Hold Back the Dawn

This movie is worth watching for the performances of Olivia deHavilland--unbelievably naive but Olivia has an internal sincerity that carries it off--and Charles Boyer--jaded and conniving but wonderful and romantic, a much better actor than is remembered. And Paulette Goddard too. Just watching these 3 actors in a movie is great fun. It's also an interesting and sympathetic view of a group of immigrants fleeing the war in Europe who had made it to Mexico with the hope of getting into the US. (The film came out in 1941--probably before the US had entered the war.) Boyer is Romanian, a dancer and gigolo who is broke and feeling hopeless by the time he meets Olivia, a teacher who has brought her students on a field trip to Mexico for the 4th of July (which seems like rather an odd choice when you think about it). And, there is some really tiresome interactions between the teacher and her quite incorrigible students--but hang on, it passes. Then we get to watch Boyer's insincere seduction of her and then her authentic seduction of him, the discovery of his trick and potential paradise lost. The ending? Boy, I'd love to know the story of that ending--was it the original as written? Please Paramount, put it out on DVD with commentary. Somebody must know. Anyway, despite its flaws, the performances are wonderful and it's a viewing pleasure. (Yes, a 10 is a little high for a rating--in quality, it's probably more like an 8, but in fun- value, I still give it 10, and maybe it will help get it DVDed.)

How can you be French and not love this film? First the lead is French;and in a small supporting part,there is Victor Francen,one of Julien Duvivier's ("La Fin Du Jour ",1939) and Abel Gance's ("J'accuse" 1918 and 1937) favorite actors.Plus "La Marseillaise " in the final sequences.Plus Olivia De Havilland who has been living in Paris for years.Except for Bertrand Tavernier,most of FRench critics do not speak highly of Mitchell Leisen's overlooked gem.

This is the kind of superior melodrama I love.Olivia De Havilland is one of the greatest actresses of all time,one of those who never think twice when it comes to playing demeaning parts.She is so moving,so tender and so endearing that beauty Paulette Goddard almost leaves me indifferent.And I wonder why Boyer...

The very structure of the film is highly original,being a long flashback,the hero telling his story (perhaps too much voice over) to a director to earn money (but we will know why in the last minutes )because he thinks all his trials can make a great film!Truth can be stranger than fiction cause he is in a film himself! The subject of the movie is still topical today when you see so many people leaving their country for the wealthy ones (not only America:in France ,Russians and others are actually fighting to get French citizenship).For that matter,one of the peaks is when Victor Francen declaims Emma Lazarus's poem which is graven on a tablet within the pedestal on which the Statue of Liberty stands.There are subplots and Mitchell Leisen's talent manages to make them as interesting as the three leads .You may remember the lady who wants his baby to be an American and the way she makes her dream come true,maybe more than Boyer/Havilland's honeymoon.

A honeymoon that takes them to an old Mexican village where they go to mass,with a candle in their hand.A scene that recalls Murnau's "daybreak" .

Emmy (De Havilland) is a woman who has never known love.She really wants to hold back the dawn ,to make her dream longer than the night.She gave all she had and she 's so altruistic she even returns good for evil.When she realizes that she's through with her pursuit of happiness,she simply puts her glasses.

I had seen Leisen's film when I was still a child.I saw it last night.With the same pleasure.

It is curious how times change. More than 60 years ago, people fleeing Europe went to Mexico to try to gain access to the United States. Today, instead of going the legal route, they would probably hire a coyote to take them to the other side of the border! The more things change, the more they stay the same.

This film is interesting because of the screen play by Billy Wilder and Charles Brackett, although the IMDB only lists the latter one as the writer. It is a mistake to bypass the great Billy Wilder, when we see his imprint everywhere in the movie.

The movie begins with a disheveled Charles Boyer going to the Paramount lot to talk to the director, Mitchell Leisen. Boyer's character, George Iscovescu, has met the director in the Riviera and comes to beg for a loan of $500, a tidy sum in those days. From there the story unfolds.

George quickly learns after arriving in the border town, that because being Rumanian he must wait about 8 years to enter the United States because of immigration quotas. He quickly learns the only way to make it across the border is if he would marry an American woman, and voila!, Emmy Brown, just happens to come to spend the 4th of July holiday with her students, thus his chance to make it in a legal way.

The cast of the film is excellent. Charles Boyer, in spite of not being upfront with the naive Emmy, doesn't make us hate him. He redeems himself at the end. Olivia de Havilland was perfect for the immature Emmy. She falls in love with a man that is trying to use her as his ticket to the promised land. Paulette Goddard, as Anita was very good. Walter Abel is the despised Inspector Hammock, the immigration officer everyone in town hates.

Don't miss it either on tape or DVD format.

Charles Boyer, Olivia de Havilland and Paulette Goddard deserve high praise for their performances in this poignant and touching slice of Americana from Mitchell Leisen (who later directed de Havilland in 'To Each His Own'). Basically the story of a European gigolo (Boyer) who wants to get into the United States without a long wait in Mexico. His girlfriend and ex-dancing partner (Paulette Goddard) convinces him to marry an unsuspecting American schoolteacher (de Havilland)in order to gain fast entry before ditching her. Colorful supporting characters come to life--most notably Walter Abel as an immigration officer and Rosemary de Camp as a pregnant woman who wants her child born in the U.S. Boyer narrates the story to a film director (Mitchell Leisen) and we see the story unfold in flashback from his point of view. Excellent work by all concerned. My only complaint is the abrupt ending--which I understand was a result of trouble with Boyer who wanted certain scenes rewritten--a final scene between him and de Havilland would have been preferable to what seems like a letdown for the finale. As it is, it looks like choppy editing before "The End" flashes on the screen. Still, a romantic drama with an abundant amount of dry humor and some crackling dialogue by Paulette Goddard who sparkles in her role as "the other woman". Her confrontation scene with the schoolteacher is one of the highlights of the film. De Havilland was nominated for a Best Actress Oscar for this, but lost to her sister, Joan Fontaine, for 'Suspicion'.

It is a sad reflection that many of the movies made so long ago still compare brilliantly with the best of today. "Hold Back the Dawn" is one of those - superbly put together by Billy Wilder & Charles Brackett, and with some of the finest acting of 1941. Outtanding are Charles Boyer, in what I feel is his best acting, and Olivia de Havilland who apparently had to go to Paramount to be appreciated (her two Oscar films were made there, and she was nominated also for this one!) is a standout. Paulette Goddard in a role almost written for her was very good, and the supporting cast was excellent. Migrants trying to get into the United States has always been a hot topic, but here it is treated sympathetically in a very informative way. I have to say the ending was not well done, and one gets the feeling all was not well somewhere.