Star Dust

Roland Young was riding the crest of his popularity in the "Topper" series of films, and he gives another of his trademark performances in "Star Dust." He happily moved into small character performances the following year, across from Ginger Rogers and Henry Fonda in the mega-hit "Tales of Manhattan," with such an extravaganza of talent that even stars like Young had comparatively minor roles. He was well into his fifties and glad to have steady work without the burden of full stardom.

By this time, 1941, the industry was in full swing, with A List superstars like Rogers and Bogart and Grant commanding enormous salaries thanks to their bankable box office appeal, and "Star Dust" shows the glow that surrounded the Hollywood Myth.

All of the studios had adopted Ginger's mother Lela's idea of in-house acting schools, and the new Hollywood actresses all worked in the stylized 'acting voice' that we hear in "Star Dust" from the very young Linda Darnell. The '40s crop of actresses all adopted this style of voice, from Lana Turner and Rita Hayworth, to Darnell and Tierney, Bergmann and Gardner, with the razor sharp diction and the slightly accented 'T's, a pseudo-dialect that was to hold sway all the way through Marilyn Monroe's era in the '50s, and in television right into the 1980s. The older '30s stars like Rogers and Stanwyck and Colbert maintained their more natural voices for the rest of their careers, and so it's a bit ironic to note that these actresses outlasted all but the biggest of the '40s group.

Look quick to see George Montgomery in a bit part here, early in his career. John Payne is terrific in this lighthearted role, a far cry from his amazing Noir characters a few years later. Fun movie!

Star Dust the film with the famous Hoagy Carmichael-Mitchell Parish song played in the background is loosely based on its star's own story of how she obtained her place in the cinema firmament. Linda Darnell does well in playing a version of herself and we wouldn't see anything like it again until MGM starred Mario Lanza in That Midnight Kiss.

Young Linda plays a would be hopeful who shares a connection with her discoverer. Former comic actor Roland Young now a talent scout for the studio that is headed by William Gargan. Darnell shares a connection to Young through her late mother and he takes a fatherly interest in her career even though at first he tries to discourage her from ever thinking about a show business career.

In that he has a rivalry with another studio executive Donald Meek who is marvelous as a typical 'yes' man. He's got an interest himself in Mary Beth Hughes that's a more prurient interest and he'll damage Darnell to promote Hughes.

John Payne is also on hand as an All American football player who is another of Young's discoveries. His character is without a doubt based on Johnny Mack Brown who tore up the playing fields for the Crimson Tide of Alabama before coming to Hollywood. Payne gets an opportunity to sing one forgettable song in Star Dust. Singing the title song is yet another of Young's discoveries Mary Healy who is helped along by studio drama coach Charlotte Greenwood.

Though Payne and Darnell are the leads and the film is based somewhat on Darnell's own story the film is really driven by the rivalry between Young and Meek. Star Dust shows both its young leads off to good advantage and Darnell's place in Hollywood was certainly secure.

The story of a hopeful young woman who wants to become a movie star is given rather clichéd treatment but still manages to be enjoyable fluff thanks to an excellent cast, all doing their best to make the film look better than it really is.

LINDA DARNELL is at her most beautiful as a young aspiring actress who has to wait awhile before she gets the big break that turns her into a movie star. JOHN PAYNE is her love interest, also an actor hoping to make it in Hollywood. Unfortunately, his role also is assigned some comic relief about a broken nose which becomes a running gag throughout the story. Nevertheless, Payne performs his chores in easy style.

The good supporting cast includes ROLAND YOUNG, CHARLOTTE GREENWOOD, DONALD MEEK,WILLIAM GARGAN--and in a bit part GEORGE MONTGOMERY.

Starts out realistically enough but soon becomes mired in a predictable script with too many Hollywood clichés thrown into the mix. But if you're a fan of Linda Darnell, don't miss this one. She's stunning.

A title which has often be used (with or without a hyphen)."Star Dust" depicts the rising of new stars and mainly the long road they have got to follow to hit the big time in Hollywood-although it is a short film and Darnell's and Payne's road does not seem a very rocky one.They make an attractive pair,a singing faux cowboy -actually a football player- and a young student who works as a waitress in a coffee shop and learns the algebraic (or trigonometric ? )formulas while serving the guests who sometimes are talent scouts ,Cinderella's good fairy.The best moment is the movie in the movie : Linda Darnell ,as if her life depended upon this screen test (and it did anyway) ,outdoes herself and is better than in the rest of the film.

"Star Dust" is the film that Linda Darnell watched on the night she was caught in the fire that would take her life the next day.

Darnell plays Carolyn Sayres, a young girl determined to get her chance in Hollywood when a studio agent (Roland Young) comes along looking for new talent. He rejects her because she's too young, but Carolyn forges a letter to the studio head and wins a screen test. On the train to Los Angeles, she meets a handsome football player (John Payne) who is also a fresh discovery. Once in Hollywood, they meet the third winner of a screen test, a talented singer (Mary Healy).

Little do any of them know that studio politics interfere with their chances, but the drama coach (Charlotte Greenwood) believes in Carolyn and finds a way to get her test before the head of the studio.

This film, the basic plot anyway, was remade years later as the awful "Dancing in the Dark," a musical starring Betsy Drake. "Star Dust" is much better, featuring the beautiful Darnell, handsome Payne and the magical singing of Mary Healy. It also has shots of Graumann's Chinese Theatre as Payne and Darnell see how their feet match up to stars' feet in cement.

Linda Darnell got a very early start in Hollywood. She was 15 when Fox wanted to sign her, but when they learned her age, they sent her home. When they found out that she'd won a contest with the first prize a contract at Universal, they brought her back out. She started out great guns, and then she got married. Zanuck, unable to promote her as a virginal ingénue, lost interest. Darnell returned a little later as sultry and sexy and played some of her best roles.

Sitting in her old secretary's house in Illinois at the age of 41, trying to do her taxes, and watching this film must have been an odd experience for Darnell, who by then had alcohol and money problems and was trying to make a comeback. It wasn't to be; she died in the hospital the next day. A sad end for the beautiful young woman of "Star Dust."