A compassionate lawyer pretends to be heartless in order to boost his clientele, but it jeopardizes his romantic life.A compassionate lawyer pretends to be heartless in order to boost his clientele, but it jeopardizes his romantic life.A compassionate lawyer pretends to be heartless in order to boost his clientele, but it jeopardizes his romantic life.
Jackie Averill
- Boy with Lollipop
- (uncredited)
Conrad Binyon
- Boy
- (uncredited)
Morgan Brown
- Pedestrian
- (uncredited)
Paul E. Burns
- Farmer
- (uncredited)
Ralph Byrd
- Reporter
- (uncredited)
James Carlisle
- Client
- (uncredited)
Hobart Cavanaugh
- Mr. Throckmorton
- (uncredited)
Edward Clark
- Jury Member
- (uncredited)
Chester Clute
- Lawyer
- (uncredited)
Featured reviews
10jridings
This is one of the funniest movies I've ever seen -- not surprising, since it stars Jack Benny, one of the funniest stars ever. Jack is believable both as a nice guy and as a meanie. You might think his mean acts wouldn't be as funny, but the way he does them is the funniest part of the movie. And there is always a newspaper photographer to record it. The movie's only drawback is that it is so short, less than an hour. Usually, especially today, movies drag on too long and wear out their welcome. Jack Benny has never worn out his welcome. This movie should be on DVD. Perhaps a box DVD set with other under-appreciated Jack Benny movies.
Jack Banney and Rochester (Eddie Anderson) really go to it in this comedy romance. The two toss barbs back and forth with ease that even outdid their frequent banter on Benny's radio show at the time. "The Meanest Man in Town" is a light comedy with a simple plot and not much of one. Benny's small-town lawyer can't make it as a lawyer at home, nor as an ambulance chaser in the Big Apple. The reason is because of his big heart. But, when circumstances happen that make him appear mean in the press, much changes.
And, from that point on, the film turns into screwball comedy. The ending is a real hoot. Edmund Gwenn has a small role, but it's one of the few in which he played the meany, or a villain or bad guy. But, because of the nature of this film, even Gwenn's nasty appearance is occasion for a chuckle.
Jack Benny was highly popular with his unique laid back humor, using long pauses with a sometimes dour and sometimes cynical persona. A Jack Benny program ran weekly on the radio from 1932 through 1948. Then he had a long-running TV series, "The Jack Benny Show," that ran from 1950 thru 1965. His movie making was sparse during the latter, but he had many appearances on other TV series and shows. Most of his two dozen films before that were box office hits.
And, from his first appearance in 1937, Eddie Anderson became a major part of Jack Benny's radio and then television shows. In the 1950s, Eddie was the highest paid African-American in radio and television. The two men were great entertainers, loved by audiences in the mid-20th century. They remained close friends until Benny's death in 1974.
The film may be far too slow for modern audiences, but those who like good old fun and comedy in films, should get a kick out of this movie.
And, from that point on, the film turns into screwball comedy. The ending is a real hoot. Edmund Gwenn has a small role, but it's one of the few in which he played the meany, or a villain or bad guy. But, because of the nature of this film, even Gwenn's nasty appearance is occasion for a chuckle.
Jack Benny was highly popular with his unique laid back humor, using long pauses with a sometimes dour and sometimes cynical persona. A Jack Benny program ran weekly on the radio from 1932 through 1948. Then he had a long-running TV series, "The Jack Benny Show," that ran from 1950 thru 1965. His movie making was sparse during the latter, but he had many appearances on other TV series and shows. Most of his two dozen films before that were box office hits.
And, from his first appearance in 1937, Eddie Anderson became a major part of Jack Benny's radio and then television shows. In the 1950s, Eddie was the highest paid African-American in radio and television. The two men were great entertainers, loved by audiences in the mid-20th century. They remained close friends until Benny's death in 1974.
The film may be far too slow for modern audiences, but those who like good old fun and comedy in films, should get a kick out of this movie.
... and this one is no exception.
In this amusing, if brief, comedy from 20th Century Fox and director Sidney Lanfield, Jack Benny stars as Richard Clarke, a smalltown attorney who moves to NYC in order to impress his prospective father-in-law. His girlfriend Janie (Priscilla Lane) can't wait to get married but she's unaware that Richard's law practice is going no where. It isn't until he starts acting cutthroat and mean that things start to become lucrative. Also featuring Eddie "Rochester" Anderson, Edmund Gwenn, Matt Briggs, Anne Revere, Margaret Seddon, Helene Reynolds, Ralph Byrd, Edward Gargan, Hobart Cavanaugh, Lyle Talbot, and Tor Johnson.
This seemed like a filmed version of a radio play, as almost all of the humor is verbal, and maybe that is to be expected as Benny was so big in radio at the time. That's a nice change of pace when slapstick seemed to rule the day in film comedy of the period. Benny and Anderson are a terrific team, naturally, and they play off each other like the seasoned pros they were. I also liked Anne Revere in an atypical role as Benny's bored, underpaid secretary.
In this amusing, if brief, comedy from 20th Century Fox and director Sidney Lanfield, Jack Benny stars as Richard Clarke, a smalltown attorney who moves to NYC in order to impress his prospective father-in-law. His girlfriend Janie (Priscilla Lane) can't wait to get married but she's unaware that Richard's law practice is going no where. It isn't until he starts acting cutthroat and mean that things start to become lucrative. Also featuring Eddie "Rochester" Anderson, Edmund Gwenn, Matt Briggs, Anne Revere, Margaret Seddon, Helene Reynolds, Ralph Byrd, Edward Gargan, Hobart Cavanaugh, Lyle Talbot, and Tor Johnson.
This seemed like a filmed version of a radio play, as almost all of the humor is verbal, and maybe that is to be expected as Benny was so big in radio at the time. That's a nice change of pace when slapstick seemed to rule the day in film comedy of the period. Benny and Anderson are a terrific team, naturally, and they play off each other like the seasoned pros they were. I also liked Anne Revere in an atypical role as Benny's bored, underpaid secretary.
I was amazed when I saw this picture. After having seen The Horn Blows at Midnight, I had assumed that all of Jack Benny's pictures were pretty stupid and that his talent only extended to television and radio. Boy was I wrong.
This very short movie (57 minutes) is outstanding and I have nothing negative to say about it. Benny is actually NOT the Meanest Man in the world but perhaps one of the nicest in the film. This is a real surprise because he is a lawyer (sorry to all you lawyers reading this). However, he finds that if people THINK he is mean and heartless his business will pick up considerably! If it comes on TCM or you can find it on video, give it a try. You're bound to love it (unless YOU are the meanest man in the world).
This very short movie (57 minutes) is outstanding and I have nothing negative to say about it. Benny is actually NOT the Meanest Man in the world but perhaps one of the nicest in the film. This is a real surprise because he is a lawyer (sorry to all you lawyers reading this). However, he finds that if people THINK he is mean and heartless his business will pick up considerably! If it comes on TCM or you can find it on video, give it a try. You're bound to love it (unless YOU are the meanest man in the world).
YouTube has this old chestnut. 'Meanest Man in the World'is a few minutes under an hour, and a good thing it is. The story is silly, yet Jack Benny, albeit wooden, remains the Jack Benny we know. And that isn't bad. And it's good to see Priscilla Lane as the love interest. She does a good turn when she's tipsy at a bar towards the end of the film. Then, there's Edmund Gwenn plays gleefully plays a meanie. And for once Anne Revere playing a secretary and not someone's suffering mother. But Rochester has star billing and the best quips. At a time when Blacks had walk on roles or a dance or song number as relief in a film, he plays the 'wise' Benny side kick who puts his finger in the eye of silliness, and manages to get Benny out of hot water of his own heat. An obvious boy gets girl film. And a pleasant hour of viewing, during the dark moments of the war against Nazi Germany and militaristic Imperial Japan.
Did you know
- TriviaIn March 1943, when the film was in wide release, a lawsuit brought by a group of lawyers from New Haven, Connecticut charged that this comedy "showed the legal profession in a disreputable light." The complainants asked for the movie to be withdrawn, but their plea was thrown out by Connecticut Superior Court Judge Patrick O'Sullivan.
- Crazy creditsEddie Anderson is credited as only "Rochester."
- ConnectionsVersion of The Meanest Man in the World (1923)
- SoundtracksI Wonder Who's Kissing Her Now?
(uncredited)
Music by Joseph E. Howard and Harold Orlob and lyrics by William M. Hough and Frank R. Adams
Details
- Release date
- Country of origin
- Languages
- Also known as
- Pior que uma Fera
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 57m
- Color
- Aspect ratio
- 1.37 : 1
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