The Cross of Lorraine

A story of courage and defiance of the French people following their surrender to the Germans in 1940.

French soldiers who surrendered are duped by the Germans and are instead taken to a prison of war camp where they are subjected to the most terrible conditions.

Gene Kelly, in a non-singing role, is one such soldier. Punished for hitting German soldiers he is locked in solitary confinement.

In his brief appearance as a priest, Cedric Hardwicke shines as a brave, defiant messenger of the Lord. He pays the ultimate price for attempting to conduct a religious service for someone shot trying to escape.

There is also treachery and collaboration on the part of Hume Cronyn, a prisoner who because he could speak German was made an interpreter by the latter and apparently this went to his head. He also pays the ultimate price as in the ironic case of Peter Lorre, a German soldier caught up in an escape attempt and mistakenly killed by his fellow Nazis.

The ending shows the determination and courage of a local village. This film is a tribute to such people.

Basically the story of the French resistance during the early '40s when the Nazis overtook France, THE CROSS OF LORRAINE is a forerunner of films like STALAG 17, but without the humor. Instead, it's a straightforward dramatic tale of the harsh treatment meted out to the French POWs in a German prison camp.

There are no real surprises in the plot--you know from the beginning that there will be an escape plan being hatched by JEAN PIERRE AUMONT, who takes over when the former translator/informer HUME CRONYN meets his fate at the hands of prisoners. Aumont and GENE KELLY have the leading male roles and both give earnest performances in this gritty drama directed by Tay Garnett.

Although it appears to be a low-budget film, there's a splendid supporting cast including SIR CEDRIC HARDWICKE, RICHARD WHORF, PETER LORRE (as a despicable German sergeant), WALLACE FORD and Joseph CALLEIA.

Film is engrossing all the way through but suffers from an ending that pushes the propaganda envelope too far as the French resistance overcomes the Nazi recruiters while Aumont and Kelly take aim with machine guns to help destroy a bunch of bad Nazis.

Summing up: A flag waving tribute to the French resistance, it's well done for most of the way but that ending is too over-the-top to be taken seriously.

The film is hopelessly marred and scarred by its propaganda nature, which brands it with a character that debases it for history when the war once is over, which is a pity, for it's a great story with great actors, who all do their best, and there are some instances which are more realism than propaganda, especially towards the end, as the intrigue thickens, when prisoners start to escape.

It's Jean-Pierre Aumont's film, he is the most interesting character, as you never really know where you have him, as he constantly has to change footing according to what is happening around him, while finally his character emerges in full glory. Gene Kelly is also quite good as an impossible slugger who is completely quashed by Peter Lorre and his Germans, but his annihilation is not quite complete. You can't keep down Gene Kelly for long.

It's the boy in the end who introduces the cross of Lorraine and lifts the whole performance to a higher level. This is very far from one of the best war films, but it certainly has some good scenes worth seeing.

If you thought World War II Hollywood war movies were all sweetness and Casablanca fans, just wait till you see this gut-wrenching little propaganda piece, which must have come out the week the censors were all in Palm Springs. Perhaps the most realistic Hollywood portrayal of life as a prisoner of the Nazis until "Schindler's List," it's also quite intelligent and extraordinarily well-played by an excellent cast. You don't know the meaning of shock until you've seen Gene Kelly spit a huge gob of real sputum onto Peter Lorre's face--and then wait till you see what comes next. It's not Captain Renault and the roulette table, dearie.

Various Frenchmen head off to fight the Germans but the war is soon over for France. The soldiers have differing opinions on what's next for the country. Instead of returning home, they find themselves POWs in Germany.

The cast is international with some big names like Gene Kelly, Peter Lorre, and Hume Cronyn. I do wonder if surrendering French soldiers would end up in a POW camp. Maybe if they continue to fight after the amnesty. Anyways, it's good propaganda and that's what the country needed during this time.