Andy Hardy's Blonde Trouble

Andy Hardy is going to college! If you've never seen any of the Andy Hardy movies, this isn't a good one to start with, for the sole reason that it's a bit different from the other movies. Usually, Mickey Rooney is a goofy teenager, his older sister Cecilia Parker gets into boy trouble, his mother Fay Holden is ditzy and harmless, and his father Lewis Stone fixes everyone's problems. You've got to watch a few movies to get used to the family before checking this one out, and when you do, you'll be in for a wonderful, heartwarming treat. This installment ends at Thanksgiving, so feel free to check this out with your family at the start of the holiday season.

This is a fantastic addition to the Andy Hardy collection. Mickey is more mature as he leaves for college for the first time. If you're sick of seeing him as an open-mouthed lunatic, you'll love seeing the new side of him. Yes, he has to juggle a set of beautiful twins who make him jump through a couple of hoops, but he grows up immensely. The beautiful twins are Lyn and Lee Wilde, and the fact that Mickey is more interested in the mature Bonita Granville shows his own maturity. Bonita is perfectly cast, a former child star herself who shows the audience a new, calm version as well. She's extremely mature and classy without being snobby, and Mickey is given a great role model of how he should behave during college. Can you imagine how silly he could have become with hazing and fraternity games? Instead, he's introduced to Bonita on the train before school starts and we get to see the positive results.

Also on the train is Herbert Marshall, this volume's guest star. He has a bit of a mysterious persona, so rather than ruin his purpose in the movie, I'll simply give this recommendation: If you liked him in Girls' Dormitory, you'll like him in this.

Don't be surprised if you tear up during the classic man-to-man talks; since they're separated across the miles, Lewis Stone and Mickey Rooney give voice overs to their thoughts, imagining what the other would say. This is a great movie showing how a young person goes to college to prove him or herself independent, but then wishes Mom and Dad were there to help. It's scary going out on your own, and in some ways, this doesn't really feel like an Andy Hardy movie at all. It's very solemn, ending in a somewhat cliffhanger, and picking right up the next movie where it left off. WWII interrupted the series a bit, and it's sobering to know that Mickey joined the army and fought for his country after this movie.

This Andy Hardy film has the titular character on the train to Wainwright to start his freshman year at his father's alma mater. The problem is that he's on that train for a full 45 minutes of the movie's running time. This sets the pace of the entire film as being sluggish and claustrophobic.

While on the train, Andy meets up with a girl who is also on the way to Wainwright, Kay Wilson (Bonita Granville). It's the first year Wainwright has gone coed. It looks like something might be developing between the two, but Kay also seems to have eyes for a doctor Standish (Herbert Marshall). He's older and sophisticated, and Kay is taken with him. Also on the train there are twin blondes trying to stay together in spite of their father's plan to separate them based on the belief that their psyche's will best be adjusted if they spend their young adulthood apart. One of the twins is enrolled at Wainwright, but she has to come up with the money for both of them to live until the non-student can get a job.

The solution? These horrible sociopathic young women con Andy out of a grand total of 38 dollars by having him believe lies about how freshmen at Wainwright are mistreated if they dare have any money on them. They use tears, fears, sweet-talk to keep that money in their hot little hands. By the time I knew the full story of their dilemma it's impossible for me to like them or feel for them given how they've been behaving. The only other girl Andy's age is the mute Katy Anderson, back in Carvel, who is a compulsive car thief. If this is what Andy has to put up with, I'm surprised he didn't change his mind and join the Army. The Germans and the Japanese couldn't be any worse than these awful twins and the car thief!

Another thing that keeps this film from working is that there is very little of the actual Hardy family in the film. The judge gets tonsilitis, but that just seems to be a vehicle for introducing "special guest" Keye Luke as the temporary town doctor, playing the exact same role he plays over in the Dr. Gillespie series of movies. I will admit he does liven up the short Carvel section of a pretty dead film.

I was pretty bored during most of this, and just stuck with it so I could write this review. Perhaps you can find something better to do with your time, like watch the earlier episodes in the series. It really did seem that the Hardy family did not translate well to the war years and beyond.

Andy Hardy's Blonde Trouble is a surprisingly long film starring Mickey Rooney as a kid going to college. The woman he likes (Bonita Granville) prefers Herbert Marshall, the college dean, to Mickey Rooney. And no wonder - Rooney is 24 in this film but looks and sounds about 14, and Granville is 21 and is styled to look like she's in her mid 30s. In the first scene I thought the "twist" was going to be that she was a professor rather than a student.

As a result, visually, a Marshall-Granville romance is significantly more credible than a Rooney-Granville one, even though Marshall was 54. (The fact that he's the college dean and she is a freshman student never appears to be the slightest issue. Nor the fact that he's sleeping on the berth above her during the longest train journey since the Orient Express got stuck in the snow with a corpse).

Had they axed the rather contrived side plot about two identical blonde twins rinsing Rooney for cash, they could have made a shorter and tighter movie. Plus all the family scenes with Rooney's father could easily have been swept away on the cutting room floor. But this film is part of a series of Hardy family films, which I suppose is why they're in there.

There is one very touching scene with a Brooklyn-born Chinese American doctor, in dialogue very compelling for the 1940s (and even so today) he introduces himself with: "Oh I see you're wondering about my nationality. I'm Chinese, and I have a charming disposition, until someone pulls that old crack about 'Confucius say'. At which I go completely berserk and bite little children. Now let's have a look at that throat." Plus ça change, eight decades later.

I would recommend this film as a curiosity, and to fans of any specific actors in it. The twins can apparently sing, so it's rather a shame we don't get more of that.

Andy Hardy is at it again, and this film takes up right where the last one left off. Andy (Mickey Rooney) is on board a train heading toward Wainwright College, the place where his father (Lewis Stone) made a name for himself years before. Andy has sworn off girls to focus on his studies, that is until he learns that the school has gone co-ed. First he meets Kay (Bonita Granville), a beautiful girl whose maturity causes problems for Andy. Also, he meets a blonde who seems to hate him one moment and love him the next. This girl turns out to be two girls (Lee and Lyn Wilde), twins masquerading as one person. Besides problems with girls, Andy faces issues with an older man (Herbert Marshall) who is not who he seems to be. At home, Judge Hardy battles sickness and a new doctor (Keye Luke) while Mother Hardy (Fay Holden) misses her son.

This is a truly enjoyable film; nothing special happens, but it retains the upbeat attitude of the other films in the series. The cast is wonderful, though Rooney's personality seems to have waned a bit to show off the talents of the women in the cast, especially the twins. They're beautiful and funny, adding a welcome new dimension to the movie.

One strange part of the movie are the scenes with the doctor. He is a Chinese man, and everyone in the cast seems to think this is strange and frightening. However, Luke's character takes their stares well and proves himself to be an intelligent and clever member of the cast.

This installment of the Andy Hardy series of films picks up where the last one left off. Andy is off to Wainwright College. On the train ride there, he meets another frosh-a female (Bonita Granville as Kay Wilson)-who tells him Wainwright is now coed (how convenient for young Hardy!). He also meets a flirty blonde whose erratic behavior is very confusing.

When Andy arrives at Wainwright, he deals with the usual frosh concerns, like uncertainty , then settles into his usual problems-girls and money. Kay is a challenge for small-town Andy; she seems to like older men. The problematic blonde (L. Wilde as L. Walker) brings out the chivalry in Andy.

The theme of this film is maturity. The rather subdued action fits the theme, with Andy becoming circumspect, learning to consider the perspectives of others.

Herbert Marshall acts with restraint as a man who may play a significant part in Andy's education.