Yellow Canary

The U. S. version of this film (and also a Spanish-subtitled version on Amazon, apparently) is missing around 11 minutes near the beginning. The minutes are rather important, because they include a scene at the protagonist's home that is helpful for later developments. Those minutes also include Nova Pilbeam, who plays the protagonist's sister. This is the version shown on TCM. However, there is a seemingly complete version currently (2021) available on youtube, and the viewer should watch the first quarter-hour there. I thought I was alerted to this fact here on IMDb, and I wanted to thank the user, but I can't find the note. It must have been two reviewers of the Spanish-subtitled version on Amazon. Enjoyable film, more enjoyable with the minutes included. Happy to see Richard Greene, because I always used to watch him in Robin Hood when I was a child. Margaret Rutherford is terrific in her small parts, and Anna Neagle is very good too.

During the war, the Ministry of Information subsided the film industry resulting in a lot of mindless flag-waving carbon copy movies. Not this though! Intelligent, intriguing, suspenseful and extremely well made describes this one.

Some have called this the thinking person's wartime spy film but that makes this sound much drier than this actually is. This is not a dry, cerebral espionage story - this has real, likeable people who make you care about them and drag you into the story. It's even got Margaret Rutherford and Claude Bailey providing exactly the right amount of comedy..... which is a difficult thing to achieve. Most comedic inserts in films of this era are either cringingly unfunny or so out of context that they just annoy you. Herbert Wilcox however gets this spot on.

Although Mr Wilcox had been making pictures for years (indeed, he almost single-handedly started up the British film industry), I've never considered him outstanding. This however is outstanding: superb writing, superb cinematography, superb acting and incredible atmosphere.

Although the soon to be Mrs Wilcox, Anna Neagle had also been making pictures for years, I've never understood what it was about her that made her so popular. Maybe, as is clearly demonstrated in this, it was because she was a brilliant actress. You'll be impressed. Richard Greene is also a surprisingly excellent personable leading man. Lastly, who remembers that old poet Cyril Fletcher reading his silly "odd odes" on That's Life in the seventies? Well here he is as a young man, doing the same, sans chaise!

If you like wartime espionage films - this is for you. (The Ian Fleming in this however isn't that Ian Fleming.)

It's 1940. Observers notice a possible signal to the German bombers up above but Sally Maitland (Anna Neagle) escapes leaving behind a dead body. She is suspected of being a Nazi sympathizer as she boards a ship to Halifax in Canada. She is approached separately by Jim Garrick (Richard Greene) and Polish officer Jan Orlock (Albert Lieven). Apparently, no one is who they appear to be or even pretend to be.

I actually like this movie while they are on the boat. It's fascinating to figure who's who and what's what in a contained location. There is a sense of claustrophobia and a lack of escape. They're trapped. When the Nazis get on board, it elevates the situation but then it goes flat. I start losing the thread of the characters. I don't know why the Nazi would just leave. They should at least execute a few of the passengers. The ship is a vastly better location for a thriller. Once the movie switches to Halifax, the sense of danger lowers. It's not a scary place even if the plot demands it to be important. The most compelling reveal is the truth about the opening scene. This is fine but the second half is a bit flat.

Love a good spy picture, especially those involving double agents and counter spies, and this is one of them. Richard Greene is at his most appealing as a pesty passenger/spy and Anna Neagle is a Nazi sympathizer/ counter spy who meets a Polish national onboard a ship to Halifax who is actually a Nazi operative. Great stuff when you put it all together and add a sinister Nazi espionage plan (is there any other kind of Nazi plan?).

Richard Greene is essential to the main plot, and don't go to the fridge during the passage to Halifax or you will miss a clever bit of deception involving Greene's character, as well as scenes with Margaret Rutherford, who is as delightful as always. "Yellow Canary" is well worth spending the 85 minutes running time. It is entertaining and contains the necessary moments of suspense and excitement that make movie-going so worthwhile.

This is a very clever thriller for its many fascinating details, its splendid dialogue and its total unpredictability. Anna Neagle makes a performance to go down in history, if all her other films will be forgotten, this one will not. Richard Greene also makes one of his best contributions, but the major male actor here is Albert Lieven as the Polish officer, who also makes probably his best performance. He was later to play the lead in "Beware of Pity" (on Stefan Zweig's famous and only novel) but is rather bleak there in comparison with this fascinating character; but this film is full of double characters, as if the major theme of the story and film was just that: double role play.

Herbert Wilcox, director and producer and Anna Neagle's husband, made his mark by witty innovations and brilliant dialogue, which places this spy thriller on a higher level than most, especially of the period. The intrigue is fascinating all the way, as you never can guess what will happen next, the film actually starts off with a profound mystery, as a man is found dead where someone just has been signalling to the Nazis bombing London in the 1940 Blitz, a mystery which leaves you hanging, and it's not until late in the film when you almost already have forgotten it that it is resolved.

The very introduction to the film is also worth a remark. Like in "Hamlet" two watchmen are chatting in the fog at night when the Blitz comes, but what they are discussing is Shakespeare. The other says Bacon, and there is an argument about it, until the second quotes Doctor Johnson: "If Bacon didn't write Shakespeare, he certainly missed his chance."

The scene is London and Canada, that is Halifax in Nova Scotia, and you reach the other scene exactly half way into the film, where Anna Neagle is stranded as a suspect spy or as a security risk placed under constant surveillance, while there is much more to it than that, as the action will prove.

Lucie Mannheim also makes a fascinating performance as the old lady Orlock, but the real original treat is Margaret Rutherford as one of her many delightfully eccentric old ladies - she dominates every scene she is in and gives a special relish of refreshment to the whole film.

In brief, this is and remains a timeless treat for everyone who would enjoy being intrigued.