IMDb RATING
6.7/10
7.7K
YOUR RATING
A young, lonely girl lives in a dreamworld with her father's dead first wife as a playmate.A young, lonely girl lives in a dreamworld with her father's dead first wife as a playmate.A young, lonely girl lives in a dreamworld with her father's dead first wife as a playmate.
- Awards
- 1 win & 2 nominations total
Charles Bates
- Jack
- (uncredited)
Linda Bieber
- Little Girl
- (uncredited)
Joel Davis
- Donald Miller
- (uncredited)
Joan Delmer
- Little Girl
- (uncredited)
Gloria Donovan
- Little Girl
- (uncredited)
Edmund Glover
- Card Playing Guest
- (uncredited)
Nita Hunter
- Lois Huggins
- (uncredited)
Delos Jewkes
- Caroler
- (uncredited)
Sarah Selby
- Miss Plumett - Caroler
- (uncredited)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Never mind the lurid title; this is a charming fantasy involving a little girl and a lonely retired actress. Julia Dean actually hadn't done a film for a quarter of a century, and is terrific in her comeback role of the secluded actress who is delighted to befriend the child. Recommended to all.
Lewton's sequel to the almighty "Cat People" is a mesmerizing and elegant fantasy, but it is by no means a horror film. It's a touching drama and a perceptive social portrait that makes a great study on loneliness and creating an alternate dreamworld. In this case: a young girl that hasn't got much contact with her classmates because of her constant daydreaming and often alarms her parents due to her isolated position. Amy eventually finds true friendship in the supernatural form of Irena, the deceased first wife of her father. Although entirely different in purpose and message, "Curse of the Cat People" actually has a lot more in common with its predecessor than it looks. Three essential characters return and their personalities haven't changed. Irena (played by the goddess Simone Simon) is still a warm-hearted but frigid woman and Ollie is still a loving man incapable of handling the supernatural events around him. Basically, this sequel is quite a unique achievement in cinema as it forms a solid wholesome with the first, despite implementing an entirely different tone. There are some genuine moments of fear, but these are the result of a terrific sub-plot in which an elderly Mrs. Farren (Amy's neighbor) accuses her daughter Barbara of being an impostor and a replacement for her real daughter who died in an accident. The film is beautiful to look at, with a stunning photography and excellent sets. The end-sequence (involving an imaginary metamorphosis) is breath-taking and one of the most enchanting moments in cinema history. The acting performances are flawless and the crush I had on Simone Simon only got intenser! Robert Wise does a terrific directing job (his debut) along with the unknown Gunther Von Fritsch. Wise continued working for Val Lewton one year later with the effectively creepy "The Body Snatcher". I will probably always prefer the original "Cat People" simply because that is one of the most impressive and intelligent stories ever but this imaginative sequel is almost as brilliant. Highly recommended.
...this one is thoroughly commendable.Jacques Tourneur's "cat people " was more psychological Freudian fantasy and horror whereas Robert Wise 's sequel mostly deals with Gothic horror.This Gothic horror he would take to its absolute peak with "the haunting" ,twenty years after.
For a relatively short movie (about 70 min),there are SIX almost equally important female characters:the girlie,her mother,her teacher,her "friend" ,the old (laughing)lady and her daughter.This is the continuing story of Oliver Reed (not the actor)and the Alice whom he married after first wife Irena's death.The three characters -you read well even Irena) appear in the sequel.There's a lot of Gothic elements :the old house where an old lady tells terrifying tales about "sleepy hollow" (precisely Tim Burton's "spleepy hollow"),the strange borders of dream and reality,of the living and the dead,a subject which will be used a lot of times ;even if we can see the '"friend" ,she recalls sometimes Victor's part in Amenabar's masterful "the others".
But like in Tourneur's version,there may be also a Freudian side :the father/daughter does not seem to be very satisfying at the beginning of the film.Would the child be Irena's psychic daughter?
For a relatively short movie (about 70 min),there are SIX almost equally important female characters:the girlie,her mother,her teacher,her "friend" ,the old (laughing)lady and her daughter.This is the continuing story of Oliver Reed (not the actor)and the Alice whom he married after first wife Irena's death.The three characters -you read well even Irena) appear in the sequel.There's a lot of Gothic elements :the old house where an old lady tells terrifying tales about "sleepy hollow" (precisely Tim Burton's "spleepy hollow"),the strange borders of dream and reality,of the living and the dead,a subject which will be used a lot of times ;even if we can see the '"friend" ,she recalls sometimes Victor's part in Amenabar's masterful "the others".
But like in Tourneur's version,there may be also a Freudian side :the father/daughter does not seem to be very satisfying at the beginning of the film.Would the child be Irena's psychic daughter?
Curse of the Cat People is an intriguing tale, beautifully filmed in a style that bears more resemblance to a Grimms fairytale than horror, with a mesmerizing performance from Ann Carter. This is her film and she is strong and convincing in the role. The exploration of the insecurity of the child coupled with a troubled relationship with her father is fascinating. I have not seen Cat People and, possibly, aspects of the history of the demise of Irena would be clearer having seen the original. The expectation of a "horror" film with the suggestive title is also misleading. If you are looking for horror you will need to look elswhere. This is ultimately a surprisingly sensitive and uniquely haunting film that would appeal on many levels.
This film is so much more than it appears to be at first viewing. It is essentially an adult's view of a lonely child's fantasies and how those fantasies affect her relationships with the adults around her. The performances are uniformly excellent with Ann Carter as Amy, the lonely girl, a standout. Her angelic look is perfect for her character. Also excellent are Julia Dean as Mrs. Farren, the ex-stage actress living in her own fantasy world, and Elizabeth Russell as her daughter, Barbara. And to justify the title reference to "Cat People", Simone Simon appears as Amy's imaginary friend. This is a small film that deserves a much larger audience. Excellent in all respects.
Did you know
- TriviaAlthough this sequel to Cat People (1942) is said to have nothing to do with the original film, in reality it is a continuation in the sense that the same actors (Kent Smith and Jane Randolph) play the same characters (Oliver Reed and Alice Moore) who fell in love at the end of the previous film. They are here married and have a daughter. Also, Irina (Simone Simon), who was the first Mrs. Reed, plays a prominent part in this story. However, this film has nothing whatsoever to do with the "cat people" of the original movie, nor with any curse.
- GoofsThe photograph Amy finds in the drawer is seen in closeup to be a portrait of Irena. In long shots, however, it looks more like a wedding picture with one person in white and another in black standing side-by-side.
- Quotes
Ghost of Irena: I come from great darkness and deep peace.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in Film Review: Robert Wise (1967)
Details
Box office
- Budget
- $150,000 (estimated)
- Gross worldwide
- $300
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.37 : 1
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