Badlands of Dakota

Set in the Dakotas during the days of the Great Gold Boom, the story finds brothers Jim and Bob Holliday (Stack and Broderick Crawford) fighting it out over the affections of pretty Anne Grayson (Ann Rutherford). While all this is going on, Wild Bill Hickok (Richard Dix) does his best to help Jim Holliday neutralise the local criminal element.

"Badlands of Dakota" is an entertaining and engaging western, which mixes the presence of mythical figures from the Wild West, Wild Bill Hickok, Calamity Jane and General Custer, with comico-dramatic situations. It's an atypical western, oscillating between humor, (burlesque comedy) and dramatization - there's a great cast, from Broderick Crawford and the excellent Richard Dix, and the set pieces and the depiction of Deadwood is great. There's a strong sense of colour and drama as well as some fine action with shootouts, chases ( the Stagecoach sequence with the horses gobe was impressive) and an energetic Sioux attack on Deadwood.

The plot is simple: It's based around 1876 in South Dakota and the Custer/Wild Bill Hickok events. Farmer plays Calamity Jane, although they never use the tag "Calamity" when speaking to or about her. One varied notice from other films, she's not in love with Wild Bill in this one but a saloon owner (Broderick Crawford) and then winds up killing him.

This is a typical early day Western with lots of shootin', ridin', Indians, outlaws, and, of course, duo love interests which rival each other. It's a really good Western based upon that and comes even with some comedy (Andy Devine). It was well worth the money I paid to get it and I will certainly watch it again later.

I won't speak about the historical points because, although there are a few of them (such as Wild Bill getting killed) they are not anywhere close to accurate.

Rather, I bought the video because it had Francis Farmer in it. I'd never seen a movie with her until yesterday when I viewed two of them. I was most curious about this beautiful woman whose mother had her mutated.

I gave this movie an 8 simply based upon Francis Farmer's acting in the movie. She was a great actress. I say that now based upon viewing two of her films this past week (Son of Fury). Criminals, like those who did what they did to this wonderful woman ought to be damned but time has taken them, as well as she, from our presence so we can. I notice she only made 15 films before they cut her brain. I would have loved to have seen more movies with her and, no doubt, had they not had their way, she would have made many more.

1941's "Badlands Of Dakota" is a higher budgeted 'B' Western from Universal, with a fascinating cast. Top billed Robert Stack gives the least interesting performance (not really his fault), as Jim Holliday, freewheeling brother of tough saloon owner Bob Holliday (Broderick Crawford); when Bob finds that his girl back east (Ann Rutherford) has decided to marry Jim, he falls in with Deadwood villain Jack McCall (Lon Chaney), whose gang commits raids disguised as native Indians. Of greater interest are the supporting players, Richard Dix as Wild Bill Hickok, and especially Frances Farmer as Jane (minus the 'Calamity'), who carries a torch for Bob, and must play a part in his downfall. With Hugh Herbert, Andy Devine, and Fuzzy Knight, we have an abundance of comic relief, and future Frankenstein Monster Glenn Strange is among Chaney's gang. Broderick Crawford and Hugh Herbert were coming off the comic Poe "The Black Cat"; Chaney and Crawford would work together again in "North to the Klondike," "Not as a Stranger," and "Big House, U. S. A."; Richard Dix soon reunited with Chaney in "Eyes of the Underworld." But in this film, no one can steal the thunder from Frances Farmer, whose commanding presence and captivating beauty prove to have been unique and unforgettable.

Like a number of his earlier works, Badlands of Dakota assisted Broderick Crawford to develop the pained, overachieving Willie Stark he so absorbingly played in ALL THE KINGS MEN. The warpaint he occasionally dons does detract from the seriousness of his delivery but with plot twists like the finale, the paint probably was a welcome cover for his embarrassment. What I did like about the film was the restrained performance of Richard Dix as Wild Bill Hickok and the raw and bitter characterization of Calamity Jane by the exquisite and doomed France Farmer. The film is worth the time spent watching it if only to watch Farmer's swaggering scenes and to hear her deep and soothing voice.

Except most of them were not stars yet. Lively but ordinary western from Universal which, in true Hollywood "respect" of history, throws a variety of famous historical names into the pot with mixed results. The film is perhaps most noteworthy for the cast of familiar film veterans.

The main story has two brothers (Robert Stack and Broderick Crawford) have a fall out over a girl (Ann Rutherford), Crawford turning bad and falling in with some outlaws, lead by Jack McCall (Lon Chaney Jr.). Custer's name is thrown into the mix, as well as that of Wild Bill Hickok, played by Richard Dix who is dressed to look like the lawman but has disappointingly little to do. The sudden recreation of the lawman's famous death is a surprisingly throwaway moment in the film.

Oh, there is also a gun slinging tom girl in buckskins just called "Jane" (played by a beautiful Frances Farmer in one of her final roles). Nobody calls her "Calamity" but the assumption is that's it's her anyway. Hugh Herbert and Andy Devine are also present for the usual comedy relief. The rest of the film, though, is hardly to be taken seriously.

The film moves quickly enough but what plot there is is trivial and uninvolving, not helped by the fact that it's difficult to take Stack seriously in the film's second half when he becomes the new law of Deadwood. Stanley Cortez photographed it all nicely, and you can recognize the same Universal stock music taken from Destry Rides Again, filmed two years before.

A minor quibble: watching Crawford and Chaney share a few scenes together, I was disappointed they didn't get drunk and start to break up the furniture. Maybe they saved that for when the cameras stopped rolling.

Strictly for western buffs,