Crime by Night

Sounds like a serious film noir, judging from the title. Wet,dark alleys, trench coats, world-weary private eye, etc. But it's not - "Crime By Night" is a breezy, light-hearted crime story that could have been a series. No telling where Warner Bros. was going with this entertaining B picture, but it could have been better than the main feature it played with.

Jerome Cowan is the star as the genial, unflappable private eye and Jane Wyman is his 'girl Friday', even though she has top billing. Can't remember Jerome Cowan as the leading man before. He spent most of his career as a supporting actor, but goes all out here as he solves a murder mystery - and it's a genuine whodunit, which is the yardstick by which all mysteries are measured. If you haven't seen it and you're a mystery movie fan, give it a shot. It's only 75 minutes of your time.

Larry Borden's career as a concert pianist ended when a dispute with wealthy father-in-law Harvey Carr ended up with his hand chopped by an ax. Carr is found dead from a blow by an ax, and Larry is sure to be the prime suspect. He hires New York detective Sam Campbell and his secretary-partner Robbie Vance. Harvey's daughter and Larry's ex-wife, Irene, also turn up, along with another dead body, the estate's handyman.

Irene is now engaged to Paul Goff, a singer, who has an agent, Ann Marlow. A theory develops that Carr's death involved a wartime spy ring and a chemical plant he owned, and Goff is implicated. Goff is the next murder victim, though. Sam and Robbie eventually deduce that Ann is the actual spy. They solve the case and save Larry, freeing them to return to New York.

Fast-paced mystery that is fairly entertaining and features an interesting protagonist in Jerome Cowan, a quick-talking and sleazy detective. Jane Wyman plays his assistant. The mystery can be complicated, and you have to really pay attention to the conversations.

"Crime by Night" is a lively 1944 film starring Jerome Cowan, Jane Wyman and Faye Emerson.

Cowan plays a private eye trying to help a man wrongly accused of murder. It ends up being a lot more complicated than originally thought. Jane Wyman is his attractive secretary, and Emerson plays a talent representative. Eleanor Parker has a small role as the daughter of the murder victim.

This is an enjoyable B movie that moves fast; Cowan is slick and Wyman looks great and gives a vivacious performance. Cowan was rarely given an opportunity at leads. He makes the most of this one. A good B movie made during World War II.

CRIME BY NIGHT is a neat little programmer that gives JEROME COWAN one of his few leading roles in films. He was usually the man who supported the big Warner stars in films ranging from MR. SKEFFINGTON to THE MALTESE FALCON, always a reliable character actor.

For an up-and-coming contract star, JANE WYMAN was given little to do in this caper, making me wonder how she ever reached full fledged stardom at the studio that insisted on wasting her talent in fluffy, very inconsequential roles in films like this and FLIGHT ANGELS, always the brassy wise-cracking dame before she tackled more serious roles. Another actress with a future at the studio is also on hand in a small part, ELEANOR PARKER, but it's FAYE EMERSON who has the most interesting role and she makes the most of it.

The story is a dull contrivance about a vacationing detective (Cowan) who helps clear an innocent man of murder. He and Wyman join forces to solve the crime which turns out to be embedded in some sort of spy plot that is never hinted at until the final scene.

Summing up: A weak programmer that wastes the Warner contract players.

Private Eye Sam Campbell is hired by the estranged husband of a woman whose father he's accused of killing. With a few good plot twists, he uncovers the real murderer and the reason behind that and two other subsequent killings.

Don't pass up an opportunity to see character actor Jerome Cowan for once in the lead. His most noted role in film was also a detective as Sam Spade's luckless partner Miles Archer in the Maltese Falcon. In that film he was a lady's man whose hormones got him killed. Here he's quite the ladies man as well, but his mind as it turns out is on business first.

Cowan's main squeeze in this film is Jane Wyman. She played a lot of molls before she got real roles of substance later in the decade, culminating with that Oscar for Johnny Belinda. It's interesting to see her in these roles sometimes though.

Of the supporting cast the biggest kudos go to Cy Kendall who was the hapless sheriff. It's a running truism in Hollywood that in these detective stories, the police always get shown up by the private eye. Sometimes the cops are smart, but the private eye is smarter and sometimes they're downright dumb. It's the latter here.

This film is an enjoyable product from Warner's B film unit.