IMDb RATING
6.4/10
1.9K
YOUR RATING
A submarine lieutenant and his commander fall in love with the same girl.A submarine lieutenant and his commander fall in love with the same girl.A submarine lieutenant and his commander fall in love with the same girl.
- Won 1 Oscar
- 4 wins total
Tyrone Power
- Lt. Ward Stewart
- (as Tyrone Power U.S.M.C.R.)
May Whitty
- Grandmother
- (as Dame May Whitty)
Harry Morgan
- Brownie
- (as Henry Morgan)
Fred Aldrich
- German Seaman
- (uncredited)
Stanley Andrews
- Shipwrecked Captain
- (uncredited)
John Archer
- Curly Bowman
- (uncredited)
David Bacon
- Lieutenant
- (uncredited)
Lulu Mae Bohrman
- Undetermined Secondary Role
- (uncredited)
Dorothy Brent
- Schoolgirl
- (uncredited)
Frederic Brunn
- Q Boat Lieutenant
- (uncredited)
Paul E. Burns
- Simmons - Desk Clerk
- (uncredited)
Harry Carter
- Sailor
- (uncredited)
Gene Collins
- Boy in Lifeboat
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is one of these propaganda and efficienty made warfare movies of the 40s that delivers comic relief in the form of romance . WWII glory movie with a love triangle, submarine battles and agreeable scenes. It deals with second-in-command, a handsome lieutenant : handsome Tyrone Power, who falls hopelessly in love for school teacher : Anne Baxter, only to find out after that she is Submarine Commander Dana Andrews' fiance. Once this little tidbit information is disclosed, things go wrong. Later on, the two sea officers embark on a mission to destroy a Nazi port and a submarine responsible for laying mines in the North Atlantic. And subsequently taking place a terrestrial intervention by a brave commando to vanquish the Nazi enemy fortress, using machine gun, dynamite and other destructive means.
Nice film containing good action, thrills , evocative and impressive sea battles and adequate special effects with a lot of explosions. As FX, miniatures and scale models are pretty well, however, some boats look like toys. Based on a story by prestigious W. R. Burnett and script by Jo Swerling, though it relies heavily on the silly and improbable love story with a non-sense triangular romance. It provides an excessively jingoist view point, as at its final part, it pays a real tribute to Navy, its Cruisers, PTs, Destroyers , Submarines and its crews. Stars three big name actors of the Forties and Fifties, the good-looking Tyrone Power, the always brilliant Dana Andrews and Academy-Award winning Anne Baxter as the woman loved by two naval commanders aboard the same sub. This one has the bonus of a fine support cast, such as : the veteran James Gleason, Dame May Witty, Henry (Harry) Morgan, John Archer, Ben Carter, Frank Conroy, Stanley Andrews, among others.
It contains a thrilling and moving musical score by David Buttolph. As well as shimmering and glimmer cinematography in Technicolor by master cameraman Leon Shamroy who won three Oscars to his name by 1945, and he photographed several super-productions. The motion picture was professionally and skillfully directed by Archie Mayo, though with not originality, being a simple super-patriotic movie. Archie Mayo had a decent cinematic career, directing acceptable films, such as : Night after night, The Mayor of hell, Bordertown, It is love I'm after, Four sons, Confirm or deny, Orchestra wives, Night in Casablanca, being his greatest hit : The petrified forest. Rating : 6/10 acceptable and passable wartime picture that will appeal to genre lovers.
Nice film containing good action, thrills , evocative and impressive sea battles and adequate special effects with a lot of explosions. As FX, miniatures and scale models are pretty well, however, some boats look like toys. Based on a story by prestigious W. R. Burnett and script by Jo Swerling, though it relies heavily on the silly and improbable love story with a non-sense triangular romance. It provides an excessively jingoist view point, as at its final part, it pays a real tribute to Navy, its Cruisers, PTs, Destroyers , Submarines and its crews. Stars three big name actors of the Forties and Fifties, the good-looking Tyrone Power, the always brilliant Dana Andrews and Academy-Award winning Anne Baxter as the woman loved by two naval commanders aboard the same sub. This one has the bonus of a fine support cast, such as : the veteran James Gleason, Dame May Witty, Henry (Harry) Morgan, John Archer, Ben Carter, Frank Conroy, Stanley Andrews, among others.
It contains a thrilling and moving musical score by David Buttolph. As well as shimmering and glimmer cinematography in Technicolor by master cameraman Leon Shamroy who won three Oscars to his name by 1945, and he photographed several super-productions. The motion picture was professionally and skillfully directed by Archie Mayo, though with not originality, being a simple super-patriotic movie. Archie Mayo had a decent cinematic career, directing acceptable films, such as : Night after night, The Mayor of hell, Bordertown, It is love I'm after, Four sons, Confirm or deny, Orchestra wives, Night in Casablanca, being his greatest hit : The petrified forest. Rating : 6/10 acceptable and passable wartime picture that will appeal to genre lovers.
Fantastic special effects highlight this World War II submarine drama starring Tyrone Power, Dana Andrews, and Anne Baxter - Power's last before going into the Marines.
Power is charming as a man who captures the heart of Anne Baxter, who though he doesn't know it, just happens to be the girl of Dana Andrews, Power's new commanding officer.
Out on the submarine, there's some exciting action as the sub searches for a secret base set up by the Nazis. One interesting subplot is the friendship of Oliver, a black soldier, with Mac, portrayed by James Gleason. Ben Carter, who played Oliver, does a great job, and his role as a concerned friend and brave soldier is not the usual stereotypical one blacks were often forced to play.
The ending, of course, is pure propaganda as Power, supposedly talking to his uncle, talks about the fighting men, subs, PT boats, and the like all doing their job.
I'm in no way trying to denigrate it - propaganda is a fascinating part of film history and at that time was deemed important to the war movement. It's all very interesting to view today. And Power is gorgeous.
Power is charming as a man who captures the heart of Anne Baxter, who though he doesn't know it, just happens to be the girl of Dana Andrews, Power's new commanding officer.
Out on the submarine, there's some exciting action as the sub searches for a secret base set up by the Nazis. One interesting subplot is the friendship of Oliver, a black soldier, with Mac, portrayed by James Gleason. Ben Carter, who played Oliver, does a great job, and his role as a concerned friend and brave soldier is not the usual stereotypical one blacks were often forced to play.
The ending, of course, is pure propaganda as Power, supposedly talking to his uncle, talks about the fighting men, subs, PT boats, and the like all doing their job.
I'm in no way trying to denigrate it - propaganda is a fascinating part of film history and at that time was deemed important to the war movement. It's all very interesting to view today. And Power is gorgeous.
Archie Mayo's film lurches between a straightforward war movie (with impressive effects in the later section, concerning an attack on a submarine) and a tug of love romance between two friends and the girl they both want to marry. The balance between the two stories isn't always effective, and perhaps the film would have been better one thing or the other.
However, Tyrone Power is top-billed - in his last movie before real-life active service - and close following in the cast are Dana Andrews, reliable as ever in what could have been a unsympathetic role, and Anne Baxter as the schoolmistress who wins their hearts. All are very good. James Gleason, as 'Mac', is as watchable as ever, while the great May Whitty makes an impact when the focus moves away from the boys at sea.
'Crash Dive' is perhaps a noble failure, but yet another interesting war film, this time propaganda for the submarine units. It is also of note for the blink-and-you-miss-him film debut of Steve Forrest (younger brother of Dana Andrews).
However, Tyrone Power is top-billed - in his last movie before real-life active service - and close following in the cast are Dana Andrews, reliable as ever in what could have been a unsympathetic role, and Anne Baxter as the schoolmistress who wins their hearts. All are very good. James Gleason, as 'Mac', is as watchable as ever, while the great May Whitty makes an impact when the focus moves away from the boys at sea.
'Crash Dive' is perhaps a noble failure, but yet another interesting war film, this time propaganda for the submarine units. It is also of note for the blink-and-you-miss-him film debut of Steve Forrest (younger brother of Dana Andrews).
This was a very enjoyable WWII film, though before I discuss why I liked the movie, I should point out that the film does have one BIG cliché. When Tyrone Power meets a woman (Anne Baxter--here with dark brown hair) and they immediately hate each other, lovers of classic Hollywood films know that this can only mean one thing---they are destined to fall in love by the end of the film!! Aside from this predictable aspect of the film, I really did like the movie.
The first thing I noticed about the film was the gorgeous color film. For 1943, it was terrific--with the most vibrant blues I've ever seen--much like the look of the great film, THE CAINE MUTINY. Twentieth-Century Fox really pulled out the stops to make this film look nice.
As far as the plot goes, it's a pretty exciting and standard submarine film. Now that I write this, I realize that they sure made a lot of great sub films over the years--with hardly a stinker among them. This film maintains the excellent tradition of such lovely films as RUN SILENT RUN DEEP, THE ENEMY BELOW and DESINTATION TOKYO--all lovely films that are both gripping and entertaining.
The film has more plot than just subs and Anne Baxter. It seems that Tyrone Power was very happy and successful aboard PT boats. When he was transferred to sub duty, he wasn't particularly excited, as he thought that patrol boats were the greatest thing since sliced bread. However, over time, he makes good and grows to love the submarine.
CRASH DIVE has some excellent action scenes--particularly the attack on a secret base near the end. The acting good, script very good for a wartime propaganda flick and I particularly liked the sympathetic portrayal of the Black sailor--something pretty rare in a film of the era. Overall, a good and enjoyable film.
The first thing I noticed about the film was the gorgeous color film. For 1943, it was terrific--with the most vibrant blues I've ever seen--much like the look of the great film, THE CAINE MUTINY. Twentieth-Century Fox really pulled out the stops to make this film look nice.
As far as the plot goes, it's a pretty exciting and standard submarine film. Now that I write this, I realize that they sure made a lot of great sub films over the years--with hardly a stinker among them. This film maintains the excellent tradition of such lovely films as RUN SILENT RUN DEEP, THE ENEMY BELOW and DESINTATION TOKYO--all lovely films that are both gripping and entertaining.
The film has more plot than just subs and Anne Baxter. It seems that Tyrone Power was very happy and successful aboard PT boats. When he was transferred to sub duty, he wasn't particularly excited, as he thought that patrol boats were the greatest thing since sliced bread. However, over time, he makes good and grows to love the submarine.
CRASH DIVE has some excellent action scenes--particularly the attack on a secret base near the end. The acting good, script very good for a wartime propaganda flick and I particularly liked the sympathetic portrayal of the Black sailor--something pretty rare in a film of the era. Overall, a good and enjoyable film.
Crash Dive is a typical WWII propaganda film with a stirring musical score by Hugo Friedhofer that prompts any young man to want to enlist in the navy. The cast is uniformly good, especially Tyrone Power as he cleverly tries to woo a reluctant Anne Baxter. Sub skipper Dana Andrews always excelled in military roles. The plot borders on the ridiculous. A German naval base in the north Atlantic- where? An American submarine conducting offensive operations in the Atlantic would likely have been attacked on sight by Allied forces who would naturally assume all subs in the Atlantic were German (such was the fate of one U.S. sub which left New London for the Panama Canal and was never heard from again). Good action scenes for a film of this genre with many of the clichés that would be repeated in other WWII submarine films.
Did you know
- TriviaIn the opening scene, the boy in the raft says that he can hear airplanes, which turn out to be PT boats. Many of the WWII PT boats were powered by airplane engines. Specifically, marinized versions of the Packard 3A-2500 V12 aircraft engine, designated the 3M-2500 (the "M" stands for Marine), the 4M-2500, and the 5M-2500 variants, each with higher power and other improvements.
- GoofsWhen the PT boat is rescuing survivors and they spot a U-boat, the young boy who was being hauled aboard the PT boat is wearing a life-jacket. The close up in the next shot shows Lt Stewart lifting the boy up to put him back in the lifeboat. The boy is no longer wearing the life-jacket. In the following shot, as Lt. Stewart completes putting him back into the lifeboat, the boy is again wearing the life-jacket.
- Quotes
Oliver Cromwell Jones: Mac, it's none of my business, and it certainly isn't up to me to give you advice, but if I had a weak heart ...
Chief 'Mac' McDonnell: What are you talking about?
Oliver Cromwell Jones: A man don't take nitroglycerine for dandruff.
- Crazy creditsThis movie's opening prologue states: "The cooperation and assistance of the officers and men of the U.S. Navy submarine base, New London, Connecticut, is gratefully acknowledged."
- ConnectionsFeatured in Going Hollywood: The War Years (1988)
- SoundtracksDon't Sit Under the Apple Tree
(uncredited)
Music by Sam H. Stept (1942)
Lyrics by Lew Brown and Charles Tobias
Sung in part by Tyrone Power in the car
- How long is Crash Dive?Powered by Alexa
Details
- Runtime
- 1h 46m(106 min)
- Aspect ratio
- 1.37 : 1
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