Bon Voyage

I recently watched Bon Voyage (1944) on Tubi. The storyline follows two refugees in a German prison camp who escape. They are forced to separate on their journey, with the Scottish refugee making it to the French resistance. As they begin asking him questions about his journey, it becomes apparent that nothing was as it appeared...

This short political propaganda film was directed by the iconic Alfred Hitchcock (Psycho) and stars John Blythe (The Happy Breed) and Janique Joelle. The names of most of the cast were kept a secret to protect them from the Nazis. The settings and circumstances pull the audience in, and the acting and dialogue are excellent, as you'd expect from Hitchcock. The characters are easy to root for, and while the cinematography hasn't aged perfectly, it's good enough for an espionage drama. The storyline is intense, and there's a great twist at the end.

In conclusion, Bon Voyage is a fun Hitchcock short film that brilliantly depicts the trials and tribulations of individuals during World War II. I would score this a 7/10 and recommend it to Hitchcock fans.

Coming from someone who considers Alfred Hitchcock her all-time favourite director, both Aventure Malgache and Bon Voyage are interesting curiosities but neither see Hitchcock at his best. While I didn't think much of Aventure Malgache, Bon Voyage was very well-done and you can see why Hitchcock himself was fond of it. The script is lacking in tautness and has a tendency to plod and a couple of the flashbacks flow a little too stiffly, even with those there is much to recommend. While Bon Voyage doesn't quite have Hitchcock all over it or see him show what he was most good at, there is more evidence of his directing style than in Aventure Malgache, the suspense levels are not exactly strong but Bon Voyage is not dull either and has some fun to it. The camera work is clever and meticulously composed and the crisp black and white also impresses. The score is a good mix of haunting and playful, while the story is simpler, much less confused and has some nice twists and turns. Unlike Aventure Malgache, Bon Voyage thankfully is not too dialogue heavy, the French are portrayed more sensitively and the propaganda elements, while also on the dated side, more subtly handled. John Blythe is decent in the lead role. To conclude, not a classic but it is not bad at all and of Hitchcock two French shorts he made in the 40s this is the far superior of the two. 7/10 Bethany Cox

Disclaimer: This review is based on versions of Bon Voyage and Aventure Malgache as seen on Turner Classic Movies. These versions were copyrighted 1993, and I'm assuming they are the same versions previously available on VHS and more recently on DVD. The following criticism is aimed at saving people much grief and money. If someone has seen the DVD and can disqualify any of my remarks, I welcome you to do so. There are so few accurate reviews of obscure DVDs.

Alfred Hitchcock made Bon Voyage and Aventure Malgache (Madagascar Adventure) in 1944 to help the war effort by encouraging the French Resistance. The only people who have ever heard of these short films are Hitchcock fanatics, but even the most die-hard fans need not waste any time looking for these rarities. There is little in Bon Voyage and nothing in Aventure Malgache to indicate the hand of Hitchcock. Both films are in French and suffer from boring framing stories hung with flashbacks and constant voice-over narration. It is unlike Hitch to use so much dialog and the subtitles are difficult to read. The white lettering is hard to read against lighter parts of the background and at least half of the subtitles in Bon Voyage are cropped off the bottom of the screen.

Aventure Malgache tells of the French Resistance smuggling people out of Nazi-controlled Madagascar and is a completely forgettable film. Bon Voyage is more interesting. It tells of a British flier who has escaped from a POW camp. He is traveling with another escaped POW and helped by the Resistance, but there are double-crosses and murder in their path. However, only the murder scenes look like Hitchcock while the other scenes are very static. There is minimal camera movement and when the actors aren't sitting around talking they are shuffling around like zombies. The cropped subtitles leave viewers guessing at many of the finer details. Many references to passwords, place-names, and other important details (something about a cigarette used as a signal) are completely illegible. Bon Voyage does include the "old Gestapo trick" that Martin Landau mentions near the end of North By Northwest, but this is the only connection I could see to Hitch's other films.

If the DVD is significantly better than what I have described (new subtitles in yellow, for instance), please write a review saying so. It is very hard to find detailed reviews of obscure foreign films on DVD. Now I'm going to go critique the 1990 version of Cyrano.

One of two French films Hitchcock made, both during WWII, both propaganda efforts (but not the nasty sort), "Bon Voyage" is a 26 minute long espionage thriller with a mostly uninspired script. It's not a lot of fun to sit through and only really worthwhile for Hitchcock fans or completists... His work here is solid but not remarkable in any way, and while the story is reasonably engaging and the acting good it's all a rather uninspiring and lacking affair. The script's probably to blame, as it's no fun at all when it really should be. A bit of a chore to sit through, to be completely honest.

5/10

"Bon Voyage" was one of two short French language propaganda films made by Alfred Hitchcock for the British Ministry of Information in 1944, the other being "Aventure Malgache". The film depicts the escape of a downed Royal Air Force air gunner through German-occupied France, with the assistance of Resistance fighters. The purpose was presumably to inform French exiles in Britain and America, and those living in territory controlled by the Free French Government, of the work being done, and the sacrifices being made, by their compatriots in the Resistance.

The film is very short, at only 26 minutes long, and today is likely to be principally of interest to Hitchcock completists. It does, however, have its points of interest, notably its use of multiple viewpoints of the same events, a technique that looks forward to later films such as Kurosawa's "Rashomon". We see the airman being debriefed by a Free French intelligence officer in London and quickly realise that the intelligence officer knows things about the escape that the young man himself is unaware of, especially that he has been an unwitting pawn in a German scheme for getting information to one of their agents in Britain. Another theme of the film is a warning to the French to be on their guard against the dirty tricks of the Germans and their Vichy French collaborators.

"Bon Voyage" was presumably intended principally as a propaganda film rather than as dramatic entertainment; had it been intended as the latter, it would have needed to have been at least three times as long. This is the reason why I have not awarded it a mark out of ten.