The Mummy's Ghost

The Mummy's Ghost is the third of four movies in the original "The Mummy" franchise.

It follows on from the previous film and yet another high priest has risen our mummy (Played again by Lon Chaney Jr). Once again he is after the reincarnation of his original love. Trouble is this is the third time we've seen the same plot.

I'm not saying The Mummy's Ghost is any worse than the rest, it's just the same thing.

What it does have however is a very shocking and surprising finale that I found very entertaining. Movies from this time tended to be very predictable so this came as a surprise.

For fans this will entertain, but it could easily have been a stand alone movie.

The Good:

Fantastic finale

Well enough made

The Bad:

Some very hammy acting

Things I Learnt From This Movie:

Fainting was a big thing for women in the 1940's

Mummy tantrums are hilarious

Ancient egyptian bandages were bullet proof

Lon Chaney doesn't say much to me as the mummy.The old high priest is still alive(yet again he thinks he's dying though)and he passes the job of feeding Kharis to one of his students again.This time their job has something added to it.Now they're going to get princess Annaka back to life.But along the way,they run into an unexpected suprise...........

MORD39 RATING: **1/2 (of ****)

This third film in the "Kharis" series is one of the better efforts, thanks to a new storyline centering on the reincarnation of the mummy's lover into the body of a modern-day woman.

John Carradine is on hand as the high priest who revives Kharis (Lon Chaney for a second time) and supplies him with tana fluid to keep him stalking. This chapter also features Chaney's best performance as Kharis, and you can definitely see his looks of sadness, frustration, and anger in key scenes.

Ramsay Ames and Robert Lowery are weak as the leads, and they bring the evaluation of the movie down a notch.

An easy 60 minutes of classic fun from Universal.

Third in the Universal Kharis series, continuing after THE MUMMY'S TOMB (1942). Despite the increasingly familiar nature of these Mummy sequels, this one still has enough to make it brisk and enjoyable. A significant boost is added in casting John Carradine as the newest high priest who keeps Kharis (Lon Chaney) well fed and back on the march - this time with a new angle in trying to reunite the mummy with his princess Ananka, who is now reincarnated into the form of a sexy modern woman (Ramsay Ames).

For some lucky reason, Chaney thankfully invests some character into Kharis this time, allowing him to become visibly angered, frustrated, and even saddened during the course of the movie. The biggest drawback for this chapter is that Robert Lowery and Ramsay Ames are pretty lousy as the two leading lovers. Universal stock music is used to great effect in many sequences, and there is an offbeat ending that may be the best one of the series.

*** out of ****

"The Mummy's Ghost" is haunting and unforgettable thanks to the appearance of probably the most ravishing starlet to ever grace the screen: Ramsey Ames. She portrays the doomed Princess Ananka/Amina Monsouri heroine with a brooding, tremulous quality and when she sinks into the quicksand at the end with the mummy, you're shocked by watching her age into a 1000 mummy's bride. John Carradine is in great form as the high priest of arkham. Robert Lowery is unusually surly as the boyfriend. Reginald LeBorg directed this l944 classic. He originally wanted Acquanetta as the heroine but this sultry starlet fell and injured her shoulder on the first day of shooting. Ames was criminally ill-used by Universal but looked great in a short bob for the Republic serial, "G-Men Never Forget" in l947. Before she died two years ago from throat cancer, she remembered that Lon Chaney, who played the mummy, created many problems but she wouldn't specify. Other reports have it that Chaney was usually drunk by 12 noon. Ames was terrified he would stumble with her on the long, steep boardwalk to the remote shed and also into the swamp.wonderful atmosphere, classic musical scoring (originally from "Son of Frankenstein). Vera West does brilliant job in designing Ames beautiful white silk gowns.