An unscrupulous woman and her brood prey on soldiers and sailors in an embarkation city.An unscrupulous woman and her brood prey on soldiers and sailors in an embarkation city.An unscrupulous woman and her brood prey on soldiers and sailors in an embarkation city.
Dorothy Morris
- Rosalie Dibson
- (as Dorothy Ruth Morris)
Wally Cassell
- Jenkins
- (uncredited)
Kernan Cripps
- Police Scientist
- (uncredited)
Tom Drake
- Radio Broadcaster
- (voice)
- (uncredited)
Dick Elliott
- Mac McLean
- (uncredited)
William Frambes
- Serviceman in Police Station
- (uncredited)
Dell Henderson
- Plainclothesman
- (uncredited)
Herbert Heywood
- Hotel Clerk
- (uncredited)
John Kellogg
- Soldier Assisting Police
- (uncredited)
Nolan Leary
- Messenger
- (uncredited)
Mitchell Lewis
- Plainclothesman
- (uncredited)
Robert Middlemass
- Detective
- (uncredited)
Featured reviews
This film is about a family of scum and a cop, Lt. Lorrgan (Edward Arnold) who knows that they are scum and hopes to catch them! It seems that the Dibson family would rather make money picking pockets and rolling drunks instead of working and one of the sons, Lucky, is coming home from prison. He's learned nothing from his incarceration and plans on going right back to his crooked ways....just like his mother, brother, sister and Lucky's wife.
Up until the end, I fully intended to give this one a 7...or possibly and 8. MGM Made an awfully good B-movie...that is, up until the end. Just a few minutes from the end of the film, the Lieutenant goes to the Dibson family home to look for the sons. However, Ma doesn't want him arresting her sons, so she pulls a gun on the cop. He's able to get it away from her and only a minute or so later, the sons arrive. Now, remember, Ma just threatened to kill the cop with a gun...and no one is paying attention to her and she, once again, grabs a gun!! Now, no cop could be THAT stupid...and Arnold's character didn't seem dumb at all up until then. I think the director just wanted to wrap the film up and keep it B-movie length....and Bs were supposed to be inexpensive...so they just filmed this contrived portion instead of coming up with some better ending!
Up until the end, I fully intended to give this one a 7...or possibly and 8. MGM Made an awfully good B-movie...that is, up until the end. Just a few minutes from the end of the film, the Lieutenant goes to the Dibson family home to look for the sons. However, Ma doesn't want him arresting her sons, so she pulls a gun on the cop. He's able to get it away from her and only a minute or so later, the sons arrive. Now, remember, Ma just threatened to kill the cop with a gun...and no one is paying attention to her and she, once again, grabs a gun!! Now, no cop could be THAT stupid...and Arnold's character didn't seem dumb at all up until then. I think the director just wanted to wrap the film up and keep it B-movie length....and Bs were supposed to be inexpensive...so they just filmed this contrived portion instead of coming up with some better ending!
It's a typical wartime home: service star in the window, family sitting quietly in the living room. The door bell rings. It's a a telegram. There's tension. Tom Trout is coming home! They discuss what food there'll be and argue over who gets to cook it. After all, it's not everyday that Tom gets out of prison!
Selena Royle is the mother of the brood, with Dan Duryea as the other son; Audrey Trotter (in her screen debut) is Trotter's wife, and there's little Dorothy Morris to round out the clan. Police lieutenant Edward Arnold never seems far away, urging Trotter to keep out of trouble, mentioning that the farms are short-handed Mostly, though, this movie is hanging around, waiting for the boys to do something dangerous and get collared. With less than an hour to do it in, it doesn't take long.
A great opening scene and Arnold playing one of his chuckling characters keeps this one good. Otherwise, it looks like an expanded entry in the Crime Does Not Pay series.
Selena Royle is the mother of the brood, with Dan Duryea as the other son; Audrey Trotter (in her screen debut) is Trotter's wife, and there's little Dorothy Morris to round out the clan. Police lieutenant Edward Arnold never seems far away, urging Trotter to keep out of trouble, mentioning that the farms are short-handed Mostly, though, this movie is hanging around, waiting for the boys to do something dangerous and get collared. With less than an hour to do it in, it doesn't take long.
A great opening scene and Arnold playing one of his chuckling characters keeps this one good. Otherwise, it looks like an expanded entry in the Crime Does Not Pay series.
While boasting "more stars than there are in heaven" MGM was not terribly stellar when it came to making crime pictures. This is a somewhat clunky example of that shortfall, but still worth an hour of your time.
What's interesting about Main Street After Dark is its noirish view of the American home front during World War II, made when the war was still going on.
No Andy Hardy-like coziness here. Main Street in this burg is teeming with pickpockets and pattyrollers (whatever those are) all eager to bamboozle the boys in uniform before they ship out.
All in all, it's a surprisingly gritty take on the seamy side of wartime America, enlivened by the screen debut of Audrey Totter, who plays-what else?-one tough dame.
What's interesting about Main Street After Dark is its noirish view of the American home front during World War II, made when the war was still going on.
No Andy Hardy-like coziness here. Main Street in this burg is teeming with pickpockets and pattyrollers (whatever those are) all eager to bamboozle the boys in uniform before they ship out.
All in all, it's a surprisingly gritty take on the seamy side of wartime America, enlivened by the screen debut of Audrey Totter, who plays-what else?-one tough dame.
Main Street After Dark starts out like a big city Shadow of A Doubt, takes a brief turn into Arsenic and Old Lace territory, and then spends it's last half hour playing out as an expanded edition of MGM's Crime Does Not Pay series. It's vaguely unsatisfying but features a stellar cast and has moments of noir sensibility. There are many worse ways to spend a mere 57 minutes of time.
Too bad that more work and fine tuning wasn't put into this film. What you get is a mildly entertaining programmer about a family of pickpockets harassed by a police lieutenant who could be held partly responsible for the murder that takes place during a robbery. Even the title is misleading. with a title like "Main street After Dark," one would expect to see either a film noir or a "Naked City" type docudrama. Instead we get a "Crime Does Not Pay" type package that plays too much like a stage presentation, especially for the first thirty minutes. That's not to take away from an intriguing story, acted out by a stellar cast. One of the reviewers for IMDb mixes up the family, although the review itself is excellent. The family consists of ma, one daughter, and two sons. Lefty is one of the sons. He is married to Jessie Belle.
Did you know
- TriviaFilm debut of Audrey Totter.
- GoofsWhen Lorrigan is checking Lefty's hands with the ultraviolet lamp, Lefty's hands alternate from palms up to palms down between shots.
- ConnectionsReferenced in The Middle Men (2021)
Details
- Release date
- Country of origin
- Language
- Also known as
- Paddy Rollers
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 57m
- Color
- Aspect ratio
- 1.37 : 1
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