Dangerous Passage

A lawyer tells Robert Lowery his grandfather has died and left him a lot of money. Lowery needs to get to Texas ASAP. When someone tries to mug him, he decides not to wait and takes the first ship heading his way. However, there are strange things happen onboard. Fellow passenger Phyllis Brooks is suspicious of him; there's an "accident" involving cut lines that almost kills him.

This is a movie that starts out very nicely, with lots of foggy noir camerawork by DP Fred Jackman Jr. As the movie unreels, Daniel Mainwaring's script falls into standard tropes, and suddenly, Charles Arndt is talking like Casper Gutman. Still, in the end, the story is wrapped up very satisfactorily by director William Berke, one of those fast-working B specialists about whom you wonder what he might have accomplished had he been given an A production.

In short, it's another decently made B production by Pine-Thomas, using proven formulas and good, if cheap actors. It's a very nice time-waster.

A Mr. Beck shows up to a South American solicitor's office to find out he has inherited a fortune from a discarded uncle. The solicitor makes him show him his proof of who he is. Then gives him instructions on traveling back to Texas to claim his fortune. That evening he is attacked in an attempt to get his proof of identification papers and he accidentally kills the attacker defending himself. Realizing he has to get out of town quickly, he talks his way on to the only boat leaving port that night. The boat has an additional passenger, a woman who he thinks is a singer escaping her lot in life. On board the ship things aren't what they seem. The lady has a scheme hatched with a crew member...and the captain and other crew members have a scheme of their own going...to top it of the solicitor and another thug board the boat at one of the port stops!

This was a great twisted film noir plot...with a wonderful mid-movie Mexican serenade beachside moment.

If you are a film noir fan...this is one you should know in your repertoire.

What is it about kissing in older films that make them seem so very staged, and forced? Was it a requirement of film censors for this approach, so impressionable audience members wouldn't be quite as scandalized? Or is it just an extension of how contrived most romances were in a time when the industry was even more male-centered? In any event, the latter certainly describes in general how interactions between stars Robert Lowery and Phyllis Brooks appear on film here. Put that aside, and 'Dangerous passage' holds promise as the story of a shipping vessel where those on board are shady, desperate, or some combination thereof, with a dash of varied hopes and aspirations on top. Pictures from the 30s and 40s that clocked in at such a minute length, as this does, tended more than not to make the most of their span to hook audiences and keep them hooked; while this feature maintains a steady pace, it doesn't seem quite as concerned about its plot development. This isn't to say that it's altogether bland, but story beats come, and go, and build, but there's no real air of urgency or drama about them. I don't think that's anyone's fault per se, just an unfortunate truth of how this production turned out, but it's noticeable all the same.

Spearheaded by Paramount, 'Dangerous passage' comes across as the type of picture that's pitched to an executive, and slammed into production, to fill the release schedule and make a quick, easy buck. This isn't to say that it's rushed, or bad, but only that the relative lack of meaningfully impactful narrative, or characters to get invested in, translates into simple, passive entertainment. It's suitably well made, and acted, with fine production design. Yet even when we do get a burst of plot, or a scene that should carry charged energy, the execution feels almost lackadaisical. All the elements are here for what should be a reasonably compelling drama, yet it seems like there wasn't enough real care put into any one part to impart any earnest vibrancy to the viewer. Alas, it turns out that the same inauthenticity that marks kissing between Lowery and Brooks is a rather accurate summation of the title as a whole.

You could do a lot worse; you could also do a lot better. This is the type of movie to put on when you want to watch something without getting actively engaged in it. Indeed, even if you try, the film itself will discourage your investment, and it's so unbothered about its own plot that the conveyance thereof becomes muddled for the fact of the middling tedium. 'Dangerous passage' is an okay watch for a lazy hour if you come across it, but temper your expectations and don't go out of your way for it.

Robert Lowery gets some news that he's inherited $200,000.00 and he's got to leave his job as an oil rigger and get to Galveston to claim it. He gets himself mugged on the docks in Tampico and decides to take an earlier sailing tramp freighter as a passenger. But there are some people who want to do him out of the inheritance.

Not only that there's a mysterious dame played by Phyllis Brooks on board, a solicitious steward in Alec Craig and all kinds of other people with mixed motives.

There's two situations going at the same time. Some people are out for the inheritance that he has and another group that means harm to the ship itself. Lowery has to deal with both.

This is not one of the better Pine-Thomas B films from Paramount. It's cheap and it shows. But I will say that Charles Arnt plays a most intriguing and voluble villain. Arnt is definitely taking his cues from Dudley Digges and Sydney Greenstreet as Casper Gutman, though without the gut. Lowery is nowhere near the 'character' that Humphrey Bogart was.

If you watch this film, do it mainly to see Charles Arnt.

After being informed that he has just inherited $200,000, "Joe Beck" (Robert Lowry) is then told that he needs to catch the ship departing from Honduras in a couple of days en route to Texas in order to claim it. However, after he is stalked by a man who subsequently tries to kill him, Joe decides to take the first cargo ship out instead. Unfortunately, this particular ship has a captain and first mate who share a sinister agenda that doesn't coincide with taking on passengers like Joe. And they are determined to get rid of him one way or another. Now rather than reveal any more I will just say that, although this movie was rather short (60 minutes) it still managed to maintain my interest for the most part. Admittedly, it had a grade-B look to it but the acting was adequate and having an attractive actress like Phyllis Brooks (as "Nita Paxton") certainly didn't hurt in any way. In any case, while it certainly didn't win any Academy Awards for that particular year, I thought this movie was good enough for a rainy day and I have rated it accordingly. Average.