Spring Parade

One of the few Deanna Durbin films, almost all shot in black-and-white, not available on commercial video as of this writing. That's a shame. Universal needs to finally release this film as well Deanna Durbin's HERS TO HOLD, the final chapter in her THREE SMART GIRLS trilogy. SPRING PARADE is a charming and delightfully dated fairy tale-like film and makes a great companion to classics such as Danny Kaye's HANS CHRISTIAN ANDERSON, Shirley Temple's HEIDI as well as Sonje Henie's series of films.

My only complaint is that the film itself needs a good restoration to bring out the award-nominated cinematography of SPRING PARADE--and a minor complaint is that DEANNA DURBIN should have had at least two more songs to sing. Otherwise, it's a complete delight.

Her catchiest number is "Waltzing On Clouds" which is reprised at the finale and used for the big ballroom scene. It's a sort of Cinderella story set in Vienna, about a naive country bumpkin who meets her Prince Charming (ROBERT CUMMINGS) who happens to be a drummer in the local band. He's also a musician and love develops when Deanna backs his musical aspirations in a most unusual way.

S.Z. SAKALL stands out as the local baker who employs Deanna in his shop. As in most Durbin films, a series of mishaps and mistaken identities run through the story, only to be patched up before the windup. HENRY STEPHENSON, REGINALD DENNY, SAMUEL S. HINDS, ANNE GWYNNE, FRANKLIN PANGBORN and others help keep the story bubbling along with pleasant performances.

Henry Koster gives a sparkling touch to all the musical moments and Deanna is in fine voice. Robert Cummings again displays comic finesse as he always does in light romantic comedies.

One of Durbin's best films from the early '40s and it should be available on DVD.

Deanna Durbin is a Hungarian peasant. Through the usual mx-ups common to musical comedies, she finds herself in Vienna and in love with Robert Cummings. When S. Z. Sakall, the baker whom she is staying with, is arrested for something Miss Durbin has done, she goes to see the Emperor, played by Henry Stephenson.

Producer Joseph Pasternak and director Henry Koster complete the trio of Hungarians involved in this Viennese operetta movie, with Franz Joseph portrayed as the benevolent deus ex machina he was so often shown as in this sort of fluff. In truth, he was an arch-conservative, his tyranny tempered by a sprawling and confusing welter of nationalities. Despite that anhistorical nonsense, this is a funny and charming bit of fluff. Miss Durbin was Universal's biggest star, and this movie was given full production values, with lots of talented performers, like Mischa Auer, Walter Catlett, Anne Gwynne, Allyn Joslyn, Reginald Denny, and Franklin Pangborn. The songs are not from the top drawer, but Miss Durbin surely knows how to sell them.

It's a crying shame the studio never released this on video...I have seen this movie and it is easily one of Deanna's best! Durbin comes off with even more of her famous spunk and "atitude" that we all know and love. Her supporting cast is first rate and the songs really add color and warmth to the picture. Set in Vienna Austria,this is the only movie where the storyline is contained fully outside of the USA. It happens to be Deanna's shortest film but it is not lacking in the entertainment department as it will have you chuckling constantly especially the beginning of the movie where Deanna's character Ilonka tries to sell her goat!

Thought I reviewed this the other day, but apparently, that never posted. This is probably Deanna Durbin's best effort. She is most natural in the role; one suspects that the director brought out the closest expression of the real girl, here. It gains further power from the remarkable performances of a strong supporting cast. For example, the Baker--played by a well known supporting figure in movies over a couple of decades, also seems most natural here, compared to any other role, in which this reviewer has seen him. His story nephews, here, are far more natural, far better developed than they were in a W.C. Fields movie released in the same era. So too, are other familiar performers from the same era. Was Deanna, the Director, or a combination, the spark that brought out the best in almost everyone? Who can say. But the movie, on a modest budget, perhaps, communicates real joy to the viewer--real cinema magic, that has held up for me from the time I saw it first (seven times) at age 6 1/2 and 7, till I bought DVD's for myself and some other members of my family, within the past year.

It was my favorite movie in 1941. Viewed again, frequently, over the past seven months, it remains my favorite movie. (And that despite the fact that I am usually not that great a fan of musicals!)