China Girl

I'm a big Gene Tierney fan, so I tuned into this one with some eagerness, hoping to see a film that captured pre-WWII tensions in SE Asia and gave the luscious actress some room to shine. And while Gene does have a few moments of brilliance, the rest of the film is a mish-mash of good and bad elements. The whole is somewhat less than satisfying.

My biggest problem is that this film doesn't really know what it wants to be: action movie, spy/war thriller, romance, drama, or anti-Japanese war propaganda. The script tries to be all things to all people and ends up satisfying no one. Plot elements are left hanging unresolved. One line of tough guy dialog is followed by another trying to stir hearts about the plight of the Chinese nationalists. What a mess! George Montgomery is a poor man's Clark Gable, and he's almost a caricature in this film - tough guy only looking out for himself who falls hard for a "dame" caught up in the mess that was China and Burma in 1941. Though Tierney gets top billing, it's really Montgomery's film, and he's not up to carrying it. He's pretty good at the action stuff, but he's lost in the romantic scenes. Plus, his comedic timing is way off. It doesn't help him that the screenwriter gave him some terribly cheesy dialog.

There is little depth to any of the supporting cast, although Robert Blake gives a scene-stealing performance as a young Burmese kid (of all things) that pals around with our hero in Mandalay.

There are some good elements here - some exotic shots that appear to be on location (if they're backlot, they fooled me), and a wonderful set in the hotel in Mandalay. The action scenes often move well. The movie doesn't pull punches, either - we see Chinese civilians being mowed down by Japanese machine guns, and our hero crawls across a ditch of dead bodies in an early escape scene. This is more grim than I expected from a film more than 60 years old, and it's effectively done.

But overall, I can't recommend this film to hardly anyone. There are better films about Japanese brutality in SE Asia during WWII ("Bridge on the River Kwai" or "Objective, Burma") and certainly better films for Tierney fans (my recs - "Laura", "The Ghost and Mrs. Muir", and "Leave Her to Heaven"). Give this one a pass and consign it to the history books.

China Girl is about an American newsreel cameraman, Johnny Williams (George Montgomery). The Japanese military in a Japanese occupied part of China detained him and hire him to photograph the building of the Burma Road. Johnny steals what he believes are press credentials- instead, they are the military orders for Pearl Harbor.

While they are holding him, he manages to escape with the help of a Canadian soldier (Victor Mclaglen) and his friend (Lynn Bari).

Later, he meets an old friend who wants him to join the Flying Tigers. But Johnny is out for Johnny, offering several people 50 percent of what he will make for Burma Road footage if they will stake him and buy him equipment, as the Japanese confiscated his.

Unaware that the Japanese are desperate to have their orders returned and are after him, he falls head over heels for gorgeous Haoli (Gene Tierney) who is half-Chinese. They fall in love, but she is committed to helping her father (Philip Ahn) with his school in Kunming. Learning the Japanese are en route to attack Kunming, Johnny rushes to save her.

Somewhat convoluted plot, though the end is very powerful. Gene Tierney doesn't have much to do but look ravishing until the film is nearly over.

George Montgomery was one handsome hunk of man, a former prizefighter with a magnificent physique, an architect, and known for the beautiful bronze busts he made. One small problem. He couldn't act his way out of a phone booth.

This role called for him to be cynical. Well, every line came out of the side of his mouth, no variation. Not that the dialogue, peppered with babes, dames, all the slang of the day helped.

Directed by Henry Hathaway, and very routine.

Elaborate WW2 adventure follows a newsreel photographer's intrigues and romance in China and Burma. Although Ben Hecht's screenplay is lively with macho action and jingo dialogue, the women stand out: Gene Tierney looks ravishing , while Lynn Bari steals all her scenes by underplaying with a haunting edge. Much less successful is hero George Montgomery who apparently took Clark Gable lessons, projecting all the brashness but none of the humor. Victor McLaglen gives stolid support and Robert Blake is fine as an Indian child. The real attraction here is the production: exquisite Oriental decor, imaginative lighting, and some spectacular mayhem.

Probably "China Girl" is a movie for cinephiles (I'm not one of them, though). Hathaway is a high-level film-maker, McLaglen, Montgomery, Lynn Bari, Ruman are gifted and nice actors. The black-and-white photography is beautiful: the scenes inside the colonial hotel are indeed very evocative. Even the plot is better than one may expect and presents a noble finale. At any rate, it is so pleasant to see a film with no beastly violence and trash talk which are routine in current movies. Of course, for us happy people Gene Tierney's fans, the main recommendation for "China Girl" is the presence of our Goddess of Love and Beauty. Beyond her incomparable beauty and loveliness, Gene shows her usual (underrated) talent as an actress: with her sad dreaming eyes, her rare sweet smiles, her refusal to give way to love, even her bravery in sharing her unhappy people's sufferences, she instills in the audience the foreboding of her bitter fate.

Gene Tierney is about as Chinese as I am. She is beautiful, but she doesn't look vaguely Asian. Lynn Bari does a fine job as Second Hand Rose, or whatever character she was playing as a Japanese spy. But poor Victor Mclaglen is horribly miscast as a Canadian working for the Japanese. More realistic would be if he were Irish, since they had a motive to fight the British.

I can just imagine him with a hockey stick. And him losing a fight to Montgomery? I don't think so. There are some very good scenes in the beginning and the later part of the film; especially the brutal treatment of the Chinese by the Japanese, and the Chinese classroom scenes. However, the film has a few flaws as well. I am sure you will notice them without my assistance. Watchable soap with some unexpected results. There is excessive violence, but then again, that is why the Chinese will always hate the Japanese.