IMDb RATING
6.6/10
1.6K
YOUR RATING
Episodic look at the life of a minister and his family as they move from one parish to another.Episodic look at the life of a minister and his family as they move from one parish to another.Episodic look at the life of a minister and his family as they move from one parish to another.
- Nominated for 1 Oscar
- 2 wins & 1 nomination total
Dorothy Adams
- Woman Behind Hope at Baptism
- (uncredited)
Joan Anderson
- Child
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
For those who are cynical about the religious life, here's a movie which ought to put some of that cynicism to rest. "One Foot in Heaven" is the true story of a Methodist preacher and his family, and it rings true, not just for the humanity Frederic March brings to his role as the preacher, but for the situations and characters that many of us, regardless of creed, will easily relate to. My dad used to say, A church is its people. I think One Foot in Heaven is a perfect illustration of this truth. Though this is a story about a preacher, we aren't preached at. There's a wonderful scene, with the preacher gently urging his agnostic doctor to start coming to church. He doesn't beat him over the head with a Bible but tries a more "humanist" approach.
Someone else has compared One Foot in Heaven with It's a Wonderful Life. Another film to compare is Going My Way. In fact, One Foot in Heaven and Going My Way were released just a year apart. There are story similarities, like the building of new churches (The Bishop's Wife is another example), but it's interesting to see how religion in the community is seen respectively through Protestant and Catholic lenses.
Then, there's the final scene. In some ways it's corny, but it still moves me. It hearkens to a time when religion wasn't sectarian but seamlessly interwoven in community life, unselfconsciously and unostentatiously. It was before the battle lines between religionists and secularists were drawn, when America had a "civil" religion. Alas, a time past.
Someone else has compared One Foot in Heaven with It's a Wonderful Life. Another film to compare is Going My Way. In fact, One Foot in Heaven and Going My Way were released just a year apart. There are story similarities, like the building of new churches (The Bishop's Wife is another example), but it's interesting to see how religion in the community is seen respectively through Protestant and Catholic lenses.
Then, there's the final scene. In some ways it's corny, but it still moves me. It hearkens to a time when religion wasn't sectarian but seamlessly interwoven in community life, unselfconsciously and unostentatiously. It was before the battle lines between religionists and secularists were drawn, when America had a "civil" religion. Alas, a time past.
Of course, it's impossible to tell how much of this story is dramatized and how much is real. And the gothic ideals of what a "church" should be are now very period--as they should be. But what makes this film work is the human nature presented through the characters. I say this because, as a (United) Methodist pastor, I know and have known the very types of characters represented in this film. And as one who sometimes wonders whether I'm fulfilling the mandate of my calling, this film was a welcome and refreshing reminder of maintaining my focus. It is probably a good insight for church members who want to get a glimpse of what life is truly like for a clergy person, then as now (though my parsonage is countless times better than what poor Dr. Spence had to live with!). A recommended dose of reality for the clergy-weary and the clergy-wary alike!
This enduring classic is one of those films you can start at 12 midnight and watch all the way through without dozing off for a second. There are no dazzling special effects, no edge-of-your seat car chases or mid-air rescues.However,its engaging procession of honest scenes depicting the often overwhelming, though eventually rewarding, trials of a man of God during the first half of the twentieth century rival the greatest of superficial,high-tech thrills today's blockbusters have to offer. From the early scenes of Mrs.Spence trying valiantly to adjust to the squalor of her parsonages to Dr.Spence's creative solution to the adult choir's intolerable dissonance this film is a radiant beacon in a bleak world bereft with terrorism, wars, and rumors of wars due to its straightforward, heartfelt depiction of faith under fire. Though obviously filled with references to Methodist doctrine the film does not alienate members of other denominations and even nonbelievers can see this as an excellent example of how old-fashioned values triumph over hypocrisy and ignorance in turbulent times. Unfortunately, this movie is unbelievably rare and only pops up on TCM once in a blue moon. I
"One Foot in Heaven" is quite simply one of the most beautiful films that I have encountered. A mainstream film of this sort would NEVER even be considered today; it seems even a bit tame for 1940.
And yet, the world was vastly different then, and the gentle,loving tone of this film reflects a sort of "old-time" morality that seems hopelessly lost today.
This was a major Warner Brothers release and, with Hal Wallis as producer, one expects and gets a very high quality film which lovingly recreates scenes from the life of an ordinary Methodist minister during the first 40 years of the 20th century. No earth-shaking events here--just the day-to-day trials and tribulations, the simple joys and heartaches, the small-town politics and frustrations that reveal humanity in all of its imperfections.
I am amazed that Frederic March is sometimes regarded as a dull actor; he was the epitome of subtle, honest realism, and he carries the narrative of this film in an amazing way, tender, gracious, humorous, a bit stodgy--but always willing to "bend" when necessary, resourceful, loving, and above all, very human.
The movie is filled with an array of Hollywood's best character actors, and the extremely detailed sets, costumes, etc really serve as a "window" to another time and place in our American past.
Max Steiner's extremely pious score is almost a bit much at times, but it nonetheless adds a reverent strength to the proceedings.
And then, there is the final scene, one of the most moving and unique in any film that I know. Once again, the ultimate destination of the plot is nothing earth-shaking---but the concept and staging of the last scene is really remarkable. A simple, old-time street on a gorgeous spring day, the townspeople who have come to know and love their minister all stopping their work and joining the procession through the street as they follow the sounds of the carillon from the new church. Martha Scott, Frankie Thomas, Gene Lockhart, Beulah Bondi, Harry Davenport, Laura Hope Crews--many of whom have locked horns with Mr. March during the course of the film, now join together in the dappled sunlit street, finally arriving at the church where they all lift their voices together in the moving hymn "The Church's One Foundation"... as we see Mr. March himself seated at the carillon, struggling to continue playing it through the tears streaming down his face....
I think Turner Classics has a print of this film (I saw and taped it off of Chicago's PBS station some years ago). Try to see it; like the world it represents, this beautiful film may also disappear forever.
And yet, the world was vastly different then, and the gentle,loving tone of this film reflects a sort of "old-time" morality that seems hopelessly lost today.
This was a major Warner Brothers release and, with Hal Wallis as producer, one expects and gets a very high quality film which lovingly recreates scenes from the life of an ordinary Methodist minister during the first 40 years of the 20th century. No earth-shaking events here--just the day-to-day trials and tribulations, the simple joys and heartaches, the small-town politics and frustrations that reveal humanity in all of its imperfections.
I am amazed that Frederic March is sometimes regarded as a dull actor; he was the epitome of subtle, honest realism, and he carries the narrative of this film in an amazing way, tender, gracious, humorous, a bit stodgy--but always willing to "bend" when necessary, resourceful, loving, and above all, very human.
The movie is filled with an array of Hollywood's best character actors, and the extremely detailed sets, costumes, etc really serve as a "window" to another time and place in our American past.
Max Steiner's extremely pious score is almost a bit much at times, but it nonetheless adds a reverent strength to the proceedings.
And then, there is the final scene, one of the most moving and unique in any film that I know. Once again, the ultimate destination of the plot is nothing earth-shaking---but the concept and staging of the last scene is really remarkable. A simple, old-time street on a gorgeous spring day, the townspeople who have come to know and love their minister all stopping their work and joining the procession through the street as they follow the sounds of the carillon from the new church. Martha Scott, Frankie Thomas, Gene Lockhart, Beulah Bondi, Harry Davenport, Laura Hope Crews--many of whom have locked horns with Mr. March during the course of the film, now join together in the dappled sunlit street, finally arriving at the church where they all lift their voices together in the moving hymn "The Church's One Foundation"... as we see Mr. March himself seated at the carillon, struggling to continue playing it through the tears streaming down his face....
I think Turner Classics has a print of this film (I saw and taped it off of Chicago's PBS station some years ago). Try to see it; like the world it represents, this beautiful film may also disappear forever.
one foot in heaven is the type of movie that makes a person want to look into how their life has effected other people. (just as the movie about george baily in it's a wonderful life. a simple story about one man's life and how he was able to do, not exciting things, but long lasting things that made people better for having know him. it is great to find this movie playing on tv, but it should be put on dvd or tape for us to enjoy much more often.
Did you know
- TriviaWilliam S. Hart was the guest of honor at the Hollywood premiere of this movie, since his movie The Silent Man (1917) figures prominently in the plot.
- GoofsAt the beginning of the movie, William Spence (Fredric March) announces he has been "called" to the church and will become a pastor in the Methodist Church. His soon-to-be mother-in-law, Mrs. Norris (Nana Bryant)), replies that she would have preferred that he'd joined the Episcopal Church. At that time, in Canada, the dominant church was the Church of England, not the Episcopal Church. That is predominantly a US institution born out of the American Revolution.
- Quotes
William Spence: [to his son, Hartzell] A pastor's family are in a special category. We are uh... Well, It's as if we walked a sort of tightrope. Balancing with one foot on earth and one foot already in heaven.
- ConnectionsEdited into Happy Times and Jolly Moments (1943)
- SoundtracksThe Children's Prayer
(uncredited)
from "Hansel and Gretel"
Music by Engelbert Humperdinck
Libretto by Adelheid Wette
Sung by the Robert Mitchell Choir
Details
- Release date
- Country of origin
- Language
- Also known as
- Con un pie en el cielo
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 48m(108 min)
- Color
- Aspect ratio
- 1.37 : 1
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