An actor who plays a detective on a radio show and his sidekick get it into their heads to try to solve a murder that had been committed several years previously.An actor who plays a detective on a radio show and his sidekick get it into their heads to try to solve a murder that had been committed several years previously.An actor who plays a detective on a radio show and his sidekick get it into their heads to try to solve a murder that had been committed several years previously.
Renie Riano
- Meg (Stella)
- (as Rene Riano)
Brooks Benedict
- Radio Station Sound Effects Man
- (uncredited)
Jimmy the Crow
- Jim, the Crow
- (uncredited)
Frank Faylen
- Curly the Announcer
- (uncredited)
Jack Gargan
- Shadow
- (uncredited)
George Offerman Jr.
- Chuck the Mechanic
- (uncredited)
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1942's "Whispering Ghosts" served as a rare leading role for Milton Berle, still seven years away from TV stardom as 'Uncle Miltie,' for Sol Wurtzel's 'B' picture unit at Fox. In an obvious nod to Bob Hope's "The Ghost Breakers," Berle plays a radio sleuth, H. H. Van Buren, trying to solve the ten year old ax murder of a ship's captain who had hidden a cache of diamonds on his schooner the Black Joker. Also like Hope, Willie Best is on hand to provide wisecracks aplenty, but here, sadly, the ghosts are nonexistent. Instead, we get a pair of ham actors posing as the dead captain's first mate, Long Jack (John Carradine), and sweetheart Meg (Renie Riano), plus the captain's grand niece and heir (Brenda Joyce). The only real mystery is why nobody found the jewels before, the culprit's identity painfully obvious right from his opening scene. Carradine, Grady Sutton, and Milton Parsons are on hand to prop up the second half, as the picture remains anchored to that houseboat and doesn't budge. More serious and less cowardly than Bob Hope, Milton Berle proves himself capable of carrying a picture, though his material is substandard, his constant racial banter with Best providing the most amusement. For John Carradine, it was quite a comedown from acknowledged 'A' classics like "The Grapes of Wrath" and the recent "Son of Fury" to this ignominious little 'B,' but he's genuinely funny raising his eye patch to get a better look at the note handed to him by Berle. By his second scene, he's already revealed to be an actor named Norbert, so all the ghost talk is a cheat. He was constantly in demand as a freelance actor over the next four years, but many of the Poverty Row choices made resulted in a decline in his screen fortunes, due to his unwavering devotion to Shakespeare, and the company he wanted so desperately to succeed during the difficult war years. Incidentally, 'Long Jack' was also the name given to him in his favorite film, "Captains Courageous," while at one point, he is referred to by Berle as Dracula!
6tavm
This is my second consecutive review of a movie starring a comedian who'd eventually become a bigger success on a new phenomenon called television several years later. Milton Berle made one of his few starring features during the '40s in a vehicle which would have been suitable for Bob Hope or Red Skelton-except he seems to play the role mostly straight with whatever wisecracks only intermittently funny. Still, this was a pretty intriguing mystery he did and there's still some pleasures like some of his banter with Willie Best as his servant as well as a player from my favorite movie-It's a Wonderful LIfe-in this case, Charles Halton, appearing in an early scene. Actually, there are also some nice visually chilling and occasionally funny touches to recommend as well. I was surprised to see someone else other than Berle dressed in drag here. Oh, and seeing John Carradine was also a hoot to see! So on that note, Whispering Ghosts is worth a look for any Berle completists out there.
Van Buren (Berle) "The Man Who Lifts the Veil" in a weekly radio mystery series, attempts to solve an actual murder that occurred several years before. This film is VERY much like the film "Mystery Broadcast", but the latter is a MUCH better film. Berle seems "out of place" here, and his wisecracks tend to "fall flat" in many scenes (esp. aboard the ship, the "Black Joker"). What saves this film from being mediocre is the "scared reaction " comedy of Willie Best, and the strange assortment of characters. It's quite enjoyable to watch, but is NOT a "classic mystery"! Norm
Milton Berle is the star and writer of a radio true-crime show. A police inspector tells him that his "murderer" of a ship's captain thirteen years ago was an alias of that captain. He's announced that he'll provide the murderer's name on the next broadcast, so he heads out to the grounded ship to look for a fresh solution for his audience.
It's a B movie from Twentieth-Century Fox, based on recent thrill comedies that had been successful: THE GHOST BREAKERS and WHISTLING IN THE DARK, with Sol Wurtzel trying to promote his comedian as an answer to Bob Hope and Red Skelton. The script is decent and Berle's delivery of wisecracks is fine, but the aren't that funny. Some sound like someone who had looked at the scenes he wasn't in, and "the Thief of Bad Gags" is a decent enough actor. Credit Fox's under-rated director Alfred Werker. Management would slot him into any project, even ones that were partially shot, and he would deliver a seamless movie without much fuss. It was that very faculty that kept him in the Bs. In this one, he balances the ghostly atmosphere and gags very well.
It's a B movie from Twentieth-Century Fox, based on recent thrill comedies that had been successful: THE GHOST BREAKERS and WHISTLING IN THE DARK, with Sol Wurtzel trying to promote his comedian as an answer to Bob Hope and Red Skelton. The script is decent and Berle's delivery of wisecracks is fine, but the aren't that funny. Some sound like someone who had looked at the scenes he wasn't in, and "the Thief of Bad Gags" is a decent enough actor. Credit Fox's under-rated director Alfred Werker. Management would slot him into any project, even ones that were partially shot, and he would deliver a seamless movie without much fuss. It was that very faculty that kept him in the Bs. In this one, he balances the ghostly atmosphere and gags very well.
Whispering Ghosts boasts some interesting credits, among them screenwriter Lou Breslow, who had a flair for offbeat comedy, journeyman director Alfred Werker, who made some decent films, B producer Sol Wurtzel, and star Milton Berle. Miltie was still a few years away from his his great television success, and here plays a radio actor out to solve a murder mystery aboard a pirate ship. The supporting cast, as is so often the case in this kind of lighthearted borderline horror fare, is first rate: Brenda Joyce, John Carradine, Edmund McDonald, and another Milton, Parsons, without whom this kind of movie wouldn't seem complete. This is an agreeable comedy, not so much hilarious as pleasingly familiar in nearly every respect, as everything about it feels recycled, including the sets, and this is not in itself a bad thing, as Hollywood excelled at this kind of formula in the forties, and handled it better in this sort of cramped, intimate second feature than in bigger budgeted films. This one's done just right, not too big, not too small.
Did you know
- TriviaIn the closing credits Willie Best's character name is listed as "Euclid White", but in his very first scene he announces his name as "Euclid Brown".
- ConnectionsReferenced in Svengoolie: The Time of Their Lives (2016)
Details
- Runtime
- 1h 15m(75 min)
- Color
- Aspect ratio
- 1.37 : 1
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