Andy Hardy's Blonde Trouble

Andy Hardy is going to college! If you've never seen any of the Andy Hardy movies, this isn't a good one to start with, for the sole reason that it's a bit different from the other movies. Usually, Mickey Rooney is a goofy teenager, his older sister Cecilia Parker gets into boy trouble, his mother Fay Holden is ditzy and harmless, and his father Lewis Stone fixes everyone's problems. You've got to watch a few movies to get used to the family before checking this one out, and when you do, you'll be in for a wonderful, heartwarming treat. This installment ends at Thanksgiving, so feel free to check this out with your family at the start of the holiday season.

This is a fantastic addition to the Andy Hardy collection. Mickey is more mature as he leaves for college for the first time. If you're sick of seeing him as an open-mouthed lunatic, you'll love seeing the new side of him. Yes, he has to juggle a set of beautiful twins who make him jump through a couple of hoops, but he grows up immensely. The beautiful twins are Lyn and Lee Wilde, and the fact that Mickey is more interested in the mature Bonita Granville shows his own maturity. Bonita is perfectly cast, a former child star herself who shows the audience a new, calm version as well. She's extremely mature and classy without being snobby, and Mickey is given a great role model of how he should behave during college. Can you imagine how silly he could have become with hazing and fraternity games? Instead, he's introduced to Bonita on the train before school starts and we get to see the positive results.

Also on the train is Herbert Marshall, this volume's guest star. He has a bit of a mysterious persona, so rather than ruin his purpose in the movie, I'll simply give this recommendation: If you liked him in Girls' Dormitory, you'll like him in this.

Don't be surprised if you tear up during the classic man-to-man talks; since they're separated across the miles, Lewis Stone and Mickey Rooney give voice overs to their thoughts, imagining what the other would say. This is a great movie showing how a young person goes to college to prove him or herself independent, but then wishes Mom and Dad were there to help. It's scary going out on your own, and in some ways, this doesn't really feel like an Andy Hardy movie at all. It's very solemn, ending in a somewhat cliffhanger, and picking right up the next movie where it left off. WWII interrupted the series a bit, and it's sobering to know that Mickey joined the army and fought for his country after this movie.

ANDY HARDY'S BLONDE TROUBLE (Metro-Goldwyn-Mayer, 1944), directed by George B. Seitz, marks the 14th installment to the popular "Judge Hardy's Family/Andy Hardy" comedy series that all began as A FAMILY AFFAIR in 1937. Having graduated from Carvel High School with his classmates back in 1941, three years have lapsed since graduation day from ANDY HARDY'S PRIVATE SECRETARY (1941), followed by a few installments before Andy finally heads out for college by the end of ANDY HARDY'S DOUBLE LIFE (1942). Rather than titling this as ANDY HARDY GOES TO COLLEGE, it becomes ANDY HARDY'S BLONDE TROUBLE, meaning the usual antics involving Andy and more girl trouble along the way to college.

Starting off where the previous film, ANDY HARDY'S DOUBLE LIFE (1942) left off (over a year since its last release), Andy Hardy (Mickey Rooney) leaves parents, Judge James K. Hardy (Lewis Stone) and Emily (Fay Holden), his Aunt Milly (Sara Haden) and his hometown of Carvel on a train bound for Wainwright College, now a co-ed university. (The train sequence which follows lasts nearly 40 minutes). While on board, Andy meets Kay Wilson (Bonita Granville), a girl raised by her guardian; Doctor M.J. Standish (Herbert Marshall), a middle-aged gentleman who not only winds up being a former student at Wainwright College, and his father's old classmate, but to be his college dean; and blonde sisters, the flirtatious Lee (Lee Wilde) and serious-minded Lynn Walker (Lynn Wilde). It so happens that the Walker girls are identical twins traveling separately so not to give away their secret that their father, believing Lee is heading for Vermont, that his daughters should be spending more time apart than always together. Yet complications ensue as the confused Andy believes one of the girls to be an individual and not a twin, especially after having loaned one of them money needed for his college expenses. While back in Carvel, Judge Hardy is treated for his tonsilectomy by by Lee Wong How (Keye Luke), a Japanese doctor from Brooklyn (New York). After his recovery, Judge Hardy visits Wainwright College to see how his son is doing, with some surprises ahead.

Other members in the cast are: Jean Porter (Kathy, Beezy Anderson's sister, who dumps her $8 car in the custody of Judge Hardy); Marta Linden (Mrs. Townsend); Connie Gilchrist (Mrs. Gordon); Tommy Dix (Mark); Jackie Moran (Spud); Irving Bacon, Eddie Acuff and Frank Sully (The Taxi Drivers). Series regulars as Marion Hardy (Cecilia Parker); Polly Benedict (Ann Rutherford) and Beezy Anderson (Georgie Breakstone) do not appear. With this strictly Andy Hardy material, Lewis Stone still resumes his star-billing over Mickey Rooney's name in the casting credits. A classic Cole Porter tune, "Easy to Love" is vocalized by The Wilde Twins.

Aside from being the longest (107 minutes) of the entire 16-film series, ANDY HARDY'S BLONDE TROUBLE simply takes time resolving situations involved. The big surprise comes by the appearance of British-American actor, Herbert Marshall, known for his many movie roles dating back to 1930, in notable support, along with Keye Luke (of the "Charlie Chan" series) carrying on his role of Doctor Lee Wong How from the "Doctor Kildare" movie series starring Lew Ayres and Lionel Barrymore. While its extreme length might cause the movie to drag in spots, at least the cast members and Andy Hardy's blonde trouble simply add to its enjoyment.

Never distributed on video cassette but available on DVD, ANDY HARDY'S BLONDE TROUBLE can be found broadcast on cable television's Turner Classic Movies. Next installment: LOVE LAUGHS AT ANDY HARDY (1946) reuniting Mickey with Bonita Granville and their further adventures at Wainwright College. (***)

This installment of the Andy Hardy series of films picks up where the last one left off. Andy is off to Wainwright College. On the train ride there, he meets another frosh-a female (Bonita Granville as Kay Wilson)-who tells him Wainwright is now coed (how convenient for young Hardy!). He also meets a flirty blonde whose erratic behavior is very confusing.

When Andy arrives at Wainwright, he deals with the usual frosh concerns, like uncertainty , then settles into his usual problems-girls and money. Kay is a challenge for small-town Andy; she seems to like older men. The problematic blonde (L. Wilde as L. Walker) brings out the chivalry in Andy.

The theme of this film is maturity. The rather subdued action fits the theme, with Andy becoming circumspect, learning to consider the perspectives of others.

Herbert Marshall acts with restraint as a man who may play a significant part in Andy's education.

Andy Hardy's Blonde Trouble (1944)

** (out of 4)

Overlong, boring and overall disappointing fourteenth entry in the series finds Andy (Mickey Rooney) going to college at Wainright. On the train ride there he meets a woman (Bonita Granville) who is more mature than him and feels that Andy needs to grow up. Also on the train are a couple twins (Lee and Lyn Wilde) who Andy ends up helping. Back in Carver, the rest of the Hardy clan must try and come to terms with Andy being gone. At 107-minutes, this entry runs a good thirty-minutes too long but I'm going to guess part of the blame is on the pre-production. Originally this was meant to be a Rooney-less entry as the star was fighting in WWII so the studio did a screenplay without him. I'm going to guess that the stuff here dealing with the Hardy family on their own was from it and the stuff with Andy was added after he returned. The first thirty-minutes here were actually pretty good as Rooney and Granville had some nice chemistry and their relationship was an interesting one. I thought we also got some funny moments with the twins and a running joke of one constantly flirting with Andy while the other slaps him around; poor Andy not realizing they are twins. We even have another interesting subplot involving an older doctor (Herbert Marshall) and his questionable dealings with Granville. What doesn't work is when they finally arrive at college and things just get stretched out. The screenplay goes in so many directions that it's just downright silly, naive and in the end very boring. Things back in Carver aren't any better as the running joke comes from a Chinese doctor (Keye Luke) filling in for a sick doctor and everyone being shocked that he is a doctor due to his race. We see Judge (Lewis Stone) deal with a sore throat as well as a few more stories involving the broken down car that Andy started selling in the previous film, ANDY HARDY'S DOUBLE LIFE. It goes without saying that the entire cast is good and once again it was a real pleasure seeing Granville, best remembered for her Nancy Drew roles at Warner. The cast is certainly up to a high level but it's a shame the screenplay didn't try to do more.

Andy Hardy (Mickey Rooney) starts Wainwright College, his father's alma mater. He gets into trouble with a couple of mischievous blonde twins and clashes with the dean (Herbert Marshall) over a pretty coed (Bonita Granville) both are attracted to.

Fourteenth entry in the Andy Hardy series. The last film from director George B. Seitz, who died a couple of months after this was released. Seitz had directed most of the Andy Hardy films up to this point. The Hardy series always had cute girls and this one is no exception. Bonita Granville is pretty and likable. Twins Lee and Lyn Wilde are absolutely adorable and very much steal the movie. Also features a crossover with the Dr. Gillespie series via the appearance of Keye Luke's Dr. Lee Wong Howe. The Hardy series and the Kildare/Gillespie series were MGM's best from the late '30s to the mid '40s so it's a nice bonus for fans of both.

One of the lesser Andy Hardy movies. It goes on too long and is in desperate need of some trimming. The movie spends about twenty more minutes on the train to the school than it needed to, plus too much time spent on new characters and too little time spent on the Hardy family back home. Anyway, it's still enjoyable, innocent fun. If you're a fan you're likely to be pleased. But this isn't a good jumping-on point for new viewers.