn Douglas in Ninotchka, Gable's got his work cut out for him.

Comrade X's humor is a little more broad than Ninotchka's was. It even got a few good knocks in on Nazi Germany with Sig Ruman playing a German correspondent. The humor about the Soviets concerns what a dangerous thing it was to rise in the ranks of the party. Remember this was also the time of Stalin purging all kinds of people out of the party. Something that didn't stop until Hitler broke the non-aggression pact in 1941.

And Hedy Lamarr is sure no Garbo, but she acquits herself nicely in the role of the fuzzy headed idealist.

Gable, Lamarr, and Bressart get caught up in the internal politics of the Soviet Union and have to flee the country. What happens to them is the balance of the film and it is hilarious.

One of the best films done by both of the stars. Grand comedy.

In the days when actresses had genuine accents that put a lilt in their speech, Hedy Lamarr, like Greta Garbo and Ingrid Bergman, had refinement and intelligence, and could portray "foreigners" from any number of countries. Here, Hedy is supposed to be Russian, and with a light touch, too. She makes a charming foil to beefy Clark Gable, who plays his usual role as the macho-male with a wink in his eye covering a heart of gold. Their chemistry is not quite as magical as that in "It Happened One Night," with Claudette Colbert (who had the softer edge and mysterious sex appeal that truly complemented Gable's), or even his pairings with the brassy blonde with the Brooklyn accent, but there are a number of scenes in this farce that I have not seen equalled elsewhere: namely the escape scene in the Soviet tank. Before the age of graphic simulation, the prop men really had to come up with a phalanx of Soviet-style tanks -- unless they used miniatures, and to see them "chase" Gable, with Hedy at the wheel, is almost on a par with a Chaplin or Keaton routine. The miming of the Soviet tank army is also hilarious.

Who would have guessed that the usually wooden but dazzlingly beautiful Hedy Lamarr could be so delightfully funny, adorable and charming as she is in this Ninotchka role. It's a pity that she was rarely --if ever again-- given another opportunity to play this sort of anything-goes screwball comedy. Hedy here is as real and believable as Carole Lombard at her best. The script written by Ben Hecht ("Nothing Sacred"), Charlie Lederer ("The Front Page" screenplay) and the uncredited Herman Mankiewicz ("Citizen Kane") is a bizarre hard-boiled political satire ending with a lengthy and totally absurd slapstick Russian tank chase through the woods and across the river into Rumania. It looks as if it came straight out of a Max Sennett movie. Gable is his usual tough and handsome self, wonderfully adept with the throw-away gags he is given. The rest of the cast is rounded out with some of the best European character actors then living in Hollywood --the Germans Sig Ruman, Felix Bressart and the Viennese Oskar Homoloka—- all playing Russians and Germans. As an added bonus there is the first on-screen appearance by the rarely seen Berlin-born actress, Natasha Lytess ("Olga"), best remembered now as Marilyn Monroe's first acting coach way before her Lee Strasberg days.