The Conspirators

You know that Warner Brothers - once they have their hands on a hot property, they slice it, dice it, and put it in the Mixmaster. Just look at the three versions of "The Maltese Falcon."

Now it's wartime, and that hot property is, of course "Casablanca." In "The Conspirators," part of that magnificent cast is reunited - Paul Henried, Sydney Greenstreet and Peter Lorre - in this story of a Dutch freedom fighter, Vincent Van der Lyn, in neutral Lisbon and having trouble figuring out who wants to help him and who wants to hurt him.

The suspects are Greenstreet, the head of a resistance group, Lorre, one of its members, and the exquisite Hedy Lamarr, married to a Nazi official.

The story is harder to follow and ultimately, the film is not as good as "Joan of Paris," another World War II film starring Henried, but it still has great atmosphere and is fairly intriguing.

There just isn't enough of Greenstreet or Lorre, one of the great screen teams. Paul Henried, a very useful actor during World War II while the stars were away, does a good job as Van der Lyn.

Lamarr is positively outrageously beautiful - no, she's not much of an actress - it's a face made for the closeup, and one can just look at her forever. What she brings is a certain enigmatic quality, probably by default, but who cares.

If this pops up on TCM, you won't be sorry you saw it, but you won't be swept away either.

A fine cast throughout. Lorre, Greenstreet, Lamarr, Heinreid. I had even heard of this film before I saw it on Turner Classic Movies. It is certainly not in the class of Casablanca, but it is an excellent WWII thriller. Yes, Lamarr shines in every scene she is in. In fact, she is the main reason to watch this film. She is never more beautiful than in this film, and she certainly is one of the film beauties of all time. But Heinreid is perfect for the lead. It is a bit melodramatic, but we should remember the times when this film was made. The plot is complicated, and this is not a film to "sample" -- the writing is fine, but with few memorable quotes. The black and white photography is excellent. All in all, an excellent film of its type. I recommend it.

Others have commented on the (same) awesome cast, many from Casablanca, so I won't spend much time on that. Begins in the netherlands, where Van der Lyn (Henreid) must get from netherlands to portugal quickly to escape. When he arrives, the germans (and others) take notice of him. He meets up with Irene (Hedy Lamarr), who seems friendly enough, but in wartime, one is never sure who they can trust. Van der Lyn hooks up with a rebel group of the underground, and gets caught up in one of their adventures (recover the eagle!) on the way to his own mission. He spends the rest of the film trying to figure out who to trust... and i guess that's the reality for a spy during wartime. It's entertaining enough. Henreid made this right after Casablanca. Directed by Jean Negulesco.

Paul Henreid was stalwart and in earnest, but, let's face it. He's not Humphrey Bogart, despite his efforts to be a tough leading man and willingness to face danger unafraid. The rest of the cast is excellent, with several familiar faces in Sidney Greenstreet and Peter Lorre, and Hedy Lamarr is gorgeous. In fact, the story is a good one, as has been reiterated by other contributors. There is some tension and suspense at the end of the film, as they try to uncover the traitor in their midst. But Bogey's not there, with his signature snarling inflections and scowling face. Still, it's entertaining on it's own terms and holds the interest throughout.

7/10 - Website no longer prints my star rating.

The greatness of this film lies in its ability to make you feel absorbed in the story, characters' lives, and outcomes. Negulesco's masterful direction and the excellent cast's strong delivery leaves you wanting to follow every move and hear every word.

There is also a nice variety of scenes throughout that engage you in the complexities of the characters' thoughts and lives. It adds to the sense of anxiety they felt during the war, even in neutral Portugal. Through Henreid's early anti-German sabotage in the Netherlands, music at Café Império in Lisbon, barroom conversations and back alley meet-ups, everything feels and moves perfectly, adding depth to the story. No scene, word, or movement is ever out of place.

The entire movie was interesting and enjoyable and I watched it several times in 1 week. Isn't one hallmark of a high quality movie the need to watch it several times to pick up all the nuances? Even so, I never felt like it was on repeat.

One final note - the picture is a little dark, so I increased the screen brightness and turned off the lights in the room and that helped. Also, wish it were available in HD, but otherwise highly recommend!