A drifter claims the money in an old bank account by impersonating someone else with the same name. Soon he finds himself the target of a man who turns out to be the son of the old partner o... Read allA drifter claims the money in an old bank account by impersonating someone else with the same name. Soon he finds himself the target of a man who turns out to be the son of the old partner of the impersonated man's father, who caused his partner to do time in prison.A drifter claims the money in an old bank account by impersonating someone else with the same name. Soon he finds himself the target of a man who turns out to be the son of the old partner of the impersonated man's father, who caused his partner to do time in prison.
Frank Baker
- Club Patron
- (uncredited)
Walter Baldwin
- Fireman
- (uncredited)
Willie Best
- Men's Room Attendant
- (uncredited)
Edward Biby
- Club Patron
- (uncredited)
Edgar Dearing
- Bank Guard
- (uncredited)
George Ford
- Clerk
- (uncredited)
Otto Forrest
- The Whistler
- (uncredited)
Howard Freeman
- M.K. Simmons
- (uncredited)
Edna Holland
- Childrens Aid Society Woman
- (uncredited)
Eddie Kane
- Haberdasher at Edwards
- (uncredited)
Donald Kerr
- Newspaper Photographer
- (uncredited)
Matt McHugh
- Tom, Reporter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The mark of the whistler 1944
Film noir, by definition, deals with crime and that too in a stylised way. These films galore in Hollywood in the 40s to 60s period. One such film is this.
The story is narrated by an incognito narrator (the whistler) and is about a stone broke man who gets into the hotseat due to his greed for easy money. The storyline is simple, characters are very few and the filming is seamless. The suspense is kept intact, though it isn't a 'whodunit'. The protagonist gets his share for his part on the day of reckoning and there is one major suprise in the end too. Roughly an hour long, this drama is worth watching and you wouldn't regret it.
Film noir, by definition, deals with crime and that too in a stylised way. These films galore in Hollywood in the 40s to 60s period. One such film is this.
The story is narrated by an incognito narrator (the whistler) and is about a stone broke man who gets into the hotseat due to his greed for easy money. The storyline is simple, characters are very few and the filming is seamless. The suspense is kept intact, though it isn't a 'whodunit'. The protagonist gets his share for his part on the day of reckoning and there is one major suprise in the end too. Roughly an hour long, this drama is worth watching and you wouldn't regret it.
Second in Columbia's Whistler series starring Richard Dix and directed by William Castle. In each movie, Dix played a different character in a film noir mystery thriller. This time around he plays a bum who tries his hand at identity theft to claim some money that belongs to someone sharing the same name as him. Good support from Porter Hall and Paul Guilfoyle. Dix is solid as our lantern-jawed "hero." Some nice twists & turns in this one. Castle does a fine job building suspense with scenes like when Dix is sitting in the bank, growing uncomfortable with everyone staring at him. I was on the edge of my seat about what's going to happen to this guy for awhile. Is he going to get away with it? Do I want him to get away with it? My only real complaint is the sucky ending, undoubtedly tacked-on because of the Production Code. Still, it's a pretty good B picture that kept my interest throughout.
The series is unique in that although Richard Dix stars in the first seven movies in the series he does not play the same character. As a result, each film has to stand on its own merits. There is no opportunity to introduce the audience to a suave character in the first movie or two and then ride the series out with a group of sub-par films. The quality of the movies throughout the series very good. The only character common to each movie is "The Whistler" who "knows many things". In the first movie Dix plays the hero haunted by the death of his wife. In this offering, Dix plays the anti-hero who perpetrates a fraud to come into money that is not rightfully his. He is then pursued by the sons of a man sent to prison by the father of the person with a legitimate claim to the money. Many of The Whistler movies have a unique or surprising "twist" close to the end that significantly changes the expected outcome. This has possibly the best.
The tangled web we weave strikes again in Mark of the Whistler, starring as usual Richard Dix. This story is by Cornell Woolrich and directed by William Castle, so it has a good pedigree.
The Whistler narrates the story but isn't seen and doesn't interfere. Nice work if you can get it.
Here Dix is a drifter, Lee Nugent, who sees that a bank is seeking owners of old bank accounts that haven't been claimed. He manages to convince a store owner to give him a new suit for a cut of the money. After doing his research and feeling safe that the real man will not come forward, he is ready to approach the bank.
It turns out to be a sizable sum, and he eventually collects. However, he becomes the target of a man whose father was cheated by Lee's father and forced to do time in prison.
I'm never thrilled by Richard Dix, but there are some turns in this story that make it watchable.
The Whistler narrates the story but isn't seen and doesn't interfere. Nice work if you can get it.
Here Dix is a drifter, Lee Nugent, who sees that a bank is seeking owners of old bank accounts that haven't been claimed. He manages to convince a store owner to give him a new suit for a cut of the money. After doing his research and feeling safe that the real man will not come forward, he is ready to approach the bank.
It turns out to be a sizable sum, and he eventually collects. However, he becomes the target of a man whose father was cheated by Lee's father and forced to do time in prison.
I'm never thrilled by Richard Dix, but there are some turns in this story that make it watchable.
Like all but the final installment of the Whistler films, this one stars Richard Dix...and just like in several others, he's a bit of a scum-bag. When the film begins, he is a drifter and happens upon an interesting con. He's just learned about a tragic fire back in 1912 and a surviving boy was left without a family following this. A few years later, this Lee Nugent disappeared from his foster home...and no one's seen him since. However, there is a dormant bank account and armed with some inside information, the drifter decides to impersonate Nugent and collect. But how much? And, is it possible without any documentation that he'll be able to pull off this scam?! And, might he be walking into a deadly situation by claiming to be Nugent? Well, like in "Date Night", the anti-hero in this film learns the hard way that taking another's identity is not all it's cracked up to be!
All in all, this is an exciting installment...though what occurs to 'Nugent' isn't exactly a surprise...even the surprise twist at the end. However, the acting is nice and the direction likewise. Because of this, it makes for a diverting B movie. Not one of the best in the series but still quite good...and worth seeing.
All in all, this is an exciting installment...though what occurs to 'Nugent' isn't exactly a surprise...even the surprise twist at the end. However, the acting is nice and the direction likewise. Because of this, it makes for a diverting B movie. Not one of the best in the series but still quite good...and worth seeing.
Did you know
- ConnectionsFollowed by The Power of the Whistler (1945)
Details
- Release date
- Country of origin
- Language
- Also known as
- Dormant Account
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 2m(62 min)
- Color
- Aspect ratio
- 1.37 : 1
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