Border Patrol

When three Texas Rangers try to investigate kidnapped Mexicans being used as forced labor in the mines of Silver Bullet, they are framed for murder by the town's corrupt sheriff.

Hopalong Cassidy, as played by the charismatic William Boyd, and his partners take on the crooked judge who enforced forced labour on kidnapped Mexican. Russel Simpson plays the judge and actually steals the scene. There's a nifty pace, great dialogue, the repartee between the three protagonists is good as ever, and the action is grand.

Hoppy, California, & Johnny are all Texas Rangers (I guess they had very loose hiring criteria if California got in!). Hoppy's dressed in all black throughout the film (this is important to those of us who know that his black outfit signifies "he means business" & his rancher's & other outfits signify "he's only fooling around & trying to act like someone other than "Hoppy"). The setting is Silver Bullet, Texas, & no, The Lone Ranger is not in this movie, although practically everyone else is! George Reeves (Superman) is here; he plays a Mexican & is on screen for only a few moments. Duncan Renaldo (The Cisco Kid) is here, & has a nice role as a Mexican police commandant. Robert Mitchum plays his usual (for his early days in the westerns) baddie. Claudia Drake actually has a more significant role in the film than anyone other than Hoppy himself. There's good action (4 gunfights), good humorous situations, & overall it's quite nicely done, with good production values. I rate it 8/10.

Border Patrol finds Hopalong Cassidy together with sidekicks Andy Clyde and Jay Kirby serving as Texas Rangers guarding the Mexican. A dead Mexican national and Claudia Drake's idea that they shot the man riding the horse that the dead man was riding that she claims belonged to her sweetheart George Reeves. Even after presenting their Ranger credentials to the Mexican border cop Duncan Renaldo doesn't convince her.

But back they go across the border to an outlaw town where it's rumored a lot of Mexican laborers have gone to work. What they find is a town run by Judge Russell Simpson who makes Roy Bean look like Oliver Wendell Holmes. Fortunately for their sakes Claudia Drake has a change of mind about Hoppy and his sidekicks because Simpson doesn't recognize their status as Texas Rangers, his is the only law where he has jurisdiction.

This Hopalong Cassidy film is notable for two things, it is one of the films that featured Robert Mitchum down in the cast as one of Simpson's hired guns. The second is the performance of Russell Simpson who even as he's deadly serious about hanging Hoppy and the sidekicks still laces his 'rulings' and 'jurisprudence' with a little humor.

Definitely a must for Hopalong Cassidy and Robert Mitchum fans.

After witnessing the murder of a Mexican national, border patrolman Hopalong Cassidy and pals are promptly abducted and taken to Mexico by a feisty senorita who believes them responsible. Set free by the federales, they investigate the disappearances of dozens of migrant workers seeking jobs in a silver mine and end up stepping into a madman's own private town.

A William Boyd/Hopalong Cassidy vehicle that comes real close to going over the top, there's a lot of fun and great stars here, with head villain Russell Simpson giving a spirited, amusing performance alongside henchman Robert Mitchum (billed here as Bob in a very early role!), as well as future Superman George Reeves and the Cisco Kid, Duncan Renaldo!

As offbeat as you're likely to get in a "Hoppy" movie, action and humor mix effortlessly, leading to a rousing climax, well directed by genre veteran Lesley Selander, who helmed low-budget westerns for major studios well into the 1960's, some of which are considered minor classics.

More plot-heavy than most. The trio are Texas Rangers trying to bust up a silver mine operation that's luring Mexican illegals (sound familiar?) across the border. On the way, they have to get past a cantankerous Mexican senorita (Drake) and a petty tyrant—hanging judge (Simpson). Some good scenery, especially the roaring Kern River, long a favorite of these oaters. Clever action climax does a neat twist on the old circle-the-wagons maneuver. I also like the charming dinner scene with the Commandant (Renaldo) that's well scripted and nicely played.

There's also a couple of interesting lesser-knowns to add to the stars-of-the-future list (Mitchum, Reeves, Renaldo). Claudia Drake managed a shot at immortality by landing a key role in the noir cult classic Detour (1945). Here, she gives a spirited performance as the willful senorita that really over-shadows everyone else. However, perhaps most notable and surprising is the screenplay. It's credited to Michael Wilson who later penned such A-list classics as A Place in the Sun (1951), Bridge on the River Kwai (1957), and Lawrence of Arabia (1962), among others. A victim of the early-50's blacklist, several of these were written undercover, but have since been restored to his credit list. Here, the plot deals with such potential political themes as exploited workers, a company town, and a rich man making up his own laws. So, perhaps Wilson's participation is not so surprising after all.