Tin Pan Alley Cats

Bob Clampett was a highly imaginative director, with a wonderfully wacky visual style unlike any other animator/director in cartoon history and the humour in his cartoon was often thick and fast, razor sharp and inventive in visuals.

'Tin Pan Alley Cats' is not one of his strongest efforts, and many won't take kindly to some of the material and stereotypes. One can see why it's one of the "Censored 11" cartoons, but to be honest there are worse and more offensive cartoons in this small group, particularly 'Angel Puss' which was both offensive and a bad cartoon.

It is not hard to see why the material in 'Tin Pan Alley Cats' is not for the faint hearted or easily offended. As someone who isn't easily offended, even I had to admit that the characters were poorly drawn, ugly in design and with features ridiculously exaggerated (especially those lips) and that the stereotypes of black people looking, sounding and acting stupid and lazy (which is further from the truth more often than not) are crude, exaggerated to extreme and unsubtle to the point of offensiveness. The cartoon is very light on plot.

Despite all this, there is entertainment value in 'Tin Pan Alley Cats' and much of it is exceptionally made, making it somewhere around top middle of the "Censored 11" cartoons in ranking. Cartoons like 'Angel Puss' don't have the honour of having either of those things. Ugly character designs aside, the animation is extremely imaginative and rich in detail. Even greater is the incredible soundtrack which adds to the cartoon enormously and gives it such energy.

Some amusing moments are present, though the humour could have been more consistent, Clampett's distinctive style shines through loud and clear and there is a wonderfully weird surreal atmosphere that works so well within the cartoon and elevates the material to a higher level actually. The supremely talented Mel Blanc has done much better, having to provide stereotypical voices for the characters, but he does bring exuberance at least. The Four Dreamers, Four Spirits of Rhythm and Zoot Watson add a good deal.

Overall, one of the better "Censored 11" cartoons, despite being racially offensive in places. 7/10 Bethany Cox

Merrie Melodies short, directed by Bob Clampett, notable today for being one of the Censored Eleven. For those who don't know, the Censored Eleven are cartoons that were withheld from syndication because they were considered to be too offensive due to their use of racial stereotypes and imagery. This one bears some similarities to two of Clampett's other shorts, Coal Black and de Sebben Dwarfs (also on the Censored Eleven list) and Porky in Wackyland. The plot, such as there is one, is about a black cat going to a night club where the music works him into such a frenzy he has surreal hallucinations. Look, the stereotypical way black people in this are drawn and speak is gross. I don't think anyone will reasonably deny that. But there is some value in this cartoon that's missing from some of the other Eleven. For one thing, the music is terrific. For another, the animation is really nice (offensive parts aside). The trippy hallucination scene is right up Clampett's alley. No one did these types of scenes better than him at that time. So see it if you're a fan of Clampett's and if you don't have a delicate stomach with regard to the offensive elements.

...that some of the cleverest cartoons were also some of the most racially offensive? Among the examples are Bob Clampett's "Coal Black and de Sebben Dwarfs" and "Tin Pan Alley Cats". This one portrays a Fats Walker-resembling feline who gets blasted outta this world into a setting lifted out of Clampett's earlier "Porky in Wackyland".

Yes, it seems like every time that they came up with a particularly novel idea, it came out like this. Well, maybe not every time. I would advise not watching this for straight-forward entertainment, but rather as a look at Hollywood's portrayal of African-Americans over the years. Available on YouTube.

What marvelous things the animators once did! Seek this out ... great jazz music and Salvador Dali-esque monochrome background art. Brilliant! This inspired cartoon is from the age of pride in creative filmmaking, and as such it is most highly recommended to all. Adults and children alike will appreciate the masterful imageries to be seen and heard.

This cartoon is a wonderful example of Robert Clampett's genius. Perfect musical score; the scene with the scatting trumpet player who blasts Waller "out of this world" into a "Porky in Wackyland" world is an unheralded masterpiece. This one equals or even tops the infamous "Coal Black and De Sebben Dwarfs" for sheer enjoyment. Certainly worth seeking out.