A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.
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Irene Coleman
- Barmaid
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Featured reviews
It's the other woman here
This is a late and modest entry into the screwball comedy genre. As such, all the performers are frenetic, histrionic, and act in broad, bold strokes. Performers falling into water is a running joke. There is no dry humor in this film. Unfortunately, no good lines either; it has a script of shtick patched together from older and better comedies.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
See this one for the actors
For me the brightest spots of this movie are Rita Hayworth and Dennis Morgan. The love triangle, which also includes Merle Oberon, is complicated by interference from Ralph Bellamy and others (at times it's difficult to be sure whose side Rita is on.) Standing by are Hattie McDaniel and Butterfly McQueen, who are rooting for Morgan all the way. The backdrop of the newspaper business - as well as the presence of Ralph Bellamy - reminds one slightly of "His Girl Friday." Not a terrifically funny comedy, but worthwhile, especially for fans of any of the cast members.
Quite a disappointment considering the cast.
Another reviewer used the word "trite" to characterize the plot of this film. Amen to that! As for the film as a whole? How about lame? Really lame!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
Two gorgeous ladies compete for one philanderer
Dennis Morgan, Merle Oberon, Rita Hayworth, and Ralph Bellamy are "Affectionately Yours" in this 1941 comedy. Morgan is a newspaper reporter who travels constantly.
His current amour is Malcolm (Hayworth), and he gives her the same story he's given all of them - his wife (Oberon) won't divorce him.
However, he receives a telegram stating that she has, and he panics. He rushes home to New York, with Malcolm right behind him, and tries to woo her back. She's planning to marry Mr. Wright (Bellamy), who is more than disturbed by the fact that she still seems interested in her husband.
This is a fairly trite comedy with some very funny slapstick and, of course, two of the screen's most beautiful women, Oberon and Hayworth.
This film was made just before Hayworth broke through into big stardom, and she's delicious. She has the best role in the film. It always amuses me to see her so vivacious and talkative on screen.
According to one of her biographers, when the kids from the old neighborhood saw her on screen for the first time, they were shocked at how much she was talking. She never talked as a young girl.
Though she didn't really like movie stardom, the screen was where she could let herself go and be someone else. Morgan is attractive and just right as the errant husband.
Bellamy is in his usual role as the man who doesn't get the girl, and he does beleaguered very well.
Oberon lends sophistication and class to the film. Someone commented here that she looked plump. I don't know what they're talking about.
This is a good movie to see for the stars. The story isn't much.
His current amour is Malcolm (Hayworth), and he gives her the same story he's given all of them - his wife (Oberon) won't divorce him.
However, he receives a telegram stating that she has, and he panics. He rushes home to New York, with Malcolm right behind him, and tries to woo her back. She's planning to marry Mr. Wright (Bellamy), who is more than disturbed by the fact that she still seems interested in her husband.
This is a fairly trite comedy with some very funny slapstick and, of course, two of the screen's most beautiful women, Oberon and Hayworth.
This film was made just before Hayworth broke through into big stardom, and she's delicious. She has the best role in the film. It always amuses me to see her so vivacious and talkative on screen.
According to one of her biographers, when the kids from the old neighborhood saw her on screen for the first time, they were shocked at how much she was talking. She never talked as a young girl.
Though she didn't really like movie stardom, the screen was where she could let herself go and be someone else. Morgan is attractive and just right as the errant husband.
Bellamy is in his usual role as the man who doesn't get the girl, and he does beleaguered very well.
Oberon lends sophistication and class to the film. Someone commented here that she looked plump. I don't know what they're talking about.
This is a good movie to see for the stars. The story isn't much.
A Film that makes you laugh!
I absolutely loved this story!Rita Hayworth,Merle Oberon and Dennis Morgan are energetic and entertaining throughout this whole film.Ralph Bellamy doesn't get the girl,but he's great anyway.Merle Oberon once commented that she thought this movie "was a real dud..I hate it!"She conceded that her children did like it.I thought it was wonderful and I love when Dennis ties Merle's foot to something on the pier and after struggling to get away...can't budge!She falls over into the water and catches a cold...which leads to Morgan and Bellamy arguing over who gets Merle.You'll have to watch this film to find out what happens!
Did you know
- TriviaWarner Bros. technicians duplicated a Boeing 314 Clipper in order to match studio shots with those filmed on location at Lisbon and LaGuardia airports. Boeing built only 12 of these airplanes from 1938 to 1941.
- GoofsWhen Rickey goes into the hotel bathroom and closes the door, the key is on his side but yet he's locked in from the other side. When he leaves the bathroom, the key is back on the other side.
- Quotes
Owen Wright: You certainly are intuitive.
Sue Mayberry: You certainly are transparent.
- ConnectionsFeatured in Of Black America: Black History: Lost, Stolen or Strayed (1968)
- SoundtracksHungarian Dance No. 6
(1869) (uncredited)
Written by Johannes Brahms
Played by the orchestra at the Lisbon Cafe
Details
- Release date
- Country of origin
- Language
- Also known as
- Vuelve a ser mía
- Filming locations
- Lisbon, Portugal(airport)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 1.37 : 1
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