Kid Glove Killer

The birth of forensic evidence, such as the kind we are now used to on CSI and other TV shows, became popular in the 1950s and 60s. But before then, there was this film, and a few others like it in the early 1940s that highlighted this new science. Kid Glove Killer is a nice tight little drama in that tradition. With nice direction and solid performances, this little mystery hits the spot. Worth viewing.

(Slight Spoilers) Intelligent little murder drama where were shown who the murderer is even before he murders his victim. Working for the election of Richard Daniels, Samuel S. Hinds, for mayor of Chatsburg crusading lawyer and crime-fighting, that's a laugh, radio personality Jerry Lidimer, Lee Bowman, is in the know to just what Daniels is to do to in combating crime after he gets into office. Jerry is really working for the Matty Mob who's paying him $1,000.00 a week for his services.

Having Matty's hit men knock off Mayor Daniels crime-fighting attorney general Hunter J. Turnley, by telling them wheres he's going on vacation and thus away from his police protection, Jerry is now made by the unsuspecting Mayor Daniels special prosecutor which makes him even more effective for the mob not the law-abiding people of Chatsburg who he's sworn to serve.

Mayor Daniels later gets this special delivery letter that asks him about a reference for Jerry and how he was able to pay up front $28,000.00 in cash for a $80,000.00 insurance policy. Daniels knowing that Jerry was flat broke where he started to work for him less then a year ago also knows that there's something not kosher with Jerry and tells him that he's going to announce an investigation on his finances the next day.

Panic-stricken Jerry rigs Mayor Daniels car and the next morning as the Mayor is about to start the car motor he's blown to bits. Having a perfect pasty to take the fall diner owner Eddie Wright, Eddie Quillan, Jerry is now in the clear not only to be special prosecutor but mayor as well of Chatsburg. This will give the Matty Mob the run of the city with nothing to fear from the police and the law. What Jerry didn't count on is the man in charge of police lab Gordon McKay, Van Heflin.

Getting all the evidence together Gordon and his pretty assistant Jane Mitchell, Marsha Hunt, at first exonerates the accused and bewildered Eddie Wright of Mayor Daniels murder. With Jerry desperately trying to put the frame on poor Eddie and with a little conniving, on his part, Gordon gets the goods on Jerry by getting a sample of his hair which has particles that were found at the murder scene.

The ending has Jerry who found out about Gordon's evidence against him ,from an unsuspecting Jane, have it out with Gordon, who knew he was coming to murder him, who called the police in advance and also gets Jerry pinned with a dart that he was practicing with all through the film.

Van Heflin was both valiant and funny as the somewhat peculiar lab technician Gordon McKay and his scenes with the pretty Marsha Hunt were, besides a number of fight scenes, the highlight of the movie "Kid Glove Killer".

Kid Gloves Killer (1942)

There might be little to recommend this movie beyond a look at Van Heflin in a constrained early role. Oh, and that the director is the noted Fred Zinneman himself. This is a crime caper formula movie, and it's enjoyable all through. For me, a highlight was the unexpected ease of the leading actress, Marsha Hunt (who is still alive at 100 years old as I write this). She is a kind of "regular girl" who everyone is meant to like, but she has a natural presence on screen that seems like should have meant something bigger. Maybe that kind of "normalness" isn't quite star material, not bigger than life. But see it for her, at least. Heflin is an acquired taste these days, but an interesting leading man a little different than the rest (he's great in "Martha Ivers" and "Act of Violence"). His role here is meant to be a really determined and incorruptable science guy in a crime lab. There is a little of that show-and-tell that happens in some detective movies of the time, but not too much to make it lag. The plot owes something to gangster films, where the big crime guy has the D.A. in his pocket. But this same man is also in love (or pretends to be) with the Hunt character. It's all in good entertainment fun, however, nothing too thrilling, and nothing too corny or cheap either. Back to Zinneman. This is his first feature film direction. The snappy, smart construction might be a sign of things to come, once he gets meatier material. Interesting!

In Zinneman's directorial debut, as in most of his films, the emphasis is on the interaction among human minds, souls, emotions, words, and actions. Forensic pathologist Heflin tries to clear accused killer Quillan from being railroaded by radio cop Lee Bowman. Marsha Hunt is marvelous as the lady caught in the triangle. John Litel is memorable in supporting role.

Everything about KID GLOVE KILLER is extremely dated. And yet it's fun to watch VAN HEFLIN and MARSHA HUNT go about solving a crime using old techniques and spouting a lot of artificial dialog, 1940s style.

Both of them also smoke frequently. "Match me," becomes a standard line. A cast of standard MGM B-players keeps things going nicely as Heflin and Marsh investigate the murder of a politician, when all the time we know who the killer is--LEE BOWMAN. Bowman is one of those actors who never quite made it to big time stardom, but he's completely at home here in the role of a ruthless heel.

All of the suspense in a story of this kind lies in wondering how the killer will be caught--since he's very manipulative and very cunning. His charm makes his criminal nature very deceptive to both Bowman and Hunt.

Favorite line: "Just bury me with one of your swell hamburgers on my chest." Reply: "With onions?"

If you watch carefully, you can spot BOBBY BLAKE as a youngster listening to a car radio and AVA GARDNER as a car-hop waitress.

This one, and GRAND CENTRAL MURDER made the same year, are well worth watching and nicely directed by Fred Zinnemann who later went on to A-film assignments.