The ancient Egyptian mummy Kharis, is transported from his homeland with the high priest Mehemet to wreak vengeance on the family who has defiled the sacred tomb of his beloved Princess Anan... Read allThe ancient Egyptian mummy Kharis, is transported from his homeland with the high priest Mehemet to wreak vengeance on the family who has defiled the sacred tomb of his beloved Princess Ananka.The ancient Egyptian mummy Kharis, is transported from his homeland with the high priest Mehemet to wreak vengeance on the family who has defiled the sacred tomb of his beloved Princess Ananka.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Lon Chaney Jr.
- The Mummy - Kharis
- (as Lon Chaney)
Sig Arno
- The Beggar
- (archive footage)
- (uncredited)
Brandon Beach
- Reporter
- (uncredited)
Leon Belasco
- Ali
- (archive footage)
- (uncredited)
Walter Byron
- Searcher
- (uncredited)
Noble 'Kid' Chissell
- Townsman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
5.54.3K
1
2
3
4
5
6
7
8
9
10
Featured reviews
The Mummy's Tomb: Passable sequel
The Mummy's Tomb is the 2nd part of the original "The Mummy" franchise following on from The Mummy's Hand (1940).
It's set 30 years after the events of the first film and the mummy has returned under new guidance, this time to kill off all surviving members of the Banning family who were responsible for foiling the evil plans in the first movie.
This time there is no comedy, the entire tone of the movie is considerably darker!
For this reason it doesn't have the same charm as the first movie but it makes up for this with better cinematography and continues the story perfectly.
It does suffer all the tropes of movies of this era (And there are many) but it could have been considerably worse. For fans of classic horror cinema this is a watchable continuation of the franchise.
The Good:
Looks better than the first part
Follows on very well
The Bad:
Remaking scenes from the earlier film is a tad silly
Very cliched
Things I Learnt From This Movie:
Mummys are excellent climbers
If in doubt, cry witch!
Playing dead works against Mummys
It's set 30 years after the events of the first film and the mummy has returned under new guidance, this time to kill off all surviving members of the Banning family who were responsible for foiling the evil plans in the first movie.
This time there is no comedy, the entire tone of the movie is considerably darker!
For this reason it doesn't have the same charm as the first movie but it makes up for this with better cinematography and continues the story perfectly.
It does suffer all the tropes of movies of this era (And there are many) but it could have been considerably worse. For fans of classic horror cinema this is a watchable continuation of the franchise.
The Good:
Looks better than the first part
Follows on very well
The Bad:
Remaking scenes from the earlier film is a tad silly
Very cliched
Things I Learnt From This Movie:
Mummys are excellent climbers
If in doubt, cry witch!
Playing dead works against Mummys
Mrs Hudson deserved better than strangulation!
Well, I like it anyway! As before, the first 10 minutes are spent in a series of flashbacks, this time out of a total running time of 57 minutes.
30 years on the Mummy and Zucco have actually "survived", Zucco enrols Bey to take the Mummy to Hicksville, America and eliminate the surviving tomb raiders. The plan is carried out but derailed by Bey's instant lusting for the heroine, much to the Mummy's disgust. It's an utterly preposterous (and monstrous) plot of course, and without the usual nominal Universal production values would not even have the charm I like in Golden Age movies. In 1952 this would have been an out and out clinker, a Plan 9 competitor. But with those production values also come the familiar nitrate film/atmosphere/sets/actors and decent photography that I love to watch over and over again. The crematorium in The Black Cat was used, and in this they even set fire to the Winslow house - would that Hugh Herbert's character had been inside! That was never Lon Chaney Jr playing the Mummy, and it was Tom Tyler in the flashbacks, they just used Chaney's name to help sell the picture.
The local doctor examining the mould from a victim of the Mummy announced that they "were in the presence of the living dead" - sadly I get that feeling every time I trot an old Hollywood film out!
Like I said, I like it but frankly I think I'm in a tiny minority!
30 years on the Mummy and Zucco have actually "survived", Zucco enrols Bey to take the Mummy to Hicksville, America and eliminate the surviving tomb raiders. The plan is carried out but derailed by Bey's instant lusting for the heroine, much to the Mummy's disgust. It's an utterly preposterous (and monstrous) plot of course, and without the usual nominal Universal production values would not even have the charm I like in Golden Age movies. In 1952 this would have been an out and out clinker, a Plan 9 competitor. But with those production values also come the familiar nitrate film/atmosphere/sets/actors and decent photography that I love to watch over and over again. The crematorium in The Black Cat was used, and in this they even set fire to the Winslow house - would that Hugh Herbert's character had been inside! That was never Lon Chaney Jr playing the Mummy, and it was Tom Tyler in the flashbacks, they just used Chaney's name to help sell the picture.
The local doctor examining the mould from a victim of the Mummy announced that they "were in the presence of the living dead" - sadly I get that feeling every time I trot an old Hollywood film out!
Like I said, I like it but frankly I think I'm in a tiny minority!
a slight step down in quality but still wonderful fun
Okay, so this is pretty familiar stuff once again--you know, mad Egyptian cult leader and his resurrection of a mummy to exact revenge on those who have desecrated ancient tombs. About the only big differences here are having Lon Chaney, Jr. play the mummy for the first time and the action is moved to America (despite this making little sense). While this is far from the best mummy film, it is good old fashioned fun and I enjoy this much more than the overly special effects enhanced mummy films of the last decade because of the fun factor. The campiness and the whole ambiance are just so wonderful--and they remind you that the term "B-movie" isn't such a bad thing. Watch it and let yourself go--and have FUN!
The Mummy's Tomb (1942) **1/2
This 61 minute sequel begins with roughly about 10 minutes of stock footage from the previous film (THE MUMMY'S HAND), but it should be taken into account that these first two Universal installments were released a couple of years apart back in their day, and it was during a time in our history when we didn't have the luxury of television, much less "home video". Today we can watch these films over and over, and back to back; but in the early '40s it wouldn't have been so easy to recall where the story of Kharis the mummy left off two whole years ago, and that's in the context that this repetitive footage should be considered.
After being refreshed of the last films' Egyptian exploits of novice archaeologists Steve Banning and Babe Jenson (now mistakenly referred to as Babe "Hanson", an error which is NOT as easily excusable!) we move ahead 30 years where the mummy of Kharis (newly played by Lon Chaney) is stuck in America with current high priest Mehemet Bey (Turhan Bey). Why it's taken so long is anyone's guess, but Mehemet now has a vengeance mission to unleash the mummy on Steve and Babe (Dick Foran and Wallace Ford, reprising their parts in senior citizen's makeup) for daring to defile Kharis' tomb three decades earlier.
This is strictly a "B" level programmer without many trimmings, but it's still a fairly entertaining one . Lon Chaney looks menacing in his ravaged mummy outfit which properly shows some of the effects of the fire which consumed him once upon a time. Chaney absolutely hated playing the restrictive part of Kharis, yet he wound up grumbling through it for two more sequels following this one. Harold Young's pedestrian direction is nothing much to get excited about, but we do get some chilling sequences of Kharis creeping around modern-day Mapleton, Massachusetts on dark and windy evenings, which are a plus. Turhan Bey is perfectly cast as the mummy's foreign protector, and lovely Elyse Knox is easy on the eyes as the pretty love interest to John Hubbard, who doesn't leave much impression as Steve Banning's son. One can nitpick on the inconsistency of these mummy sequels forever; for example, even though TOMB occurs thirty years after HAND and should therefore be set in 1970, everyone still dresses and acts like it's 1942. But what the hell -- taken for what it is, THE MUMMY'S TOMB is a fast and fulfilling hour of mindless fun.
**1/2 out of ****
After being refreshed of the last films' Egyptian exploits of novice archaeologists Steve Banning and Babe Jenson (now mistakenly referred to as Babe "Hanson", an error which is NOT as easily excusable!) we move ahead 30 years where the mummy of Kharis (newly played by Lon Chaney) is stuck in America with current high priest Mehemet Bey (Turhan Bey). Why it's taken so long is anyone's guess, but Mehemet now has a vengeance mission to unleash the mummy on Steve and Babe (Dick Foran and Wallace Ford, reprising their parts in senior citizen's makeup) for daring to defile Kharis' tomb three decades earlier.
This is strictly a "B" level programmer without many trimmings, but it's still a fairly entertaining one . Lon Chaney looks menacing in his ravaged mummy outfit which properly shows some of the effects of the fire which consumed him once upon a time. Chaney absolutely hated playing the restrictive part of Kharis, yet he wound up grumbling through it for two more sequels following this one. Harold Young's pedestrian direction is nothing much to get excited about, but we do get some chilling sequences of Kharis creeping around modern-day Mapleton, Massachusetts on dark and windy evenings, which are a plus. Turhan Bey is perfectly cast as the mummy's foreign protector, and lovely Elyse Knox is easy on the eyes as the pretty love interest to John Hubbard, who doesn't leave much impression as Steve Banning's son. One can nitpick on the inconsistency of these mummy sequels forever; for example, even though TOMB occurs thirty years after HAND and should therefore be set in 1970, everyone still dresses and acts like it's 1942. But what the hell -- taken for what it is, THE MUMMY'S TOMB is a fast and fulfilling hour of mindless fun.
**1/2 out of ****
Good Film
The Mummy's Tomb (1942)
*** (out of 4)
Sequel to THE MUMMY'S HAND picks up three decades later as another high priest takes Khairs (Lon Chaney, Jr.) to America to kill those who disturbed the tomb of his loved one. Once in America the mummy is set on a rampage to destroy Stephen Banning (Dick Foran) and all of his loved ones.
THE MUMMY'S TOMB is an incredibly cheap "B" picture. That's easy to say when you consider this things runs just 60-minutes with the first 13-minutes being footage from the previous movie. As cheap as this picture is, there's no denying that it also contains some real entertainment and excitement. I thought it was a pretty good idea having this one connect to the previous and I loved the fact that they were able to get Foran and Wallace Ford back. Being able to connect the two films actually help build up the excitement because you did care about the fate of these two men and their families.
Horror fans will always debate the performance of Chaney in the three mummy films. For me, visually I think he looks quite good as the mummy but there's no question that he doesn't really give a "good" performance. He pretty much just slides along from scene to scene without too much effort. I think it's fair to say that Chaney was a master at gaining sympathy but with the lack of words here, there really wasn't much for him to do. Both Foran and Wallace are decent in their parts and the rest of the supporting players are nice. The make up effects by Jack Pierce are very good and the look of the mummy is quite effective.
THE MUMMY'S TOMB certainly isn't a classic film but fans of the genre should find it worth watching.
*** (out of 4)
Sequel to THE MUMMY'S HAND picks up three decades later as another high priest takes Khairs (Lon Chaney, Jr.) to America to kill those who disturbed the tomb of his loved one. Once in America the mummy is set on a rampage to destroy Stephen Banning (Dick Foran) and all of his loved ones.
THE MUMMY'S TOMB is an incredibly cheap "B" picture. That's easy to say when you consider this things runs just 60-minutes with the first 13-minutes being footage from the previous movie. As cheap as this picture is, there's no denying that it also contains some real entertainment and excitement. I thought it was a pretty good idea having this one connect to the previous and I loved the fact that they were able to get Foran and Wallace Ford back. Being able to connect the two films actually help build up the excitement because you did care about the fate of these two men and their families.
Horror fans will always debate the performance of Chaney in the three mummy films. For me, visually I think he looks quite good as the mummy but there's no question that he doesn't really give a "good" performance. He pretty much just slides along from scene to scene without too much effort. I think it's fair to say that Chaney was a master at gaining sympathy but with the lack of words here, there really wasn't much for him to do. Both Foran and Wallace are decent in their parts and the rest of the supporting players are nice. The make up effects by Jack Pierce are very good and the look of the mummy is quite effective.
THE MUMMY'S TOMB certainly isn't a classic film but fans of the genre should find it worth watching.
Did you know
- TriviaIn a 1995 interview with TV host Skip E. Lowe, actor Turhan Bey (Mehemet Bey) cited this film as his favorite particularly because he loved playing his character.
- GoofsKharis never uses his right arm until he carries Isabelle with no problem.
- Quotes
Mehemet Bey: The moon rides high in the sky again, Kharis; there's death in the night air. Your work begins.
- ConnectionsEdited into Mummy Dearest: A Horror Tradition Unearthed (1999)
Details
- Runtime
- 1h 1m(61 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content








