Yellow Canary

Love a good spy picture, especially those involving double agents and counter spies, and this is one of them. Richard Greene is at his most appealing as a pesty passenger/spy and Anna Neagle is a Nazi sympathizer/ counter spy who meets a Polish national onboard a ship to Halifax who is actually a Nazi operative. Great stuff when you put it all together and add a sinister Nazi espionage plan (is there any other kind of Nazi plan?).

Richard Greene is essential to the main plot, and don't go to the fridge during the passage to Halifax or you will miss a clever bit of deception involving Greene's character, as well as scenes with Margaret Rutherford, who is as delightful as always. "Yellow Canary" is well worth spending the 85 minutes running time. It is entertaining and contains the necessary moments of suspense and excitement that make movie-going so worthwhile.

British, made in 1943, which tells you the ideological basis of the film.

It's a well-worked story of deception and counter-deception, mostly set in Halifax, NS. Evil Nazi agents and heroic British agents, with Richard Greene looking handsomer than ever in the van, mount operations against each other. Anna Neagle plays a double agent, which means she has to act acting, a test of ability which she carries off very well.

Margaret Rutherford has a stormer of a cameo role, shamelessly stealing every scene she's in. Her line "Wouldn't it be nice to do something violent?" is a classic.

Well above average example of routine genre.

Sally Maitland leaves behind her family, for a new life in Halifax, Canada. Having lived in Germany for some time, Sally is seen as a Nazi sympathiser, mistrusted even by her nearest and dearest. Sally is watched throughout her journey.

It's an enjoyable enough spy thriller from the 1940's, what makes this film all the more interesting, is the fact that it was made in the middle of the second world war, so it's somewhat different to the films that were made at the end of the war.

It's well made and well acted, it's a very attractive looking film, and definitely an interesting story, the burning question you'll have going in, is Sally a Nazi sympathiser or not, it doesn't take too long to work it out.

Anna Neagle and Richard Greene are both excellent, a hugely glamorous duo, both of whom had a real screen presence, both were excellent, I can't help but think the film was stolen however, by Margaret Rutherford, a small role, but a hugely effective one.

7/10.

The U. S. version of this film (and also a Spanish-subtitled version on Amazon, apparently) is missing around 11 minutes near the beginning. The minutes are rather important, because they include a scene at the protagonist's home that is helpful for later developments. Those minutes also include Nova Pilbeam, who plays the protagonist's sister. This is the version shown on TCM. However, there is a seemingly complete version currently (2021) available on youtube, and the viewer should watch the first quarter-hour there. I thought I was alerted to this fact here on IMDb, and I wanted to thank the user, but I can't find the note. It must have been two reviewers of the Spanish-subtitled version on Amazon. Enjoyable film, more enjoyable with the minutes included. Happy to see Richard Greene, because I always used to watch him in Robin Hood when I was a child. Margaret Rutherford is terrific in her small parts, and Anna Neagle is very good too.

Readily admitting that I know nothing about Director Herbert Wilcox, I am grateful to IMDB for affording the important - and extremely interesting - piece of information that he was married to the film's female lead, the elegant Anna Neagle, who is also filmed to her advantage as befits a director in love with his star.

Other curiosities are that the excellent support cast includes the great Margaret Rutherford as the nonstop chatterbox, Richard Greene who would become British TV's Robin Hood a decade or more later, the ever slithering Albert Lieven flashing a swastika-bearing cigarette case, and actor Miles Malleson (better known as as the dithering, poetic executioner in KIND HEARTS AND CORONETS) this time out of camera as script writer.

The script certainly is not short on innuendo and clever turns as Neagle receives a stuffed yellow canary in the mail that is her intro to a highly restrictive Nazi cell in Halifax, Canada, to where she travels by ship under the guard of Greene.

Wonderful to see Canadian-British cooperation to down the Nazi cell, pity that Canadian landscapes do not feature more.

Needless to say, you need to suspend your disbelief here and there but YELLOW CANARY is great fun to watch if you are not one of those viewers who expect directors, screenwriters and cameramen in 1943 to be aware of CGI, cinema industry changes and all the rest of it that causes some current viewers to brand movies like this one as "dated."

I enjoyed it thoroughly and hope to have the opportunity to rewatch it in the not too distant future. 7/10.