An American tanker is sunk by a German U-boat, and the survivors spend 11 days at sea on a raft. Their next assignment - bound for Murmansk through the sub-stalked N. Atlantic.An American tanker is sunk by a German U-boat, and the survivors spend 11 days at sea on a raft. Their next assignment - bound for Murmansk through the sub-stalked N. Atlantic.An American tanker is sunk by a German U-boat, and the survivors spend 11 days at sea on a raft. Their next assignment - bound for Murmansk through the sub-stalked N. Atlantic.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
- Pebbles
- (scenes deleted)
- Aherne
- (scenes deleted)
- German Ensign
- (uncredited)
- Jenny O'Hara
- (uncredited)
- German
- (uncredited)
- Brazilian Gun Captain
- (uncredited)
- Bearded Lieutenant Commander
- (uncredited)
- Ahearn
- (uncredited)
- Submarine Commander
- (uncredited)
Featured reviews
What's not to like? It's a WW2 movie with colorful Warner Bros. character actors Alan Hale, Dane Clark, Peter Whitney, and Sam Levene backing up Humphrey Bogart and Raymond Massey. There's only a couple of (minor) female roles, played well by Julie Bishop and Ruth Gordon. Yeah the plot's pretty basic and the characters may seem clichéd but it's all put together so well that I didn't mind. There's something to be said for using a successful formula.
The script is great with lots of funny lines and stirring speeches. Good music, both score and a nice rendition of Night and Day from a dubbed Julie Bishop. The photography is beautiful. The special effects are exceptional. The direction is terrific, especially in those spectacular action scenes. This is all the more remarkable when one considers director Lloyd Bacon didn't get to finish the picture. Bogart is great (as always) and his fans will love this one. Pretty much anyone who enjoys WW2 movies, particularly those from WB, will like this a lot. It's an emotional, exciting two hours of solid entertainment.
We are taken to the North Atlantic where a group of ships are made to form a convoy, hoping that being so close to each other, they might be protected from attacks. Little prepared the organizers of this idea for the arrival of the infamous German submarines and planes. The action one sees is centered in the Liberty ship that is heading for the old Soviet Union. The heroic account of what the crew of that ship experienced is a tribute to the courageous men that put their lives in peril in order to get their cargo to the different destinations.
Humphrey Bogart, as Lt. Joe Rossi, makes a great appearance. He is totally believable as the man who takes over for his wounded captain and brings the ship to safety. Raymond Massey plays Capt. Jarvis, a man totally dedicated to his profession. Alan Hale, Sam Levene and Dane Clark are seen as part of the brave crew of the Liberty. Ruth Gordon and Julie Bishop are the women left behind.
The film has a great black and white photography by Ted McCord and a haunting musical score by Adolph Deutsch. The battle scenes were staged by Lloyd Bacon with an uncredited assistance from Raoul Walsh and they are amazing for what was accomplished in those days where the technology wasn't so advanced.
This film is remarkable on many counts. Not only is the acting rock solid, and the story in itself a fine "sea saga", but the director has managed to avoid many potential pitfalls thrown into in his path by the War (Propaganda?) Department. The obligatory leave-taking scenes are touching, but not maudlin; the even more obligatory "speech-making" is impassioned, but never embarrassingly so. And the Enemy is portrayed as a thoroughly competent if ruthless professional, as dedicated to his own trade as the convoy Sailors are to theirs. (I for one did not find the lack of English "subtitles" a problem --I could pretty well figure out what the U-Boat skipper and his crew were up to.)
To repeat my opening comments,-- this film, though not as well-circulated as "The Cruel Sea", certainly should rank as its equal.
That wasn't the last time he was sunk.
Both films excelled because unlike some jingoistic wartime films, the Allies were NOT shown as super-humans who could do ridiculous things (like in the movie AIRFORCE where a B-17 shoots down fighter plane after fighter plane--something that just could never have happened). In fact, both films feature ships being sunk right out from under the stars in the first half hour of the film! But here's where the films really succeeded, as they showed the indomitable human spirit that despite losses, continues to bravely and without too much complaint do their job. Balancing this need with the families back at home make these both stellar films. In fact, now that I think about it, I STRONGLY recommend you see both. Yes, they are similar, but also different enough to provide a lot of entertainment and wonderful insight into our history.
Did you know
- TriviaNear the end of the picture, as the ship is nearing Murmansk, several Russian airplanes fly out to meet it. One of the pilots keeps gunning his engine in short bursts. There are three short bursts followed by a long one. Movie audiences of the 1940s would immediately recognize this as the three dots and a dash of the Morse code "V". "V for Victory" was heavily used as a slogan during World War II.
- GoofsCharacters aboard the Seawitch refer to "Engine Number Two" and "engines". Liberty Ships were powered by a single triple-expansion engine.
- Quotes
Lt. Joe Rossi: Now, that's the word of God. And it's good. But I don't think He'd mind if I put my oar in. These are eight men we knew and liked, guys like us. Guys we ate with and slept with and fought with. Well, we were just a little luckier than they were. We'll miss them. All of them.
- Alternate versionsThe colorized version and many b&w TV prints are edited to fit a two-hour time slot. Most of the cuts involve the interactions of the crew (notably Alan Hale) in the rec room and virtually all of Raymond Massey's domestic scenes with Ruth Gordon with the exception of his actual arrival home. Also omitted are most of the scenes of the cook, extended scenes of the destruction of Massey's ship early on, as well as several interstitial and transitional scenes.
- ConnectionsEdited into Christmas in Connecticut (1945)
Details
Box office
- Budget
- $2,231,000 (estimated)
- Runtime
- 2h 6m(126 min)
- Color
- Aspect ratio
- 1.37 : 1