Texas

It's a bit surprising that no one's commented on this movie till now. After all, it isn't some obscure B-western but rather an almost "A" production with two rising young stars, (William Holden and Glenn Ford, plus Claire Trevor), and a respected director, George Marshall. Perhaps the fact that it's in b&w has unjustly relegated it to near-obscurity.

Those who seek it out, however, will be rewarded by an engaging plot which has some interesting twists and turns, by some snappy dialog -- particularly in the first meeting between Holden and Trevor -- and by a host of good supporting players, such as Edgar Buchanan who plays a devious dentist.

For fans of "beefcake," there's an early prizefight sequence in which a shirtless Holden battles the local champ in a bare-knuckle marathon. Only about 22 or 23 years old at the time, Holden's physique hadn't yet reached the maturity displayed in his later films, (most notably "Picnic"), but his bare chest, (shaved of the hair displayed earlier in "Golden Boy"),is still quite pleasing to the eye. If only the scene could be re-written so that Holden would have been matched against a stripped-to-the-waist Glenn Ford. Now, that would have been a beefcake bonanza!

It's 1866, Abilene, Kansas and we are in the company of Dan Thomas {William Holden} and Tod Ramsey {Glen Ford}, two pals who served in the Confederacy together. They want to get to Texas to earn their living but have no cash ready to hand. But a lifeline is thrown by way of a stagecoach robbery they witness as they decide to relieve the robbers of their ill gotten gains. This puts the friends in serious peril so they agree to split up and head in different directions. Finally meeting up some time down the line in town, both men are operating from different social standings. And both men have fallen for the same gal, Mike King {Claire Trevor}. So along with the arrival in town of shady railroad magnate Windy Miller {George Bancroft} and the crooked dealings of dentist Buford Ford {Edgar Buchanan} starting to influence matters; the boys will do well to come out of it all still as friends.

Texas is directed by George Marshall {with Norman Deming assisting} and the three writing credits go to Michael Blankfort, Lewis Meltzer & Horace McCoy. It's a briskly paced black & white action Western that's not short on laughs either. In Holden and Ford it showcases two Hollywood big hitters in their fresh faced early days, with Holden pretty much unrecognisable. From a quite hilarious pugilist rules boxing match in the first quarter, to the number of machismo exchanges that drop in from time time, it's one of those film's that's hard to criticise. So I'm not going too. A small bother comes with the ending being rushed a touch, but even that is in keeping with how Marshall has directed it. So really it's a hearty recommend to anyone after some early 40s Oater enjoyment. Undemanding for sure, but executed with gusto and no little amount of class. 6.5/10

In the midst of all the wide screen, technicolor 1950s westerns, I saw this small screen B&W feature when I was ten, in 1957. Something about it just took hold.

The simple but fast paced story is fun and entertaining. Glenn Ford and William Holden are in top form even at the start of their great careers. Claire Trevor is attractive and spunky. Edgar Buchanan is the consummate character actor in his usual role as a shady...fill in the blank...dentist. His constant reference to "a bad bicuspid" is typical of his almost absent minded approach to his part. His voice and facial expressions could make putting on his shoes look shady.

Texas is great all around fun and has an ending with a moral. I give it 4 Stars.

This is a very good western with two great up and coming actors at that time. Glen Ford and William Holden really shined in this movie and it paid off good for both of them.

This was Fords 9th film and Holden's 6th, but you could never tell it by their acting. These two men played well off each other. It didn't hurt that they had Claire Trevor as their love interest either. The cast is rounded out with the great actor Edgar Buchanan playing the bad guy, I know it's hard to hate a man like Buchanan.

This is NOT a B cowboy movie, far from it. The scrip and acting is very good, and the movie has a good plot as it moves alone and never leaves you bogged down. Ford and Holden play well off each other, so well in fact it wasn't long before Hollywood teamed them up again in another western "The Man From Colorado".

So if your looking for a very good western with a great cast that has plenty of action along with some humor and love, you can't go wrong with this movie.

Holden and Ford may be the stars, but the film belongs to director Marshall and the incomparable Edgar Buchanan. Marshall started out directing comedy shorts and it shows up here in several memorable scenes. That fight scene may be the most amusing on boxing record. Dutch Henry keeps popping up, dukes raised, like a whack-a-mole, and I love the way the boisterous crowd ends up in a frontier free-for-all. The buckboard scene may be brief but it's expertly done, Trevor shows real comedic ability as she struggles with a rebellious ten yards of skirt. Then there's the topper—pudgy, gravel-voice Buchanan actually doing a song and dance. I wouldn't believe it if I hadn't seen it. But more incredibly, his graceful shuffle and tuneful refrain are absolutely charming. What a marvelous actor he was as he transitions here from musical performer to shifty-eyed mastermind.

It's a good story if a bit shopworn—two buddies (Ford & Holden) falling on opposite sides of the law while competing for the same girl (Trevor). The various alliances get a little confusing so you may need a scorecard to keep up. Holden gets the majority screen time, while the always low-key Ford is even more so than usual. All in all, it's a highly entertaining, fast-paced 90-minutes, thanks mainly to an expert director and a cagey old coot.