The Conspirators

Hedy Lamarr is never more beautiful and it is always a pleasure to see Sydney Greenstreet and Peter Lorre together. The story line is fairly good for the era but the on-screen results disappoint. The movie is justifiably compared with the much much better Casablanca. Paul Henreid is escaping from the Nazis in neutral Lisbon. Hedy, Sydney, and Peter all offer help but there are complications. Conspirators abound -- who is to be trusted? All is revealed an a too predictable ending. See this film as an example of movie making during the war or to round out your viewing of its cast. On the other hand, my wife loved it! Go figure.

In order to counter the unbelievably negative previous review I shall first disagree with ALL of the "I spy" review.

Jean Negulesco (Humoresque) directs an all-star cast in "The Conspirators", a truly remarkable film, and a MUST SEE!! This film resembles "Casablanca" in that it has much of its feel--the cast, setting (WWII Portugal), romantic music, this film has it all! Strangely enough, this film bears some similarity to Hedy Lamarr's life in Germany before her escape. She worked extensively against the Nazi's. The fact that she was to be cast in Casablanca instead of Ingrid Bergman goes to show that the chemistry between Paul Henreid was definitely strong. Unfortunately, Lamarr was not able to take the role so it was given to Bergman.

Lamarr's enigma-like qualities is trademark of her style and adds to the film's appeal.

Henreid is in his own element here and the man he was hinted at being in Casablanca comes to life.

Sentimentality evidently fails to appeal to everyone. However, I will conclude with stating how much the messages this film carries appeal to me--the love story filled with strife, as well as fighting against all odds whatever the cost.

The greatness of this film lies in its ability to make you feel absorbed in the story, characters' lives, and outcomes. Negulesco's masterful direction and the excellent cast's strong delivery leaves you wanting to follow every move and hear every word.

There is also a nice variety of scenes throughout that engage you in the complexities of the characters' thoughts and lives. It adds to the sense of anxiety they felt during the war, even in neutral Portugal. Through Henreid's early anti-German sabotage in the Netherlands, music at Café Império in Lisbon, barroom conversations and back alley meet-ups, everything feels and moves perfectly, adding depth to the story. No scene, word, or movement is ever out of place.

The entire movie was interesting and enjoyable and I watched it several times in 1 week. Isn't one hallmark of a high quality movie the need to watch it several times to pick up all the nuances? Even so, I never felt like it was on repeat.

One final note - the picture is a little dark, so I increased the screen brightness and turned off the lights in the room and that helped. Also, wish it were available in HD, but otherwise highly recommend!

Paul Henreid was stalwart and in earnest, but, let's face it. He's not Humphrey Bogart, despite his efforts to be a tough leading man and willingness to face danger unafraid. The rest of the cast is excellent, with several familiar faces in Sidney Greenstreet and Peter Lorre, and Hedy Lamarr is gorgeous. In fact, the story is a good one, as has been reiterated by other contributors. There is some tension and suspense at the end of the film, as they try to uncover the traitor in their midst. But Bogey's not there, with his signature snarling inflections and scowling face. Still, it's entertaining on it's own terms and holds the interest throughout.

7/10 - Website no longer prints my star rating.

OK, if you want Casablanca then watch Casablanca!. I could never completely understand the fuss people make over that film. Yes, I know it has many very good qualities, but some shaky ones as well (alright, perhaps it's time I looked at it again). As for this particular movies attempt to capitalise on the success of the earlier film (Hollywood has always followed the proved formula method - and even more so now) so it might also be said, if this film had come along before Casablanca, it may just have received all the accolades. I'm assuming 'Conspirators' would have been given the bigger budget (it has a more expensive look about it) and as it seems Casablanca was not anticipated to be the hit it turned out, so Warner's would then have hoped to follow up with another winner.

Arthur Edeson's standout Cinematography is mesmerizing. The knockout classic lighting coupled with the great Direction of Jean Negulesco (others have called him insensitive and pedestrian - how unobservant they show themselves to be! best look again is all I can say to them) The strong Max Seiner music score is quite unique to many of his other works ~ with the masterful Orchestrations of veteran arranger Leonid Raab giving the score a potent sound that's perfect for this story. If anything, the post production alterations would have contributed to the movies hard to follow moments and contrivances, but this was typical with many films from this otherwise spot on studio. That said, let's face it, Hedy and Paul do make the most of their exhausted and very scared characters...theirs were strained times to be living through.

Look at it on it's own entertainment merits, the script may have some unevenness and some characters a little familiar, but overall this is not nearly as bad as some might have us believe. Some will, some won't.......KenR