Henry falls in love with Billie, one of seven daughters of an eccentric hotel owner. Billie loves him back but refuses marriage because family tradition demands that the eldest daughter must... Read allHenry falls in love with Billie, one of seven daughters of an eccentric hotel owner. Billie loves him back but refuses marriage because family tradition demands that the eldest daughter must marry first.Henry falls in love with Billie, one of seven daughters of an eccentric hotel owner. Billie loves him back but refuses marriage because family tradition demands that the eldest daughter must marry first.
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Featured reviews
Making his way thru the tulips....
An American man from NYC arrives in a small town where Dutch people live.This is a very strange place to be ,predating Minnelli's "Brigadoon" .A place where time stood still:you do not pay when you are staying at the hotel,the girls all bear boys' name -cause dad wanted boys-and they can 't get married till the eldest does.By no means one of multi-talented Borzage's greatest achievements (most of them were behind him at the time),his movie retains freshness , a "Carpe Diem" spirit ,a good antidote to stress .My favorite scene takes place in the church.Good performances by the whole cast,particularly Van Heflin who learns to like another way of life.
light escapism
Reporter Henry Taggart (Van Heflin) arrives in Little Delft, Michigan to write about the tulip festival. He encounters Mr. Van Maaster (S. Z. Sakall) who runs the local hotel with his seven beautiful male-named daughters. He falls for the youngest daughter Billie (Kathryn Grayson), but family tradition prevents her marrying until all the other sisters marry before her.
These are beautiful babes. This premise never made that much sense to me especially with so many daughters. I guess it's screwball fun, but it could be better with only one other sister aka Taming of the Shrew. The singing is not my style, but it doesn't detract. This is light entertainment which is good escapism for its time.
These are beautiful babes. This premise never made that much sense to me especially with so many daughters. I guess it's screwball fun, but it could be better with only one other sister aka Taming of the Shrew. The singing is not my style, but it doesn't detract. This is light entertainment which is good escapism for its time.
No classic, but a lot of fun!
I just saw this movie a few days ago on TCM (Turner Classic Movies), and I was not disappointed. I wasn't expecting much so I was pleasantly surprised to come away from this film with a smile on my face. The acting was even good for the type of film it was, I have not been the biggest Van Heflin fan but he is actually very likeable in this film, so much so that I think I may be a fan of his now. ;-)
The stand-out performances came from Heflin, Hunt, and Sakall but Grayson was very cute, although I am not a fan of her singing it wasn't THAT bad this time. Although still a little too high and chirpy sounding for me.
I must praise Marsha Hunt though, she seems to be good in every film she's in, even when the role doesn't call for her to do much of anything. In this role she really gets to show a comedic side that I've never seen from her before, and it gave me even more respect for her. It's such a pity she didn't become a bigger star cause she had the beauty and the talent for it.
I recommend this film if you're in the mood for some light entertainment, Toots. ;-)
The stand-out performances came from Heflin, Hunt, and Sakall but Grayson was very cute, although I am not a fan of her singing it wasn't THAT bad this time. Although still a little too high and chirpy sounding for me.
I must praise Marsha Hunt though, she seems to be good in every film she's in, even when the role doesn't call for her to do much of anything. In this role she really gets to show a comedic side that I've never seen from her before, and it gave me even more respect for her. It's such a pity she didn't become a bigger star cause she had the beauty and the talent for it.
I recommend this film if you're in the mood for some light entertainment, Toots. ;-)
Starring Vehicle For Kathryn Grayson
Van Heflin is a roving photographer and story writer for a New York paper. He writes color pieces. He thinks he has found a suitable subject in New Delft in Michigan, where Dutch traditions survive. They are strongest in the eccentric hotel run by widowed S. Z. Sakall and his seven daughters, all of whom have boys' names. Heflin is initially annoyed by all the color, but soon falls in love with youngest daughter Kathryn Grayson. But an MGM feature needs some complications.
It's Joe Pasternak's first production for Metro, and it's his standard collection of schmaltz and sentiment under the direction of Frank Borzage -- who was getting tired of the tight rein on directors at the company. Pasternak clearly saw in Miss Grayson a chance to offer some competition to the Deanna Durbin machine he had been in charge of at Universal, and Miss Grayson gets a variety of songs to sing that show off her operatic voice. Cinematographer is in charge of lighting her, and does his usual impeccable job. It's good to see Heflin get a sympathetic lead for a change, and the usual MGM gloss is applied to a cast that includes Marsha Hunt, Cecillia Parker, Peggy Moran, Isobel Elsom, Donald Meek, and Louise Beavers. The highlight is the ensemble dance number in costume choreographed by Ernst Matray.
It's Joe Pasternak's first production for Metro, and it's his standard collection of schmaltz and sentiment under the direction of Frank Borzage -- who was getting tired of the tight rein on directors at the company. Pasternak clearly saw in Miss Grayson a chance to offer some competition to the Deanna Durbin machine he had been in charge of at Universal, and Miss Grayson gets a variety of songs to sing that show off her operatic voice. Cinematographer is in charge of lighting her, and does his usual impeccable job. It's good to see Heflin get a sympathetic lead for a change, and the usual MGM gloss is applied to a cast that includes Marsha Hunt, Cecillia Parker, Peggy Moran, Isobel Elsom, Donald Meek, and Louise Beavers. The highlight is the ensemble dance number in costume choreographed by Ernst Matray.
Watchable (just)
If I called 'Seven Sweethearts' not a bad little film I would be damning it with faint praise and that is not my intention. It is a nice film. It is slow and enjoyable, a pleasant fantasy for wartime with a happy ending for everyone. On the other hand: Kathryn Grayson is no Deanna Durbin, not by a long chalk. Her soprano is too thin for my taste; I could have done with less of her singing. Van Heflin tries too hard to be the tough newspaper man; as a result he comes across as distinctly unlikeable. Then again, S. Z. Sakall gives a convincing anxious father. On balance, there are more up- than downsides to this film - but only just.
Did you know
- TriviaAlthough the onscreen credits say "original screenplay," a $200,000 lawsuit was filed against the screenwriters, MGM and producer Joe Pasternak by playwright Ferenc Herczeg in 1949, claiming they took the idea from his 1903 play Seven Sweethearts. Herczeg was in a Nazi concentration camp in 1942 when the film was released, and didn't hear about it until 1948. The case was settled out of court for a substantial amount.
- GoofsWhen Billie is singing to Henry, two white doves land on the windowsill. When they fly away, a string can be seen pulling on the leg of the dove on the left.
- ConnectionsFeatured in Personalities (1942)
- SoundtracksTulip Time
(1942) (uncredited)
Music by Burton Lane
Lyrics Ralph Freed
Played during the opening credits and sung by an offscreen chorus
Reprised at the tulip festival and danced by a chorus
Sung by Kathryn Grayson
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- Las siete novias
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- Budget
- $752,000 (estimated)
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.37 : 1
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