A woman of twenty-one opens her grandfather's will left to her thirteen years earlier, per his instructions. Murder soon follows.A woman of twenty-one opens her grandfather's will left to her thirteen years earlier, per his instructions. Murder soon follows.A woman of twenty-one opens her grandfather's will left to her thirteen years earlier, per his instructions. Murder soon follows.
Johnny Duncan
- Harold Morgan
- (as John Duncan)
John Dawson
- Tom Jackson
- (as Jon Dawson)
Robert J. Anderson
- Harold as a Child
- (uncredited)
Shirley Jean Anderson
- Marie as a Child
- (uncredited)
Mike Donovan
- Mike - Police Desk Sergeant
- (uncredited)
Lester Dorr
- Carter
- (uncredited)
Dick Gordon
- Uncle John
- (uncredited)
Herbert Heyes
- Dr. Sherwood - Plastic Surgeon
- (uncredited)
Donald Kerr
- Photographer
- (uncredited)
Featured reviews
I had high hopes for this one after reading only the little blurb that comes up with the olde timey movies on Tubi but ... whoa .. is it ever a stinker.
II's like an expanded three stooges short directed by Ed Wood but without the charm of his ineptitude. The characters are not introduced or developed ... any of them. The running jokes are not even vaguely amusing.
It's a mess. Give it a miss !
II's like an expanded three stooges short directed by Ed Wood but without the charm of his ineptitude. The characters are not introduced or developed ... any of them. The running jokes are not even vaguely amusing.
It's a mess. Give it a miss !
A young girl arrives at her ancestral home and is promptly murdered-- -or is she? Twelve years earlier the murdered woman, as a little girl, had attended a birthday party for her dying grandfather. Thirteen partygoers were invited but only twelve attended. The thirteenth guest was death.
Now, in the present, the original twelve guests are members of the family fighting over the will and someone wants the money badly enough to kill for it. Detective Dick Purcell is called in to solve the crime, aided by comic sidekicks and the usual inept policemen who only seem to inhabit "B" mysteries. Directed by William "One Shot" Beaudine, this 60 minute quickie is a darn good version of the Armitage Trail mystery and manages to be a little better that its 1932 predecessor-----though for some reason the 1943 film is much more difficult to see.
Now, in the present, the original twelve guests are members of the family fighting over the will and someone wants the money badly enough to kill for it. Detective Dick Purcell is called in to solve the crime, aided by comic sidekicks and the usual inept policemen who only seem to inhabit "B" mysteries. Directed by William "One Shot" Beaudine, this 60 minute quickie is a darn good version of the Armitage Trail mystery and manages to be a little better that its 1932 predecessor-----though for some reason the 1943 film is much more difficult to see.
I've met several people who feel that this version is much better than the original (Ginger Rogers / Lyle Talbot) picture. I disagree.
All the "spookiness" from the original (including the black-robed 'phantom') is gone, and the film is "just another mystery".
But, to each his own!
Norm
All the "spookiness" from the original (including the black-robed 'phantom') is gone, and the film is "just another mystery".
But, to each his own!
Norm
Mystery of the 13th Guest, The (1943)
** 1/2 (out of 4)
Decent "B" movie about a family getting together for the eldest to announce that his will won't be read for another thirteen years after his granddaughter turns twenty-one. Thirteen years later the guests at that party start turning up dead so it's up to a private detective (Dick Purcell) and a Police Lt. (Tim Ryan) to figure out who's doing the killings. If you're looking for high art then you're not going to find it here but if you're looking for an hour to kill with some light entertainment then you might find this Monogram quickie entertaining. Old 'One Shot' Beaudine certainly doesn't do anything overly special with this murder-mystery but he at least keeps the pace up so that the brief 60-minutes go by quickly and without too much dead space. The screenplay itself certainly doesn't try to do anything ground breaking but it keeps the characters interesting and the murderer under wraps until the very end, which is pretty much all you can ask for out of a film like this. Purcell does a pretty good job with his role and makes the fast-talking wise guy fun to watch. His back-and-forth banter with Ryan is pretty entertaining and Helen Parrish makes for a good female lead. Frank Faylen plays the dimwitted cop and gets a few laughs. The rest of the cast are serviceable and give pretty much what you'd expect out of them. The mystery itself is a pretty good one as I found the murder weapon (an electrical wire attached to a phone) to be quite fun and all the horror trappings like the mysterious hidden doors and traps to help keep things moving. No one is ever going to mistake this film for a classic but if you're a fan of the genre then you'll know that there's much worse out there.
** 1/2 (out of 4)
Decent "B" movie about a family getting together for the eldest to announce that his will won't be read for another thirteen years after his granddaughter turns twenty-one. Thirteen years later the guests at that party start turning up dead so it's up to a private detective (Dick Purcell) and a Police Lt. (Tim Ryan) to figure out who's doing the killings. If you're looking for high art then you're not going to find it here but if you're looking for an hour to kill with some light entertainment then you might find this Monogram quickie entertaining. Old 'One Shot' Beaudine certainly doesn't do anything overly special with this murder-mystery but he at least keeps the pace up so that the brief 60-minutes go by quickly and without too much dead space. The screenplay itself certainly doesn't try to do anything ground breaking but it keeps the characters interesting and the murderer under wraps until the very end, which is pretty much all you can ask for out of a film like this. Purcell does a pretty good job with his role and makes the fast-talking wise guy fun to watch. His back-and-forth banter with Ryan is pretty entertaining and Helen Parrish makes for a good female lead. Frank Faylen plays the dimwitted cop and gets a few laughs. The rest of the cast are serviceable and give pretty much what you'd expect out of them. The mystery itself is a pretty good one as I found the murder weapon (an electrical wire attached to a phone) to be quite fun and all the horror trappings like the mysterious hidden doors and traps to help keep things moving. No one is ever going to mistake this film for a classic but if you're a fan of the genre then you'll know that there's much worse out there.
Perhaps I am not as well-versed in movie history as others are. I don't know what a Monogram film is.
I like mysteries and it was recommended in Netflix. I was surprised to see it only lasted an hour. Of course, well before the hour was up I was grateful for that fact.
This is not a good movie. It's akin to a bad short story; you just have to finish even though you know it's not going to get any better.
The grandfather dies and the folks who were at dinner 13 years before begin dying off. Who is responsible? We eventually find out, but there doesn't seem to be any rhyme or reason as to why that person is responsible.
The dialogue is insipid. The acting is not good. The lighting doesn't seem too good either. There's the hard-edge detective and the campy one-liners. It just didn't work.
Spare yourself; there are better movies out there. There's nothing about this that I find worth sitting through.
I like mysteries and it was recommended in Netflix. I was surprised to see it only lasted an hour. Of course, well before the hour was up I was grateful for that fact.
This is not a good movie. It's akin to a bad short story; you just have to finish even though you know it's not going to get any better.
The grandfather dies and the folks who were at dinner 13 years before begin dying off. Who is responsible? We eventually find out, but there doesn't seem to be any rhyme or reason as to why that person is responsible.
The dialogue is insipid. The acting is not good. The lighting doesn't seem too good either. There's the hard-edge detective and the campy one-liners. It just didn't work.
Spare yourself; there are better movies out there. There's nothing about this that I find worth sitting through.
Did you know
- TriviaFrank Faylen who played policeman "Speed Dugan" would go on to notoriety as Dobie Gillis's father in the early-1960s sitcom "The Many Loves of Dobie Gillis."
- GoofsIt's never said who raises young Marie. Surrounded by aunts, uncles, cousins, a grandfather, and the grandfather's lawyer, she and her brother are supposedly orphans, although this is never said. Why the grandfather favors his granddaughter over his grandson is also a mystery. In that he's soon to die, it's curious who becomes her guardian over the next 13 years (since it's a good guess her grandfather has been watching out for her and won't be around to protect her).
- Quotes
Johnny Smith: Burke, you ought to have that mind of yours dry-cleaned.
Police Lt. Burke: And while I'm at it, I'll have your conscience pressed.
- Alternate versionsAlternate titles include "Dangerous Men" and "The Last Racketeer."
- ConnectionsFeatured in Movies at Midnight: The Mystery of the 13th Guest (1954)
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Details
- Release date
- Country of origin
- Language
- Also known as
- El huésped número 13
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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