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Why We Fight

Original title: Prelude to War
  • 1942
  • Not Rated
  • 52m
IMDb RATING
7.0/10
2.5K
YOUR RATING
Why We Fight (1942)
DocumentaryWar

The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.

  • Directors
    • Frank Capra
    • Anatole Litvak
  • Writers
    • Julius J. Epstein
    • Robert Heller
    • Williband Hentschel
  • Stars
    • Walter Huston
    • Victor Bulwer-Lytton
    • Kai-Shek Chiang
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    2.5K
    YOUR RATING
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • Stars
      • Walter Huston
      • Victor Bulwer-Lytton
      • Kai-Shek Chiang
    • 26User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 1 Oscar
      • 5 wins total

    Photos

    Top cast40

    Edit
    Walter Huston
    Walter Huston
    • Narrator
    • (voice)
    • (uncredited)
    Victor Bulwer-Lytton
    • Self
    • (archive footage)
    • (as Lord Lytton)
    Kai-Shek Chiang
    • Self
    • (archive footage)
    • (as General Chaing Kai-Shek)
    Walter Darré
    • Self
    • (archive footage)
    • (as Darré)
    Otto Dietrich
    • Self
    • (archive footage)
    • (as Dietrich)
    Hans Frank
    Hans Frank
    • Self
    • (archive footage)
    • (as Frank)
    Joseph Goebbels
    Joseph Goebbels
    • Self
    • (archive footage)
    • (as Doctor Goebbels)
    Hermann Göring
    Hermann Göring
    • Self
    • (archive footage)
    • (as Goring)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (archive footage)
    • (as Hess)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (archive footage)
    • (as Hitler)
    Saburo Kurusu
    • Self
    • (archive footage)
    • (as Kurusu)
    Robert Ley
    • Self
    • (archive footage)
    • (as Ley)
    Yôsuke Matsuoka
    • Self
    • (archive footage)
    • (as Yosuke Matsuoka)
    Frank McCoy
    • Self
    • (archive footage)
    Benito Mussolini
    Benito Mussolini
    • Self
    • (archive footage)
    Puyi
    • Self
    • (archive footage)
    • (as Henry Pu-yi)
    Fritz Reinhardt
    • Self
    • (archive footage)
    • (as Reinhardt)
    Alfred Rosenberg
    Alfred Rosenberg
    • Self
    • (archive footage)
    • (as Doctor Alfred Rosenberg)
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews26

    7.02.5K
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    Featured reviews

    9BrandtSponseller

    Well-done and educational propaganda

    Prelude to War is the first in a series of well-made propaganda films that were co-directed by Frank Capra during World War II with the intention of educating new U.S. soldiers about the war while inspiring them to fight for "what's right". Watching them at this point in time, they are fascinating as a glimpse into more or less official propagandistic stances. Of course it's to be expected that the films go to pains to dehumanize, even demonize, then enemy cultures. Because this specific material is so far removed from our current stances and concerns, it's instructive to watch and especially to show it to students, because it's much easier to see through the propaganda tactics, enabling similar tactics to more easily be identified in modern politics.

    But perhaps surprisingly, Prelude to War and the other films in the series also contain a good deal of accurate factual information, so that unless you're a World War II buff, you can learn quite a bit about how the war progressed and at least one side of why it progressed (one of many necessary sides)--if you watch the series with a critical eye.

    The series also contains a lot of intriguing historical footage--including films of Axis military campaigns in execution, and some of the more typical newsreel-type shots of the three Axis leaders--Hitler, Mussolini and Hirohito, their right-hand men and their military and civilian support systems. Just as notable now is footage of various aspects of American life that would have passed by without much thought in 1943--such as cars traveling on relatively sparse, newly built U.S. highway interchanges. You can gain as much from Prelude to War by simply watching the images and keeping in mind the historical context as you can by listening to the narration.

    There are a couple rough spots--a montage of Axis armies marching like huge, well-oiled machines probably goes on too long 60-something years later, but surely the aim was to put just a bit of fear as well as an increased fervor to conquer into the new U.S. military recruits.

    This film isn't crucial viewing for everyone, but for those who study history, politics, sociology, the military and especially World War II, it is essential.
    RussianPantyHog

    "If you ever meet them, don't hesitate".

    So says Walter Huston, speaking about Mussolini, Hirohito & Hitler. Prelude To War is the 1st in 7 information films collectively known as the Why We Fight series. Each film is a masterpiece and still, 60 years later, the benchmark of documentary film-making. This particular film shows how the Axis powers (Germany, Italy & Japan) destroyed freedom in their own countries and then set out to poison their youth and conquer the world. It shows why we MUST fight. I don't say "we" lightly. The movie is SO powerful that by the end I actually felt myself involved in the struggle. The film is beautifully narrated by 2 very unique voices who each bring a distinctive style and message. Walter Huston is the voice of experience, and Anthony Veiller's no-nonsense New York accent adds a sense of real urgency to what must be done. The various 'footage' clips are painstakingly collected to back up the narration and they really are chilling; particularly the shots of small children utterly brainwashed by the vicious poison of militarism. WE all know that good triumphed over evil, but it certainly was touch and go back then and this movie played a major role in showing American soldiers "Why We Fight". God bless them for their sacrifice. I bought the entire series on DVD and they are essential viewing.
    9Quinoa1984

    just hokey enough to be dated, but it never loses its forceful impact for showing why the war happened

    I usually don't watch old propaganda movies, unless it's meant for fun. The kind that they show on Mystery Science Theater before the main feature are some of those. But Frank Capra had an entire series of films in the second world war educating an American public, whether they knew it or not, about the reasons and and the current fighting conditions, of World War II. Granted, these were made more-so for the US Army as a training film, and in this particular case we get the not-so-subtle look at "Free" vs "Slave" states, the latter being those in Germany and Japan. Did you know, for example, that the Nazis make their schoolchildren pledge allegiance to Hitler every day before school starts and that the Japanese have an unyielding allegiance to their Emperor? It's that kind of movie.

    But there is more than I expected here, which is what is so fascinating and satisfying. Capra is a real filmmaker, he's not just some gun for hire that the Army would get to make something fast and message heavy without any artistic merit. So even when Capra's imagery and tactics of narrative devices beat the drum over the head- perhaps for good reason as it was, again, for the US Army- is really does drive the points home as solid propaganda. And, sometimes, as some decent history too about how Germany and Japan got to where they were in the lead-up into the war. On top of this is Capra's skill in combining documentary footage of Nazis and "the Japs" with various maps showing what the axis powers would do with their far-reaching goals in taking over the road (like an oil-slick it goes over the map), and there's even some really creative animation used. Plus, of course, some actual interviews and footage of politicians.

    Overall, while not subtle in the slightest, Prelude to War is a fine piece of film-making that achieves its principle goal: get the soldiers (or the audience in general) riled up about what has happened up until this point in time, and, of course, to 'know-your-enemy' as it were. It's no less an artistic achievement really than anything else Capra was doing in the 1940's.
    tombeaman

    An excellent example of propaganda

    This is Frank Capra's classic first installment from the seven film series entitled, "Why We Fight." It is a masterpiece of US propaganda, shown first to soldiers, later to the US public, and eventually to our allies (including the Soviet Union). With dramatic narration and musical score, it drives home the point that "Our World, the free world" must fight "That other world." Capra's idea was to use the film archives of Japanese, German, and Italian propagandists against them with, of course, careful editing and translating.

    If you are looking to buy a copy, CARE SHOULD BE EXERCISED due to the existence of a fraudulent film by the same title. The original is a classic, starting with a lively series of shots, often employing double exposures and fading edits, listing the fallen nations to the axis powers. One poorly done fraud, sold in a set of four with three of the original series titles, has a narrator reading a textbook or encyclopedia and turning the pages...
    7gavin6942

    Propaganda!

    The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.

    In the two decades following World War I and the failure of the League of Nations, a spirit of isolationism became prevalent throughout the United States that persisted up to the attack on Pearl Harbor. The government needed to combat this feeling, and thus the birth of the modern American propaganda film.

    The film examines the differences between the U.S. and the fascist states of Benito Mussolini, Adolf Hitler and Yamamoto, portraying the latter countries working together as gangsters to conquer the world. In order to do this, Capra made use of footage from "Triumph of the Will", but with different narration designed to support the Allied cause.

    Although the goal was to get Americans unified for the war effort, it actually does this in a very welcoming way. Early on we see an appeal to people of different faiths -- including Muslims and Confucians -- that would seem very out of place today (2016). So, although this was a pro-war film, it was also very much a pro-melting pot film in its own way.

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    Related interests

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    War

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This film is in the public domain. As a work by Federal Government employees on behalf of the Federal Government, the film is by law ineligible for copyright protection and was released into the public domain at its creation.
    • Goofs
      During the (silent) footage of Ethiopians shouting, the angry voices are actually shouting in Kiswahili: "Kwenda!" ("go:), etc. The principal language of Ethiopia is Amharic. Kiswahili (commonly known as "Swahili") is the main language of Kenya, Tanzania and Uganda.
    • Quotes

      Narrator: [Last line] For this is what we are fighting: Freedom's oldest enemy, the passion of the few to rule the many. This isn't just a war. This is the common man's life and death struggle against those who would put him back into slavery. We lose it, and we lose everything. Our homes; the jobs we want to go back to; the books we read; the very food we eat. The hopes we have for our kids; the kids themselves. They won't be ours anymore. That's what's at stake. It's us or them! The chips are down. Two worlds stand against each other. One must die, one must live. One hundred seventy years of freedom decrees our answer.

      [Legend - not spoken]

      Narrator: "... victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." G.C. Marshall, Chief of Staff

    • Connections
      Edited into The Road to War: Japan (1989)
    • Soundtracks
      The Star Spangled Banner
      (1814) (uncredited)

      Music by John Stafford Smith (1777)

      Played often in the score

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    FAQ15

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    Details

    Edit
    • Release date
      • May 27, 1942 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • German
      • Italian
      • Japanese
      • Amharic
      • Russian
    • Also known as
      • Prelude to War
    • Production companies
      • U.S. War Department
      • Academy of Motion Picture Arts and Sciences (AMPAS)
      • U.S. Army Special Service Division
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 52m
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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