Popeye has a new car; Olive wants a driving lesson. Things don't go well.Popeye has a new car; Olive wants a driving lesson. Things don't go well.Popeye has a new car; Olive wants a driving lesson. Things don't go well.
- Directors
- Writer
- Stars
Margie Hines
- Olive Oyl
- (voice)
- (uncredited)
Jack Mercer
- Popeye
- (voice)
- (uncredited)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There is little plot here. After the offensive title goes past, Popeye is intimidated into letting Olive drive his new car. Once this happens, all the cliches begin. The grabbing and pulling off of the steering wheel. Not being able to get it out of reverse. Distraction by both of them, running into things time after time. It's just rather uninteresting.
When Popeye turns up for a date with a new car, Olive Oyl insists he teach her how to drive.
It's a combination of every "woman driver" joke that fell out of consciousness eighty years ago, combined with with some funny jokes about automobiles that won't make sense to anyone unfamiliar with automobile technology of the the 1930s.
Despite that -- or perhaps because I am in a very good mood after looking at a very funny feature comedy -- it's an enjoyable cartoon. By 1940, the Fleischer studio had reached a point at which Popeye and Olive Oyl were players who could be funny with the worst material,. Plus there's no fight with Bluto.
It's a combination of every "woman driver" joke that fell out of consciousness eighty years ago, combined with with some funny jokes about automobiles that won't make sense to anyone unfamiliar with automobile technology of the the 1930s.
Despite that -- or perhaps because I am in a very good mood after looking at a very funny feature comedy -- it's an enjoyable cartoon. By 1940, the Fleischer studio had reached a point at which Popeye and Olive Oyl were players who could be funny with the worst material,. Plus there's no fight with Bluto.
There are a few good gags early on but overall, this is not one of the better Popeye cartoons.
Popeye's new car looks great, has a unique engine and a very unique horn. Those sight gags are funny. But then he takes Olive out for a spin and immediately, she wants to learn how to drive and threatens to leave him, if he won't. Like a wuss, he relents - he always did with Olive. Imagine anyone, however, even Popeye, giving someone the wheel of a brand new car when they haven't a clue how to drive. You know what's going to happen to the poor car.
Plus, nobody is dumb enough to say and act like Olive does in here. Usually, she may be fickle and demanding but she's not stupid. In this cartoon, she's stupid, and so is Popeye. The gags are really not funny nor is the ending clever.
You have to at least give Popeye credit for incredible patience and forgiveness, far beyond the call of duty.
Popeye's new car looks great, has a unique engine and a very unique horn. Those sight gags are funny. But then he takes Olive out for a spin and immediately, she wants to learn how to drive and threatens to leave him, if he won't. Like a wuss, he relents - he always did with Olive. Imagine anyone, however, even Popeye, giving someone the wheel of a brand new car when they haven't a clue how to drive. You know what's going to happen to the poor car.
Plus, nobody is dumb enough to say and act like Olive does in here. Usually, she may be fickle and demanding but she's not stupid. In this cartoon, she's stupid, and so is Popeye. The gags are really not funny nor is the ending clever.
You have to at least give Popeye credit for incredible patience and forgiveness, far beyond the call of duty.
1940 on the whole was actually not a particularly good year for Fleischer Studios, but actually on the most part (although not on the same level as the mid/late-30s period) it was not a bad year at all for the Popeye series, that year the only Fleischer theatrical series worth watching. 'Wimmin Hadn't Oughta Drive' really did not appeal to me conceptually on first watch and the title is one that makes one squirm in the seat. On first watch, this was one of the few Fleischer Popeye cartoons that did little for me.
On rewatch, 'Wimmin Hadn't Oughta Drive' still does little for me and actually am more indifferent to it now. While it is better than the worst of the Gabby, Stone Age and Color Classics cartoons, 'Wimmin Hadn't Oughta Drive' is a strong contender for the worst 1940 Popeye cartoon, one of the worst Fleischer Popeye efforts (not just in their later period but overall) and one of my least favourites of the whole series. Am not taking any pleasure in saying that, being someone who likes Popeye and many of his cartoons.
'Wimmin Hadn't Oughta Drive' has some things that makes it watchable. The animation is very well done. Love the attention to detail in the backgrounds and Popeye's character animation, and compared to the series in its early years to me the animation quality advanced quite a bit for Fleischer regarding the late-30s onwards Popeye cartoons. Some of it, even in the busier moments, were quite inventive. The music is another high-point, that was something that was consistently never less than excellent throughout the entire Popeye series (for both Fleischer Studios and Famous Studios). Very lush and characterful, adding a lot to the action.
Jack Mercer's voice acting is spot on, as is his priceless delivery of Popeye's mumblings and asides. Popeye is likeable and is also relatable in this situation, sympathy is completely on his side here and one can understand his frustration. There are a few mildly amusing moments, the turning round the car gag is agreed the best.
Unfortunately, Olive is insufferably annoying here and all her negative character traits are exaggerated to breaking point. 'Wimmin Hadn't Oughta Drive' is one of the few Popeye cartoons where Popeye and Olive's chemistry/relationship did nothing for me, in no way do they look like they are in love and it all looked too acrimonious.
Excepting a few amusing moments, there is really not much that is funny here and the gags compared to most Popeye cartoons from this period are in relatively short supply. As well as being quite stale. Will be very honest too in being too distracted by the material revolving around the teaching one to drive (which is almost all the cartoon) being less than tasteful and pretty out of date. Which is what can be said, even more so, of the characters' attitudes. The story is both dull and bland, even in the final third where the cartoon actually did literally run out of gas, and the predictability factor is high.
In conclusion, has its good things but didn't do much for me. 5/10.
On rewatch, 'Wimmin Hadn't Oughta Drive' still does little for me and actually am more indifferent to it now. While it is better than the worst of the Gabby, Stone Age and Color Classics cartoons, 'Wimmin Hadn't Oughta Drive' is a strong contender for the worst 1940 Popeye cartoon, one of the worst Fleischer Popeye efforts (not just in their later period but overall) and one of my least favourites of the whole series. Am not taking any pleasure in saying that, being someone who likes Popeye and many of his cartoons.
'Wimmin Hadn't Oughta Drive' has some things that makes it watchable. The animation is very well done. Love the attention to detail in the backgrounds and Popeye's character animation, and compared to the series in its early years to me the animation quality advanced quite a bit for Fleischer regarding the late-30s onwards Popeye cartoons. Some of it, even in the busier moments, were quite inventive. The music is another high-point, that was something that was consistently never less than excellent throughout the entire Popeye series (for both Fleischer Studios and Famous Studios). Very lush and characterful, adding a lot to the action.
Jack Mercer's voice acting is spot on, as is his priceless delivery of Popeye's mumblings and asides. Popeye is likeable and is also relatable in this situation, sympathy is completely on his side here and one can understand his frustration. There are a few mildly amusing moments, the turning round the car gag is agreed the best.
Unfortunately, Olive is insufferably annoying here and all her negative character traits are exaggerated to breaking point. 'Wimmin Hadn't Oughta Drive' is one of the few Popeye cartoons where Popeye and Olive's chemistry/relationship did nothing for me, in no way do they look like they are in love and it all looked too acrimonious.
Excepting a few amusing moments, there is really not much that is funny here and the gags compared to most Popeye cartoons from this period are in relatively short supply. As well as being quite stale. Will be very honest too in being too distracted by the material revolving around the teaching one to drive (which is almost all the cartoon) being less than tasteful and pretty out of date. Which is what can be said, even more so, of the characters' attitudes. The story is both dull and bland, even in the final third where the cartoon actually did literally run out of gas, and the predictability factor is high.
In conclusion, has its good things but didn't do much for me. 5/10.
Popeye shows Olive Oly his new car. She wants to drive and he reluctantly acquiesces. Olive is especially annoying in this one. It makes her look bad and makes the relationship look bad. It's a part of the Popeye cartoons that I've never liked. Otherwise, this is perfectly fine Popeye.
Did you know
- TriviaPopeye's car's "floating power" is a reference to a technology developed by Chrysler and used on its cars in the 1930s. It was a new means of attaching an engine to its chassis, with the intention of reducing vibration. 4-cylinder engines of the day started and rode rather roughly, transmitting the torque to the whole chassis. By attaching the engine at only two points, defining an axis that passes through the engine's center of mass, the engine was able to rotate slightly about this axis and reduce the transmission of vibration to the chassis.
- GoofsWhen Popeye says, "Olive, this is a new car. Foist, I has to break it in!" his mouth continues to move afterward. Apparently, a word was deleted.
- Alternate versionsAlso available in a colorized version.
- SoundtracksFuneral March (Marche funèbre)
(uncredited)
from "Sonata in Bb-, Op.35 No.2"
Written by Frédéric Chopin
Details
- Release date
- Country of origin
- Language
- Also known as
- Las Mujeres no Deben Conducir
- Production companies
- See more company credits at IMDbPro
- Runtime
- 6m
- Color
- Aspect ratio
- 1.37 : 1
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