An enigmatic gang leader known as "The Boss," who is a dead-ringer for Simon, puts "The Saint" under suspicion of murder.An enigmatic gang leader known as "The Boss," who is a dead-ringer for Simon, puts "The Saint" under suspicion of murder.An enigmatic gang leader known as "The Boss," who is a dead-ringer for Simon, puts "The Saint" under suspicion of murder.
Helene Reynolds
- Anne Bitts
- (as Helene Whitney)
Stanley Blystone
- Detective Sadler
- (uncredited)
Ralph Dunn
- Police Sergeant
- (uncredited)
Byron Foulger
- Ephraim Byrd
- (uncredited)
Billy Franey
- Street Shooting Witness
- (uncredited)
Edward Gargan
- Police Sergeant
- (uncredited)
William Haade
- Helm Van Roon aka 'The Dutchman'
- (uncredited)
Donald Kerr
- Card Player
- (uncredited)
Pat McKee
- Card Player
- (uncredited)
Lal Chand Mehra
- Cairo Express Office Clerk
- (uncredited)
Walter Miller
- Mac - Bartender
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
You have to be willing to suspend disbelief whenever you watch films like THE SAINT'S DOUBLE TROUBLE, in which GEORGE SANDERS (as "The Saint") discovers that the police are really looking for his exact double who's been committing a number of crimes involving diamond smuggling and a mummy from Egypt. To make sure that audiences know which man we're watching, they have "The Saint" whistling his famous tune as a sort of identification bracelet...but unless you're a fan of the series, you may be missing the clue.
JONATHAN HALE is a nice addition to the cast as Inspector Fernack who, for awhile, is just as confused as everyone else as to the identity of the real criminal. HELENE WHITNEY makes a bland leading lady as the blonde damsel in distress and BELA LUGOSI has a nothing role as a man called The Partner, a colorless part that could have been filled by any nondescript actor in search of work.
There are plenty of escapes for Sanders who is seen narrowly drowning when tied up in a motorboat, leaping onto the back of moving autos to keep track of the kidnapped heroine and making various narrow escapes from the law by devious means. It's his third time as Simon and he looks comfortable enough in the double role, although all the plot twists and turns are a bit hard to swallow with the police and the criminals being unbelievably dumb.
Summing up: Despite obvious drawbacks, it's a fun caper to watch and moves briskly toward a satisfying ending if you're a fan of the series.
JONATHAN HALE is a nice addition to the cast as Inspector Fernack who, for awhile, is just as confused as everyone else as to the identity of the real criminal. HELENE WHITNEY makes a bland leading lady as the blonde damsel in distress and BELA LUGOSI has a nothing role as a man called The Partner, a colorless part that could have been filled by any nondescript actor in search of work.
There are plenty of escapes for Sanders who is seen narrowly drowning when tied up in a motorboat, leaping onto the back of moving autos to keep track of the kidnapped heroine and making various narrow escapes from the law by devious means. It's his third time as Simon and he looks comfortable enough in the double role, although all the plot twists and turns are a bit hard to swallow with the police and the criminals being unbelievably dumb.
Summing up: Despite obvious drawbacks, it's a fun caper to watch and moves briskly toward a satisfying ending if you're a fan of the series.
Unlike James Bond, the equally debonair Saint never made a successful transition to film from the fictional works of Leslie Charteris. Charteris hated all the film Saints - George Sanders, Hugh Sinclair and Leslie Howard. He thought that Cary Grant was the ideal choice for the role. But in the 1940s, the film industry would only make B-movies featuring the Saint. Since Cary Grant did not appear in B-movies, George Sanders got the role. He was popular in it at that time. Sanders always played suave cads extremely well. The Saint of the novels was also a suave cad, yet his creator did not approve of George Sanders. Charteris probably disliked Sanders because the latter did not physically resemble his creation. Roger Moore, the Saint of the small screen, came much closer to Charteris' ideal.
"The Saint's Double Trouble" is worth watching if you are Saint fan. If you like the sneering, sardonic George Sanders like I do, you will like it.
(Reviewed by Sundar Narayan)
"The Saint's Double Trouble" is worth watching if you are Saint fan. If you like the sneering, sardonic George Sanders like I do, you will like it.
(Reviewed by Sundar Narayan)
There's a dead ringer for Simon Templar operating as a crime kingpin in Philadelphia
and he's started leaving the Saint's calling card at crime scenes. Will the real Simon Templar please come investigate?
Meanwhile, the Saint's old friend Inspector Fernack (Jonathan Hale) is on vacation in—you guessed it—Philadelphia. He stops at the department to visit old friend Deputy Chief Bohlen (Donald MacBride)—and tags along with him on a murder case that turns up the Saint's calling card. Fernack is on the job.
George Sanders pulls double duty as both Simon Templar and his counterpart, "The Boss" of Philadelphia crime, in this far-fetched but entertaining mystery. The hero's look-alike, and a single actor playing both roles, is not an especially unique idea; and this particular version of that old plot doesn't offer any special twists or turns. Basically, the Saint encounters mistaken identity, sets out to clear his name, runs into danger .
Sanders is, of course, very good. Hale is also fine as Inspector Fernack, and the picture's best scenes are mostly those between Sanders and Hale, as once again outward gruffness partly veils their mutual respect and admiration.
Bela Lugosi is a henchman with a thick accent; somewhat disappointingly, his role here is rather bland and Lugosi becomes just another actor. Helene Whitney is fine as an old flame of Simon's whose professor father is unwittingly drawn into the bad guys' plot; again, her performance is good but the role is rather predictable.
A rather slow middle section is redeemed by an exciting final third, culminating in a neat and clever resolution . Overall: nothing exceptional but smoothly produced and certainly easy to take, especially for fans of the Saint or Sanders or B mysteries in general.
Meanwhile, the Saint's old friend Inspector Fernack (Jonathan Hale) is on vacation in—you guessed it—Philadelphia. He stops at the department to visit old friend Deputy Chief Bohlen (Donald MacBride)—and tags along with him on a murder case that turns up the Saint's calling card. Fernack is on the job.
George Sanders pulls double duty as both Simon Templar and his counterpart, "The Boss" of Philadelphia crime, in this far-fetched but entertaining mystery. The hero's look-alike, and a single actor playing both roles, is not an especially unique idea; and this particular version of that old plot doesn't offer any special twists or turns. Basically, the Saint encounters mistaken identity, sets out to clear his name, runs into danger .
Sanders is, of course, very good. Hale is also fine as Inspector Fernack, and the picture's best scenes are mostly those between Sanders and Hale, as once again outward gruffness partly veils their mutual respect and admiration.
Bela Lugosi is a henchman with a thick accent; somewhat disappointingly, his role here is rather bland and Lugosi becomes just another actor. Helene Whitney is fine as an old flame of Simon's whose professor father is unwittingly drawn into the bad guys' plot; again, her performance is good but the role is rather predictable.
A rather slow middle section is redeemed by an exciting final third, culminating in a neat and clever resolution . Overall: nothing exceptional but smoothly produced and certainly easy to take, especially for fans of the Saint or Sanders or B mysteries in general.
This really is the worst Saint film starring George Sanders. The whole idea of the Saint having an exact double is not too credible but the filmmakers milk it for all it is worth. This results in a confusing film that is short on mystery and long on ridiculous coincidences. The crooks are a very stupid lot in this film. Even the presence of Bela Lugosi does nothing to help the film. He just turns out to be as stupid as the others. George Sanders does what he can with the limited script. He is as suave as ever as Simon Templar but flat as the head of the criminal gang. The scenes pairing Simon with Inspector Fernack(Jonathan Hale) are easily the best in the film. Sanders and Hale click well together as they did in their previous Saint films together. Too bad the story is such a let-down. Only worth seeing for Sanders and Hale. I give it 5 halos out of 10.
Fourth film in the Saint series from RKO has George Sanders playing dual roles: Simon Templar and his evil doppelganger, Duke! The Saint has 48 hours to prove it was Duke and not he that committed a murder. Guess what? He'll only need 47. This is a good entry in the series with Sanders having fun playing bad. It's very amusing to hear him say things like "You mugs," even if he makes little effort to hide his accent. Bela Lugosi is also in this but, unfortunately, he's not given much to do. He's just an associate of the evil double. Still it's cool seeing Lugosi playing in a non-horror role with an actor you don't normally see him with. Pretty Helene Reynolds is the obligatory would-be love interest. The camera is in love with her. After being absent in the last film, Jonathan Hale returns as the likable police inspector frenemy of the Saint. The rest of the cast includes Donald MacBride, Byron Foulger, Thomas W. Ross, John F. Hamilton, and Elliott Sullivan. Those last two play the evil double's henchman. They have some funny lines.
An enjoyable movie, mostly due to Sanders. The story isn't much to get excited about. It's never really explained why Saint has a double or what led Duke to know about him in the first place. Also, the Saint not seeming upset about the killing of the kindly old man who was a friend of his didn't sit right with me. Oh, and how cool is it that apparently back in the old days a guy could mail a mummy to another guy halfway around the world. And we think we have progress!
An enjoyable movie, mostly due to Sanders. The story isn't much to get excited about. It's never really explained why Saint has a double or what led Duke to know about him in the first place. Also, the Saint not seeming upset about the killing of the kindly old man who was a friend of his didn't sit right with me. Oh, and how cool is it that apparently back in the old days a guy could mail a mummy to another guy halfway around the world. And we think we have progress!
Did you know
- TriviaAt the beginning, when Partner (Bela Lugosi) ships the coffin-shaped wooden box, he is charged £4 and 6s. That would equate to about $350.00 in 2024.
- GoofsThe mummy's coffin that is shipped from Cairo is obviously different from the one that arrives at Professor Bitts' home. The writing on the coffin that arrives at Professor Bitts' home is neater, the "Paid" stamps are in different locations, and the twine around the coffin is in a different location.
- Quotes
Policeman: [after he's shot "The Boss"] Shall I call an ambulance?
Inspector Henry Fernack: Better make it a hearse.
- ConnectionsFollowed by The Saint Takes Over (1940)
Details
- Release date
- Country of origin
- Language
- Also known as
- Helgonets dubbelgångare
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 7m(67 min)
- Color
- Aspect ratio
- 1.37 : 1
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