It Ain't Hay

It Ain't Hay (1943)

** 1/2 (out of 4)

I can finally say I've seen every Abbott and Costello film. It took me a while but I finally track down a copy of this one, which hasn't ever been released on home video due to some sort of rights issue. In the film, Costello accidentally kills a little girl's horse so he sets out to get her a new one. After waiting so long to finally see this one it really didn't turn out to be anything overly special. There are still some good gags but nothing too classic, although an inside joke about Universal was pretty nice. The "horse eats its father" joke was a highlight as was another scene where the boys try to pull a fast one and sneak off without paying for their lunch. Shemp Howard co-stars but it's Eugene Palette who really steals the film.

I spent years and years searching for IT AIN'T HAY, as it was the only A&C film missing from my collection. I finally got it this past Christmas. It isn't one of their better films, but it's still Abbott and Costello, and very enjoyable. There are several songs toward the beginning of the film, but by the second half they tone down quite a bit, which helps the film big time. This film also features among the best versions of the "Mudder; Fodder" routine. Costello is particularly funny in this one, and also has a couple of moments where he shows what a great dramatic actor he could be. Like I said, it isn't BUCK PRIVATES or MEET FRANKENSTEIN, but it's still good old Bud and Lou doing what they do best, and that's good enough for any true fan.

The comedy team of Bud Abbott and Lou Costello were in their prime in the 1940's (particularly the early 1940's) and this offering from 1943 is very funny indeed. Based on a Damon Runyon story "Princess O'Hara" (and featuring some of the classic Runyon characters such as Harry the Horse), it's been tailored for the A & C brand of comedy, and features some of their funniest routines (the "mudder & fodder" exchange, which was repeated in their later film "The Noose Hangs High"; stealing the horse, the climactic horse race scene, etc.) Like most of their early features (with the notable exception of the great "Who Done It"), there's also the mandatory songs - they are a mild intrusion, but on their own merit are quite good. (These song numbers were a stock element in the Universal comedies at the time, so you just have to tolerate them, but, like in the Marx Brothers comedies, they did seem to be there just to "pad out" the running time.) There's also a gem of a supporting performance by the great character actor Eugene Palette.

Unfortunately, "It Ain't Hay" is currently tied up in legal knots, which keeps it out of circulation at the present time. Due to this, it was not included in the great A & C collection released recently on DVD by MCA, nor has it been shown on television for many years. Hopefully these legal issues will be resolved, and this fine example of the great comedy duo's work will receive the distribution it deserves.

Universal kept Abbott&Costello very busy during the World War II years. They made so many films one wonders when they had time to do personal tours and war bond rallies. One of the more unusual items the team made was It Ain't Hay which was taken from one of Damon Runyon's Broadway stories. You'll recognize some of the character names from Guys And Dolls.

Lou Costello accidentally kills Cecil Kellaway's horse. Kellaway drives a horse drawn cart in Central Park and Lou's guilt, plus the guilt laid on him by everyone else including Bud in a great scene, makes him buy a horse that some racing stable was selling.

Problems arise when Bud and Lou discover they have the wrong horse, the horse they were to buy was a dead ringer for the champion 'Teabiscuit'. The boys pick up the real Teabiscuit, but when they discover the mistake are determined to cash in on it.

The movie is plainly ripped off from the Marx Brothers A Day At The Races, but that doesn't prevent it from being funny. One definite weakness was that the musical score in the Marx film was a lot better than what Harry Revel and Paul Francis Webster wrote for It Ain't Hay. Still Leighton Noble and Grace McDonald handle the music end nicely and it doesn't get in the way of A&C's routines. And Eugene Palette as the villain gets a few laughs himself as he always does.

It Ain't Hay is not often shown and that's a pity. Catch it if possible and hope it comes out on both VHS and DVD.

Abbott and Costello are at their very best in this agreeable comedy. They play a couple of Manhattan taxi drivers with a fondness for a sweet young girl and her horse. Costello means well in trying to be nice to the animal, but his feeding it candy ultimately causes the horse to get sick - and die. So he and Abbott set out to make things right by getting a new horse for the girl, whose dad (Cecil Kellaway) runs a horse and carriage ride in the city. I know that synopsis sounds rather dramatic, but there is a lot of well-staged comedy between the serious moments. And Bud and Lou are as sharp in ever performing them. Some routines include: their classic "the horse eats his fodder", the boys getting swindled at a phony horse race outfit, Lou getting into trouble at a restaurant for not being able to pay his check, and other assorted gags. Third Stooge Shemp Howard also has a part, but the real fun comes courtesy of fat man Eugene Palette, who is the perfect foil for Costello's antics. As with almost all of A&C's movie of this period, there is some singing and dance numbers here; however, I find them to be rather entertaining and endurable this time out. *** out of ****