IMDb RATING
6.1/10
1.6K
YOUR RATING
The manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.The manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.The manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.
- Nominated for 1 Oscar
- 1 nomination total
Kay Kyser Band
- Kay Kyser's Band
- (as Kay Kyser's Band)
M.A. Bogue
- Ish Kabibble
- (as Ish Kabibble)
Mary Bovard
- Mary
- (uncredited)
Jeff Corey
- Mr. Corey
- (uncredited)
Louise Currie
- Marion
- (uncredited)
Bess Flowers
- Lady in Taxi
- (uncredited)
Lyman Gandee
- Member of Kay Kyser Band
- (uncredited)
Featured reviews
Mystery, horror, music, slapstick, suspense - you name it - is all here. And with the all-time greatest horror actors - Lugosi, Karloff and Lorre. All we needed was Chaney with the Larry Talbot character and it would've put the icing on the cake. Who cares about the musical numbers and the singing? It all tied in to the storyline. Kay Kyser is at his best, I think, as the bumbling bandleader who gets all tangled up in this mess of a mystery. With the comic help of Ish Kabibble (who does look like a cross between Jim Carrey and Moe Howard, more the latter) this film manages to deliver chills, suspense and many, many laughs. Peter Lorre alone could've carried the suspense factor but with the other masters added it proved to be a classic.
It's wonderful how the storyline was meshed into that of a musical. That was brilliant writing. The story centers around the typical 40s mystery/horror genre - old mansion, creepy happenings, things flying around in the dark, people stuck because the bridge washed out, and music to shake in your boots by. I can certainly recommend that you check this out if you're a fan of slapstick because the horror line will definitely keep you watching. Great stuff!
It's wonderful how the storyline was meshed into that of a musical. That was brilliant writing. The story centers around the typical 40s mystery/horror genre - old mansion, creepy happenings, things flying around in the dark, people stuck because the bridge washed out, and music to shake in your boots by. I can certainly recommend that you check this out if you're a fan of slapstick because the horror line will definitely keep you watching. Great stuff!
This may seem like slight entertainment, and of course it is. But I am recommending it as must viewing until I find an earlier example with this structure.
The setup is simple enough: it is explicitly a self-aware movie. In fact Kyser comes on at the end and assures the audience that Lorre, Karloff and Lugosi aren't really murders. Within that are several performances of the band, performances I assume are similar to what they did in non-movie-land. Two performances.
Added to that in a clever way is a third. For this you need some background.
From about 1880 to 1910, many North Americans were spiritualists. Yes, about as many as today call themselves evangelists, the movement that displaced spiritualism. The rapidity of the change is breathtaking in a sociological context and interesting in itself. By the thirties, the "next" generation was making serious fun of spiritualism, usually in terms of uncovering a fake séance.
I've found several earlier fake séance movies, but they are all in the context of detective movies. That's another story all together. Superficially, they look like the fakery in this movie: a secret room, microphones, special effects, gullible participants holding hands.
But this is the first I think that references it as a performance. A lot flows from that tipping point on both sides: movies and the religious show.
Three layered performances, here.
Ted's Evaluation -- 3 of 3: Worth watching.
The setup is simple enough: it is explicitly a self-aware movie. In fact Kyser comes on at the end and assures the audience that Lorre, Karloff and Lugosi aren't really murders. Within that are several performances of the band, performances I assume are similar to what they did in non-movie-land. Two performances.
Added to that in a clever way is a third. For this you need some background.
From about 1880 to 1910, many North Americans were spiritualists. Yes, about as many as today call themselves evangelists, the movement that displaced spiritualism. The rapidity of the change is breathtaking in a sociological context and interesting in itself. By the thirties, the "next" generation was making serious fun of spiritualism, usually in terms of uncovering a fake séance.
I've found several earlier fake séance movies, but they are all in the context of detective movies. That's another story all together. Superficially, they look like the fakery in this movie: a secret room, microphones, special effects, gullible participants holding hands.
But this is the first I think that references it as a performance. A lot flows from that tipping point on both sides: movies and the religious show.
Three layered performances, here.
Ted's Evaluation -- 3 of 3: Worth watching.
Classic horror film fans will salivate at the thought of seeing Bela Lugosi, Boris Karloff, and Peter Lorre all at their devilish best in any film even if it's not a horror film per se. But the star of this film was noted band-leader and radio personality Kay Kyser who back in 1940 was enormously popular for his music and his Spike Jones lite type of orchestra comedy.
You'll Find Out features Kay and the boys hired to play at a party that their manager Dennis O'Keefe has arranged for his girlfriend Helen Parrish. She's an heiress whose money is held in trust by her aunt Alma Kruger. But Kruger is in the thrall of fake swami Bela Lugosi who's got a séance also planned for the evening. Also in attendance in addition to Parrish's girlfriends are Boris Karloff as the family attorney and Peter Lorre as a psychologist hired to expose Lugosi as a fake.
If you liked as I do Abbott&Costello Meet Frankenstein than you should like this film as well. In fact Bud and Lou also did Hold That Ghost which is even more similar to this film. But it's a double treat if you like the music of the era as I did.
Kay Kyser's orchestra also featured singers Harry Babbitt and Ginny Simms who introduce I'd Know You Anywhere which gained for You'll Find Out an Oscar nomination. Kyser himself was good as both comedian and musician.
Even though it's a comedy and not a Gothic horror film one should never pass up seeing Karloff, Lugosi, and Lorre in the same film.
You'll Find Out features Kay and the boys hired to play at a party that their manager Dennis O'Keefe has arranged for his girlfriend Helen Parrish. She's an heiress whose money is held in trust by her aunt Alma Kruger. But Kruger is in the thrall of fake swami Bela Lugosi who's got a séance also planned for the evening. Also in attendance in addition to Parrish's girlfriends are Boris Karloff as the family attorney and Peter Lorre as a psychologist hired to expose Lugosi as a fake.
If you liked as I do Abbott&Costello Meet Frankenstein than you should like this film as well. In fact Bud and Lou also did Hold That Ghost which is even more similar to this film. But it's a double treat if you like the music of the era as I did.
Kay Kyser's orchestra also featured singers Harry Babbitt and Ginny Simms who introduce I'd Know You Anywhere which gained for You'll Find Out an Oscar nomination. Kyser himself was good as both comedian and musician.
Even though it's a comedy and not a Gothic horror film one should never pass up seeing Karloff, Lugosi, and Lorre in the same film.
I liked this movie, I have seen it at least 5 times so far. Let's be fair to the movie,it is not Gone With The Wind, it is a B movie, but a really cute one. Kay Kaiser is always Great.
This movie has a GREAT gimmick called the Sonovox. It is similar to the electronic voice box of today, but with much better fidelity. Two small very high powered speakers are held against the upper throat, and you just mouth the words, the speakers provide the voice. Peter Frampton used a variation of this for one of his songs.
There is a wonderful demonstration of the Sonovox at the end of the movie.
Also the big band numbers are great. The two main singers "Handsome" Harry Babbitt and "Gorgeous" Ginny Simms have very fine voices and sing very fine songs in the movie. Yes "The Bad Humor Man" is silly but "WHO CARES"?
The three "horror" stars are great too, Bela Lugosi steals the show, Peter Lorre smokes up a storm, and Boris Karloff is oddly restrained. If you like Big Band music and Old Movies, I think you will like this one.
This movie has a GREAT gimmick called the Sonovox. It is similar to the electronic voice box of today, but with much better fidelity. Two small very high powered speakers are held against the upper throat, and you just mouth the words, the speakers provide the voice. Peter Frampton used a variation of this for one of his songs.
There is a wonderful demonstration of the Sonovox at the end of the movie.
Also the big band numbers are great. The two main singers "Handsome" Harry Babbitt and "Gorgeous" Ginny Simms have very fine voices and sing very fine songs in the movie. Yes "The Bad Humor Man" is silly but "WHO CARES"?
The three "horror" stars are great too, Bela Lugosi steals the show, Peter Lorre smokes up a storm, and Boris Karloff is oddly restrained. If you like Big Band music and Old Movies, I think you will like this one.
Yeah, it's pretty corny and most people won't like it -- but it's my kind of film! OK! Kay Kyser and his band invited to perform in a spooky old mansion may not be a show stopper; but throw in Bela Logosi, Boris Karloff and Peter Lorre -- play it for laughs, and you've got a surprisingly good film. Karloff, and especially Lorre, are a maniacal hoot! Had they been more screen time this would be a super Halloween film must. I'll give it a *7 1/2*. If others don't like it, well to bad! :)
Did you know
- TriviaFilmed August 8-October 11 1940, the 7th of 8 features to star Boris Karloff and Bela Lugosi, and the only time that fellow Hungarians Lugosi and Peter Lorre ever shared the screen.
- Quotes
'Prof. Karl Fenninger': [Rhetorically] Why do I have to waste my time outwitting morons?
- Crazy credits"The College of Musical Knowledge" is an on-screen opening acting credit, but its members are the studio audience, since Kay Kyser refers to them as "students."
- ConnectionsFeatured in TJ and the All Night Theatre: You'll Find Out (1980)
- Soundtracks(I've Grown So Lonely) Thinking of You
(1926) (uncredited)
(Kay Kyser's theme song)
Music by Walter Donaldson
Lyrics by Paul Ash
Played during the opening credits and at Kyser's radio show
- How long is You'll Find Out?Powered by Alexa
Details
Box office
- Budget
- $353,000 (estimated)
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content