The Curse of the Cat People

Curse of the Cat People is an intriguing tale, beautifully filmed in a style that bears more resemblance to a Grimms fairytale than horror, with a mesmerizing performance from Ann Carter. This is her film and she is strong and convincing in the role. The exploration of the insecurity of the child coupled with a troubled relationship with her father is fascinating. I have not seen Cat People and, possibly, aspects of the history of the demise of Irena would be clearer having seen the original. The expectation of a "horror" film with the suggestive title is also misleading. If you are looking for horror you will need to look elswhere. This is ultimately a surprisingly sensitive and uniquely haunting film that would appeal on many levels.

'The Curse Of The Cat People' isn't really a sequel to 'Cat People' despite several recurring characters. It also isn't strictly a horror movie, despite having some suspenseful moments. Like 'Cat People' the line between the real and the imaginary is blurred, and being a Val Lewton production it is extremely atmospheric. 'Cat People's director Jacques Tourneur is replaced by Gunther von Fritsch, who I confess to know absolutely nothing about, and Robert Wise, who among many other things, is beloved to genre fans for 'The Day The Earth Stood Still' and 'The Haunting'. I'm not as big a fan of the latter as most horror buffs, I actually think 'Curse Of The Cat People' is the better movie. Kent Smith and Jane Randolph reprise their 'Cat People' roles. They are now married and have a child (Amy, played by the talented child actor Ann Carter). Smith is still trying to get over the death of his first wife Irena (Simone Simon), a story we know from the earlier picture. Amy is a loner with a rich fantasy life and this increasingly troubles her father, who fears it's going to be Irena all over again, even though Amy isn't her child. Amy wishes for a friend and begins to see Irena. Like 'Cat People' this can be "read" in any way the viewer cares to. This movie is one of the best I've ever seen about childhood and fantasy. Ann Carter is just terrific, and I particularly enjoyed the subplot involving her eccentric neighbours played by Julia Dean and Elizabeth Russell. These scenes were creepy and very gothic reminding me of both 'Rebecca' and 'Great Expectations'. Russell also had a very memorable bit in 'Cat People'. Her scene towards the end of the movie with Amy is unforgettable. 'Curse Of The Cat People' is overshadowed by 'Cat People', but to me it is almost as great. I highly recommend both movies and other Lewton productions like 'I Walked With A Zombie' (directed by Tourneur) and 'The Body Snatcher' (directed by Wise). These are some of the most important and influential horror movies ever made.

This film is so much more than it appears to be at first viewing. It is essentially an adult's view of a lonely child's fantasies and how those fantasies affect her relationships with the adults around her. The performances are uniformly excellent with Ann Carter as Amy, the lonely girl, a standout. Her angelic look is perfect for her character. Also excellent are Julia Dean as Mrs. Farren, the ex-stage actress living in her own fantasy world, and Elizabeth Russell as her daughter, Barbara. And to justify the title reference to "Cat People", Simone Simon appears as Amy's imaginary friend. This is a small film that deserves a much larger audience. Excellent in all respects.

Never mind the lurid title; this is a charming fantasy involving a little girl and a lonely retired actress. Julia Dean actually hadn't done a film for a quarter of a century, and is terrific in her comeback role of the secluded actress who is delighted to befriend the child. Recommended to all.

...this one is thoroughly commendable.Jacques Tourneur's "cat people " was more psychological Freudian fantasy and horror whereas Robert Wise 's sequel mostly deals with Gothic horror.This Gothic horror he would take to its absolute peak with "the haunting" ,twenty years after.

For a relatively short movie (about 70 min),there are SIX almost equally important female characters:the girlie,her mother,her teacher,her "friend" ,the old (laughing)lady and her daughter.This is the continuing story of Oliver Reed (not the actor)and the Alice whom he married after first wife Irena's death.The three characters -you read well even Irena) appear in the sequel.There's a lot of Gothic elements :the old house where an old lady tells terrifying tales about "sleepy hollow" (precisely Tim Burton's "spleepy hollow"),the strange borders of dream and reality,of the living and the dead,a subject which will be used a lot of times ;even if we can see the '"friend" ,she recalls sometimes Victor's part in Amenabar's masterful "the others".

But like in Tourneur's version,there may be also a Freudian side :the father/daughter does not seem to be very satisfying at the beginning of the film.Would the child be Irena's psychic daughter?