Dangerous Passage

A Mr. Beck shows up to a South American solicitor's office to find out he has inherited a fortune from a discarded uncle. The solicitor makes him show him his proof of who he is. Then gives him instructions on traveling back to Texas to claim his fortune. That evening he is attacked in an attempt to get his proof of identification papers and he accidentally kills the attacker defending himself. Realizing he has to get out of town quickly, he talks his way on to the only boat leaving port that night. The boat has an additional passenger, a woman who he thinks is a singer escaping her lot in life. On board the ship things aren't what they seem. The lady has a scheme hatched with a crew member...and the captain and other crew members have a scheme of their own going...to top it of the solicitor and another thug board the boat at one of the port stops!

This was a great twisted film noir plot...with a wonderful mid-movie Mexican serenade beachside moment.

If you are a film noir fan...this is one you should know in your repertoire.

The good story setup keeps this action feature going, and makes it worth seeing even though the rest of it is not of particularly good quality. The cast is only adequate, and the production is low-budget in almost every respect. Some of it is covered over by the use of fog, dark passageways, and similar devices in many of the scenes, which gives it a little bit of atmosphere.

The story idea itself is a good one. It follows an American who is living in semi-exile in Central America when he receives news of a large inheritance back in Texas. As he returns to claim it, he finds himself in the middle of two hazardous situations, with one group planning to get him out of the way so that they can grab his inheritance, and part of the ship's crew wanting to get rid of him for reasons of their own. For much of the story, he's not sure whom, if anyone, he can trust.

It's the kind of story that can make a great movie with the right cast and director. Here, it has little help, although it's good enough to make the rest of the movie watchable. The cast is largely unexceptional, although Alec Craig provides a good characterization of the frightened ship's steward, and Phyllis Brooks is at least pleasant to look at. The shady lawyer character is rather obviously intended to be a low-budget version of Sydney Greenstreet's character in "The Maltese Falcon". He provides a few mildly amusing moments, while at other times he falls a bit flat.

A lawyer tells Robert Lowery his grandfather has died and left him a lot of money. Lowery needs to get to Texas ASAP. When someone tries to mug him, he decides not to wait and takes the first ship heading his way. However, there are strange things happen onboard. Fellow passenger Phyllis Brooks is suspicious of him; there's an "accident" involving cut lines that almost kills him.

This is a movie that starts out very nicely, with lots of foggy noir camerawork by DP Fred Jackman Jr. As the movie unreels, Daniel Mainwaring's script falls into standard tropes, and suddenly, Charles Arndt is talking like Casper Gutman. Still, in the end, the story is wrapped up very satisfactorily by director William Berke, one of those fast-working B specialists about whom you wonder what he might have accomplished had he been given an A production.

In short, it's another decently made B production by Pine-Thomas, using proven formulas and good, if cheap actors. It's a very nice time-waster.

Robert Lowery gets some news that he's inherited $200,000.00 and he's got to leave his job as an oil rigger and get to Galveston to claim it. He gets himself mugged on the docks in Tampico and decides to take an earlier sailing tramp freighter as a passenger. But there are some people who want to do him out of the inheritance.

Not only that there's a mysterious dame played by Phyllis Brooks on board, a solicitious steward in Alec Craig and all kinds of other people with mixed motives.

There's two situations going at the same time. Some people are out for the inheritance that he has and another group that means harm to the ship itself. Lowery has to deal with both.

This is not one of the better Pine-Thomas B films from Paramount. It's cheap and it shows. But I will say that Charles Arnt plays a most intriguing and voluble villain. Arnt is definitely taking his cues from Dudley Digges and Sydney Greenstreet as Casper Gutman, though without the gut. Lowery is nowhere near the 'character' that Humphrey Bogart was.

If you watch this film, do it mainly to see Charles Arnt.

Dangerous Passage is an OK (2-stars out of 4) adventure about a US oil worker from South America who inherits $200,000.00 in 1940's dollars (equivalent to more than 10 times that today). Problem is, how can he get to the US in one piece to cash in?

To keep things interesting, Phyllis Brooks, who was the beautiful real-life Ipana toothpaste girl of the 1930's and 40's just happens to be along for the long boat ride to the US. Hard to believe that at the tender age of 30, making only 2 more movies the following year.

A couple of twists to the plot seem to come from nowhere and defy understanding. But they keep it all interesting.

Dangerous Passage is as action packed as the cowboy adventures of the era. A touch slow in spots, but it does keep moving through its 1-hour running time. If you really like this movie (and it is pretty likable), then the movie, "Captain Scarface" is also for you. Both are adventure dramas set on tramp freighters, with the tough guy and the beautiful girl... a classic combination.