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Crime lab expert Gordon McKay uses the latest forensic techniques to solve murders in a city plagued by political corruption and mob rackets.Crime lab expert Gordon McKay uses the latest forensic techniques to solve murders in a city plagued by political corruption and mob rackets.Crime lab expert Gordon McKay uses the latest forensic techniques to solve murders in a city plagued by political corruption and mob rackets.
Cathy Lewis
- Bessie Wright
- (as Catherine Lewis)
Ernie Alexander
- Truck Driver Eating at Eddie's
- (uncredited)
Sam Ash
- Card Player in Montage
- (uncredited)
Brandon Beach
- Club Patron
- (uncredited)
Leon Belasco
- Chris Spyro - Cook
- (uncredited)
Brooks Benedict
- Club Patron
- (uncredited)
Margaret Bert
- Miss Huser - Mayor's Secretary
- (uncredited)
Robert Blake
- Boy in Car
- (uncredited)
Eugene Borden
- Pierre - Headwaiter
- (uncredited)
Featured reviews
Voters elect to "clean up crime" by electing Samuel S. Hinds (as Richard Daniels) mayor of a small city. Gangsters strike back immediately by murdering his district attorney. The homicide is investigated by forensics expert Van Heflin (as Gordon McKay) and his attractive assistant Marsha Hunt (as Jane Mitchell). She provides Mr. Heflin with most of his cigarettes. A likely couple, they say "match me" instead of "got a light?" Special prosecutor and crime-busting radio show host Lee Bowman (as Gerald "Jerry" Ladimer) is also on the hunt. In a "love triangle" subplot that adds tension later on, both men are attracted to Ms. Hunt...
As a car-hop, young Ava Gardner asks if anyone wants desert. Things heat up when the mayor is also murdered. In a "best supporting actor" role, sweating restaurant owner Eddie Quillan (as Eddie Wright) is accused. We know who the real killer is and who could be the next victim. This was a good feature length debut for director Fred Zinnemann. Before the car bomb, one of the characters says, "Wouldn't it Be Nice" which has no connection to The Beach Boys' song. However, the phrases "Don't Worry Baby" and "I Get Around" fairly quickly follow. God only knows if Brian Wilson was jotting down song titles while watching.
****** Kid Glove Killer (4/17/42) Fred Zinnemann ~ Van Heflin, Marsha Hunt, Lee Bowman, Eddie Quillan
As a car-hop, young Ava Gardner asks if anyone wants desert. Things heat up when the mayor is also murdered. In a "best supporting actor" role, sweating restaurant owner Eddie Quillan (as Eddie Wright) is accused. We know who the real killer is and who could be the next victim. This was a good feature length debut for director Fred Zinnemann. Before the car bomb, one of the characters says, "Wouldn't it Be Nice" which has no connection to The Beach Boys' song. However, the phrases "Don't Worry Baby" and "I Get Around" fairly quickly follow. God only knows if Brian Wilson was jotting down song titles while watching.
****** Kid Glove Killer (4/17/42) Fred Zinnemann ~ Van Heflin, Marsha Hunt, Lee Bowman, Eddie Quillan
In Zinneman's directorial debut, as in most of his films, the emphasis is on the interaction among human minds, souls, emotions, words, and actions. Forensic pathologist Heflin tries to clear accused killer Quillan from being railroaded by radio cop Lee Bowman. Marsha Hunt is marvelous as the lady caught in the triangle. John Litel is memorable in supporting role.
Everything about KID GLOVE KILLER is extremely dated. And yet it's fun to watch VAN HEFLIN and MARSHA HUNT go about solving a crime using old techniques and spouting a lot of artificial dialog, 1940s style.
Both of them also smoke frequently. "Match me," becomes a standard line. A cast of standard MGM B-players keeps things going nicely as Heflin and Marsh investigate the murder of a politician, when all the time we know who the killer is--LEE BOWMAN. Bowman is one of those actors who never quite made it to big time stardom, but he's completely at home here in the role of a ruthless heel.
All of the suspense in a story of this kind lies in wondering how the killer will be caught--since he's very manipulative and very cunning. His charm makes his criminal nature very deceptive to both Bowman and Hunt.
Favorite line: "Just bury me with one of your swell hamburgers on my chest." Reply: "With onions?"
If you watch carefully, you can spot BOBBY BLAKE as a youngster listening to a car radio and AVA GARDNER as a car-hop waitress.
This one, and GRAND CENTRAL MURDER made the same year, are well worth watching and nicely directed by Fred Zinnemann who later went on to A-film assignments.
Both of them also smoke frequently. "Match me," becomes a standard line. A cast of standard MGM B-players keeps things going nicely as Heflin and Marsh investigate the murder of a politician, when all the time we know who the killer is--LEE BOWMAN. Bowman is one of those actors who never quite made it to big time stardom, but he's completely at home here in the role of a ruthless heel.
All of the suspense in a story of this kind lies in wondering how the killer will be caught--since he's very manipulative and very cunning. His charm makes his criminal nature very deceptive to both Bowman and Hunt.
Favorite line: "Just bury me with one of your swell hamburgers on my chest." Reply: "With onions?"
If you watch carefully, you can spot BOBBY BLAKE as a youngster listening to a car radio and AVA GARDNER as a car-hop waitress.
This one, and GRAND CENTRAL MURDER made the same year, are well worth watching and nicely directed by Fred Zinnemann who later went on to A-film assignments.
Van Heflin plays the head of the police crime lab who investigates the murder of a district attorney and a mayor. His assistant (Marsha Hunt) is in love with him but he doesn't show her that kind of attention. So when his friend (Lee Bowman), a special prosecutor working for the mayor, starts romancing her we get ourselves a good old-fashioned love triangle.
Heflin is terrific and has great chemistry with lovely Hunt. The killer's identity is easy to figure out. It's pretty much the most obvious suspect. But thankfully the film doesn't expect that mystery to play out too long and we're let in on his identity relatively quickly. Pretty good B movie from director Fred Zinnemann (his first film). The script is smart and the forensic angle is fresh for the time. The love triangle part of the story is weak but that sort of thing was very common back then.
Heflin is terrific and has great chemistry with lovely Hunt. The killer's identity is easy to figure out. It's pretty much the most obvious suspect. But thankfully the film doesn't expect that mystery to play out too long and we're let in on his identity relatively quickly. Pretty good B movie from director Fred Zinnemann (his first film). The script is smart and the forensic angle is fresh for the time. The love triangle part of the story is weak but that sort of thing was very common back then.
Van Heflin is a forensics man trying to solve a couple of murders in "Kid Glove Killer," a 1942 MGM film also starring Marsha Hunt and Lee Bowman. As in "The Grand Central Murder," it's Heflin's performance that puts this film across, though this time he is aided by the lovely Marsha Hunt as his assistant, whom he calls "Mitchell." Lee Bowman plays a crooked politician pretending to be a good guy, and as a result, he's eager to see an innocent man put away for murder. He also is after the aforementioned Mitchell, who is waiting around for Heflin to make a move. Hunt's role is somewhat dated (or maybe not) - she's on her way to becoming a good forensics person, but says that the job is not for a woman and she wants to get married. Evidently that will put an end to her career.
Heflin was an interesting actor who could do character roles and leads. This film was made around the time of his breakthrough role in "Johnny Eager," after which he hung up his B movie mantle and moved on to bigger things. He always brought wry humor and subtle characterizations to his roles as well as excellent timing. Lee Bowman was a mustached actor who looked like he came from the Warren William era. He's solid but not terribly exciting. Hunt brings warmth and sparkle to her role.
There was, in my opinion, a major problem with the plot having to do with Heflin testing to find particles in the hair of various suspects some time after the crime - wouldn't the particles have come out when they washed their hair? You really end up thinking no one ever took a shower.
Nice beginning for Zinnemann, who would go on to direct some big features such as "High Noon."
Heflin was an interesting actor who could do character roles and leads. This film was made around the time of his breakthrough role in "Johnny Eager," after which he hung up his B movie mantle and moved on to bigger things. He always brought wry humor and subtle characterizations to his roles as well as excellent timing. Lee Bowman was a mustached actor who looked like he came from the Warren William era. He's solid but not terribly exciting. Hunt brings warmth and sparkle to her role.
There was, in my opinion, a major problem with the plot having to do with Heflin testing to find particles in the hair of various suspects some time after the crime - wouldn't the particles have come out when they washed their hair? You really end up thinking no one ever took a shower.
Nice beginning for Zinnemann, who would go on to direct some big features such as "High Noon."
Did you know
- TriviaDuring the sneak preview performance, first-time feature director Fred Zinnemann noticed that all the MGM executives got up and walked out together. He later found out that it had nothing to do with the film. They had just gotten the news that Carole Lombard had been killed in a plane crash.
- GoofsIn the first scene, the city view with busy street is reversed.
- Quotes
Eddie Wright: Just bury me with one of your swell hamburgers on my chest.
Bessie Wright: With onions?
Eddie Wright: You oughta know by now.
- ConnectionsFollows They're Always Caught (1938)
Details
- Release date
- Country of origin
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- Also known as
- Along Came Murder
- Filming locations
- Production company
- See more company credits at IMDbPro
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- Budget
- $199,000 (estimated)
- Runtime
- 1h 14m(74 min)
- Color
- Aspect ratio
- 1.37 : 1
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