IMDb RATING
6.8/10
2.1K
YOUR RATING
A high school boy wants to become a professional musician, and his gal pal wants to become his best girl. They work together staging big band shows with fellow classmates in the hopes of hit... Read allA high school boy wants to become a professional musician, and his gal pal wants to become his best girl. They work together staging big band shows with fellow classmates in the hopes of hitting it big.A high school boy wants to become a professional musician, and his gal pal wants to become his best girl. They work together staging big band shows with fellow classmates in the hopes of hitting it big.
- Won 1 Oscar
- 4 wins & 2 nominations total
Jack Baxley
- Ice Cream Concessionaire
- (scenes deleted)
Featured reviews
Admittedly, I'm not the best judge of musicals, but this one seems disappointing given the level of talent involved. Visually, Garland and Rooney make a cute couple-- a match clearly made in malt shop heaven. And, even though I was disappointed, I can understand Garland's enduring appeal. She's definitely an incandescent presence, and one that doesn't come from just acting the part. On the other hand, Rooney is energetic and I can see him organizing a high school band. However, that energy too often becomes manic—for example, check out his conducting the orchestra at movie's end for sheer pointless delirium. Too often, his in- your-face high spirits comes across as more obnoxious than entertaining.
I guess my biggest disappointment is with the musical numbers. Berkeley's dancing phalanxes are eye-catching as usual, but there's not a single catchy tune to hang your hat on. The numbers are simply not up to Garland's level of show-stopping talent, whatever the reason. Then there's the overlong melodrama skit that unfortunately saps momentum by coming in the middle. On the other hand, the musical fruit sketch sounds silly but is really charming and well done. Also, professional musician Paul Whiteman turns out to be a pretty darn good actor. And for those interested in what those times were like, it's a chance to see what teens circa-1940 thought was "cool". Having your own dance band was clearly near the top. At the same time, the message seems to be that dance bands deserve respect, while playing in one is indeed a legitimate goal in life. Looks like controversies over music didn't start with rock-and-roll.
I guess my biggest disappointment is with the musical numbers. Berkeley's dancing phalanxes are eye-catching as usual, but there's not a single catchy tune to hang your hat on. The numbers are simply not up to Garland's level of show-stopping talent, whatever the reason. Then there's the overlong melodrama skit that unfortunately saps momentum by coming in the middle. On the other hand, the musical fruit sketch sounds silly but is really charming and well done. Also, professional musician Paul Whiteman turns out to be a pretty darn good actor. And for those interested in what those times were like, it's a chance to see what teens circa-1940 thought was "cool". Having your own dance band was clearly near the top. At the same time, the message seems to be that dance bands deserve respect, while playing in one is indeed a legitimate goal in life. Looks like controversies over music didn't start with rock-and-roll.
Jimmy Connors (Mickey Rooney) is in the Riverwood High School band, but would like to do something more with his music. He forms a band with his friends, and would like to have the band become a dance band associated with the high school. The principal agrees and allows them to put on a dance at the school, which is a success. But when Jimmy wants to take the band to Chicago to audition for Paul Whiteman, the principal declines, saying that parents are already complaining about the band taking away from the members' studies. Will the band find a way to finance that trip? Of course they do! The complications are in how they manage to do it and the adversity thrown in their path along the way.
The complications include Jimmy's mother having her heart set on him becoming a doctor, like his late father, collaborator and singer for the band, Mary Holden (Judy Garland), wanting more out of her relationship than being Jimmy's "gal pal", and a newcomer to the high school being a female barracuda with her heart set on nabbing an unwilling but polite Jimmy.
This didn't have much of a plot attached, but the music is terrific. It's a bit overlong for the material at two hours, but that includes a fantastic finale. Director Busby Berkeley was responsible for bringing film choreography into the modern era with his stage numbers that could never be performed on the stage over at early 30s Warner Brothers. Here he has the same tendency when he choreographs and stages the finale, but just go with it and enjoy the spectacle.
I really liked the stop-motion number where the fruit on the kitchen table danced. The Conga number was full of energy and delightful, and the scene in which Garland sings to herself in the library was charming. I even liked the spoof of old-time melodrama. (Somebody must have liked "That Fatal Glass of Beer.")
The complications include Jimmy's mother having her heart set on him becoming a doctor, like his late father, collaborator and singer for the band, Mary Holden (Judy Garland), wanting more out of her relationship than being Jimmy's "gal pal", and a newcomer to the high school being a female barracuda with her heart set on nabbing an unwilling but polite Jimmy.
This didn't have much of a plot attached, but the music is terrific. It's a bit overlong for the material at two hours, but that includes a fantastic finale. Director Busby Berkeley was responsible for bringing film choreography into the modern era with his stage numbers that could never be performed on the stage over at early 30s Warner Brothers. Here he has the same tendency when he choreographs and stages the finale, but just go with it and enjoy the spectacle.
I really liked the stop-motion number where the fruit on the kitchen table danced. The Conga number was full of energy and delightful, and the scene in which Garland sings to herself in the library was charming. I even liked the spoof of old-time melodrama. (Somebody must have liked "That Fatal Glass of Beer.")
No I don't care what anybody says Mickey Rooney and Judy Garland were excellent miss film both young actors at the time and the singing and the music was superb. Yeah I mean it was a film on a 1940 remember that! But I loved Judy Garland and always will
Overlong but fun Mickey & Judy "let's put on a show" musical, directed by the great Busby Berkeley. Drummer Jimmy (Mickey Rooney) and would-be girlfriend Mary (Judy Garland) try to make their high school band a success. Along the way they deal with little personal dramas like Jimmy's mother wanting him to be a doctor, a new girl in town who captures Jimmy's eye, and one of the band members needing an emergency operation. The musical numbers are good, if not particularly memorable. Mickey & Judy are terrific, as always. It's probably pretty corny stuff for those who aren't fans but, if you enjoy these types of movies, I'm sure you'll have a good time with this one.
I love the Mickey/Judy movies and this is a wonderful example of a superb one, but of the three "lets put on a show" type movies this is the worst. It's still fantastic don't get me wrong, but Babes in Arms and Babes on Broadway are much better! The songs are fantastic but not as catchy as the songs from the other movies. Judy is fantastic! It just tears your heart when she sings Nobody. It's a perfect blend of humor and music in this movie. Fantastic. If you like this one, I absolutely recommend Babes in Arms and Babes on Broadway. (Babes on Broadway is my favorite movie ever) It's great! you really should watch this movie!
Did you know
- TriviaThe original camera negative was destroyed in May 1978 during a nitrate film fire in the George Eastman House archives. The fire also destroyed 328 other films' original camera negatives.
- GoofsIn an anachronism typical of movie musicals of the time, when Mickey and Judy's band wins the competition, it is announced that musicians, singers and dancers from the various competing orchestras will perform an impromptu big number together. Even though they've never met before, nor rehearsed, nor had even five minutes to create sets and costumes, everything comes off seamlessly and with M-G-M's usual level of polish.
- Quotes
Paul Whiteman: Take that little fellow on the street. Teach him to blow a horn and he'll never blow a safe.
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
- SoundtracksStrike Up the Band
(1927)
Music by George Gershwin
Lyrics by Ira Gershwin
Played during the opening credits
Sung by Judy Garland (uncredited), Mickey Rooney (uncredited), and chorus in the finale
- How long is Strike Up the Band?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Armonías de juventud
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $838,661 (estimated)
- Runtime
- 2h(120 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content