Radio sleuth Wally "The Fox" Benton forgoes his honeymoon to help his wife's old friend solve a murder and hunt for Civil War gold inside a spooky mansion and fort.Radio sleuth Wally "The Fox" Benton forgoes his honeymoon to help his wife's old friend solve a murder and hunt for Civil War gold inside a spooky mansion and fort.Radio sleuth Wally "The Fox" Benton forgoes his honeymoon to help his wife's old friend solve a murder and hunt for Civil War gold inside a spooky mansion and fort.
Rags Ragland
- Chester Conway
- (as 'Rags' Ragland)
- …
Norman Abbott
- Attendant
- (uncredited)
Joseph Crehan
- Deputy Police Commissioner
- (uncredited)
Hal Le Sueur
- Sound Effects Man
- (uncredited)
Charles Lung
- Brunner
- (uncredited)
Featured reviews
Red Skelton played the radio sleuth known as "the Fox" in three comic mysteries of the early 1940s. All had the word "whistling" in the title.
This is the second of the three, and by far the weakest.
The first one, "Whistling in the Dark," was an excellent remake of the 1933 film of the same. The last one, "Whistling in Brooklyn," was an extremely enjoyable farce. I recommend both.
"Whistling in Dixie" can be funny at times, but too often it's boring. I suspect it was made simply because the title seemed irresistible. The phrase "whistling 'Dixie' " was popular American slang at the time. And Ann Rutherford, who co-starred as the Fox's love interest in all three movies, was best known for her role in a Southern epic, "Gone With the Wind."
This movie is full of corny "Southern" dialog, and there are some dated portrayals of African-Americans. Nothing here is any more more offensive than what you'd find in the typical 1940s film about the segregated South. But gosh, this kind of stuff was tired even then.
Skelton's slapstick routines are weaker than usual. He and Rags Ragland, his sidekick and foil in all three "Whistling" films, work very hard, but some of the material falls flat.
If this movie leaves you cold, don't rush to judgment. You may like the other two "Whistling" entries, because they are much better. And if you love this one, you will definitely want to see the other two.
This is the second of the three, and by far the weakest.
The first one, "Whistling in the Dark," was an excellent remake of the 1933 film of the same. The last one, "Whistling in Brooklyn," was an extremely enjoyable farce. I recommend both.
"Whistling in Dixie" can be funny at times, but too often it's boring. I suspect it was made simply because the title seemed irresistible. The phrase "whistling 'Dixie' " was popular American slang at the time. And Ann Rutherford, who co-starred as the Fox's love interest in all three movies, was best known for her role in a Southern epic, "Gone With the Wind."
This movie is full of corny "Southern" dialog, and there are some dated portrayals of African-Americans. Nothing here is any more more offensive than what you'd find in the typical 1940s film about the segregated South. But gosh, this kind of stuff was tired even then.
Skelton's slapstick routines are weaker than usual. He and Rags Ragland, his sidekick and foil in all three "Whistling" films, work very hard, but some of the material falls flat.
If this movie leaves you cold, don't rush to judgment. You may like the other two "Whistling" entries, because they are much better. And if you love this one, you will definitely want to see the other two.
Sequel to Whistling in the Dark has Red Skelton once again playing radio star Wally "The Fox" Benton. This time he's headed to Georgia along with his fiancée Carol (Ann Rutherford). There they get mixed-up with a mystery involving Carol's old sorority sister and a treasure hunt. Red and Ann are both good fun in this delightful comedy. Solid support from George Bancroft, Guy Kibbee, Celia Travers, and Rags Ragland. Rags plays a dual role in an amusing follow-up to the last movie. In addition to adorable Ann Rutherford, Diana Lewis provides the pretty. It's not quite as good as Whistling in the Dark but it's still a very enjoyable comedy-mystery. Lots of funny gags. Also lots of awful fake Southern accents.
In Georgia, Martin Gordon is murdered in Fort Dixon as someone whistles Dixie. Hattie Lee discovers the body but when she brings everybody to the site, the body had disappeared. Martin was involved in a love triangle with Hattie and her cousin Ellamae Downs. Judge George Lee produces a letter from Martin that he's leaving town to avoid romantic troubles. Ellamae sends a beetle to her friend Carol Lambert (Ann Rutherford) and invites her to a murder investigation. Carol's boyfriend is radio personality and amateur detective Wally Benton (Red Skelton) known as The Fox.
This is a fun screwball murder mystery with Red Skelton. He delivers the jokes. Some of which are understandably anti-Japanese racist. Rutherford returns to join him in the duo. It ends with some fun slapstick. All in all, it is fun and of its times.
This is a fun screwball murder mystery with Red Skelton. He delivers the jokes. Some of which are understandably anti-Japanese racist. Rutherford returns to join him in the duo. It ends with some fun slapstick. All in all, it is fun and of its times.
Although the slapstick is pretty heavy at times, especially toward the wild climactic scene that winds up the whole story, WHISTLING IN DIXIE has all the ingredients that made the Bob Hope films successful in the '40s, with Hope as the cowardly male lead being intimidated by gangster-type bullies.
Here it's RED SKELTON who seems to have inherited Hope's gag writers, because all of the jokes could just as well have been hand-me-downs from Hope during his heyday. Skelton plays "The Fox", a radio sleuth who solves impossible crimes, and is lured to Georgia by his girlfriend when one of her friends is in a dire situation requiring the kind of help "The Fox" can offer.
Lots of fun ensues when Skelton arrives at a spooky Georgian mansion, and some of the sight gags involving RAGS RAGLAND (in a twin role--one good, one bad), are quite funny although they tend to be overdone by the time the last reel is reached.
ANN RUTHERFORD has a flair for light comedy that makes her a good mate for Skelton and the rest of the cast goes along with the gags and pratfalls in a professional manner. DIANA LEWIS lays on the Southern accent a little too thick, but this is probably for comedy effect. GEORGE BANCROFT, GUY KIBBEE and PETER WHITNEY have fun with good supporting roles.
Summing up: Good fun, if you like these sort of slapstick murder mysteries.
Here it's RED SKELTON who seems to have inherited Hope's gag writers, because all of the jokes could just as well have been hand-me-downs from Hope during his heyday. Skelton plays "The Fox", a radio sleuth who solves impossible crimes, and is lured to Georgia by his girlfriend when one of her friends is in a dire situation requiring the kind of help "The Fox" can offer.
Lots of fun ensues when Skelton arrives at a spooky Georgian mansion, and some of the sight gags involving RAGS RAGLAND (in a twin role--one good, one bad), are quite funny although they tend to be overdone by the time the last reel is reached.
ANN RUTHERFORD has a flair for light comedy that makes her a good mate for Skelton and the rest of the cast goes along with the gags and pratfalls in a professional manner. DIANA LEWIS lays on the Southern accent a little too thick, but this is probably for comedy effect. GEORGE BANCROFT, GUY KIBBEE and PETER WHITNEY have fun with good supporting roles.
Summing up: Good fun, if you like these sort of slapstick murder mysteries.
A year before, Red Skelton made a remake to the dandy 1930s film "Whistling in the Dark". It was very popular and not surprisingly, he came back a year later in "Whistling in Dixie"--a sequel to a remake. While the continuity is great (as many of the same characters returned and the film logically follows the first one), there are a few stupid aspects of the sequel that make it less than endearing. For example, Rags Raglan returns...as the identical twin to the baddie sent to prison when the first film ended. That's great...but having the bad twin then return and everyone mixing them up was not only contrived but rather tiresome as well. Additionally, Red Skelton really mugged it up from time to time and was, at times, a tad annoying. Perhaps I'm being hard on the film, but I loved Skelton's later films--they were sweet and endearing. This one is a bit tired and only mildly interesting.
Did you know
- TriviaAfter Wally is nearly beheaded by the guillotine, Carol tells him to do something and Wally replies, "I think I dood it." That is a catchphrase of Red Skelton's radio (and later television) character, "The Mean Widdle Kid." The phrase was such a part of national culture at the time that, following General Doolittle's bombing of Tokyo in April 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. In 1943, Red Skelton made the movie I Dood It (1943).
- GoofsWhen The Fox finds the treasure chest, he holds up a coin and says, "Look, a $20 gold piece, 1839." The first $20 gold pieces were minted in 1850.
- Quotes
Carol Lambert: [In the dark cellar] I wonder what a ghost would say if he walked in here and saw us?
Wally 'The Fox' Benton: He'd probably say, "Hello, girls" because I wouldn't be here.
- ConnectionsFollowed by Whistling in Brooklyn (1943)
- Soundtracks(I Wish I Was in) Dixie's Land
(1860) (uncredited)
Music by Daniel Decatur Emmett
Whistled by a parrot and by Red Skelton
Details
Box office
- Budget
- $388,000 (estimated)
- Runtime
- 1h 14m(74 min)
- Color
- Aspect ratio
- 1.37 : 1
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